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Home from a six-month assignment to war-torn East Asia, genetically engineered supersoldier Noah "Comet" Wu just wants to kick back, share a beer, and talk shit with his best friend, JT. But JT's home has been shot up like a war zone, and his friend has gone missing. Comet's only lead is a smart-mouthed criminal he finds amid the mess. His name's Buzz Howdy. He's a con man and a hacker and deserves to be in jail. Or in handcuffs, at least. The only thing the two have in common is JT. Unless you count the steamy glances they're sneaking at one another. They have those in common too. But that just makes Comet all the more wary. Despite their mutual distrust, they'll have to work together to rescue JT before a cyborg assassin gets to him first. Racing down a miserable stretch of road called Apocalypse Alley, they must dodge radioactive spiders, a killer Buick, and rampaging cannibals. They also try to dodge each other. That last bit doesn't work out so well.
The savage, apocalyptic classic novel by the Nebula and Hugo Award-winning author that inspired the cult 1977 film starring Jan-Michael Vincent and George Peppard is reissued.
In her first novel since the Pulitzer Prize–nominated The Quick and the Dead, the legendary writer takes us into an uncertain landscape after an environmental apocalypse, a world in which only the man-made has value, but some still wish to salvage the authentic. "She practices ... camouflage, except that instead of adapting to its environment, Williams’s imagination, by remaining true to itself, reveals new colorations in the ecology around her.” —A.O. Scott, The New York Times Book Review Khristen is a teenager who, her mother believes, was marked by greatness as a baby when she died for a moment and then came back to life. After Khristen’s failing boarding school for gifted teens closes its doors, and she finds that her mother has disappeared, she ranges across the dead landscape and washes up at a “resort” on the shores of a mysterious, putrid lake the elderly residents there call “Big Girl.” In a rotting honeycomb of rooms, these old ones plot actions to punish corporations and people they consider culpable in the destruction of the final scraps of nature’s beauty. What will Khristen and Jeffrey, the precocious ten-year-old boy she meets there, learn from this “gabby seditious lot, in the worst of health but with kamikaze hearts, an army of the aged and ill, determined to refresh, through crackpot violence, a plundered earth”? Rivetingly strange and beautiful, and delivered with Williams’s searing, deadpan wit, Harrow is their intertwined tale of paradise lost and of their reasons—against all reasonableness—to try and recover something of it.
Mortimer Tate was a recently divorced insurance salesman when he holed up in a cave on top of a mountain in Tennessee and rode out the end of the world. Go-Go Girls of the Apocalypse begins nine years later, when he emerges into a bizarre landscape filled with hollow reminders of an America that no longer exists. The highways are lined with abandoned automobiles; electricity is generated by indentured servants pedaling stationary bicycles. What little civilization remains revolves around Joey Armageddon's Sassy A-Go-Go strip clubs, where the beer is cold, the lap dancers are hot, and the bouncers are armed with M16s. Accompanied by his cowboy sidekick Buffalo Bill, the gorgeous stripper Sheila, and the mountain man Ted, Mortimer journeys to the lost city of Atlanta -- and a showdown that might determine the fate of humanity.
We've always imagined the world coming to an end in spectacular, explosive fashion. But what if - instead - humanity is just destined to slowly crumble? For Jasper and his nomadic tribe, their former life as middle-class Americans seems like a distant memory. Their world took a turn for the worse - and then never got better. Resources are running out, jobs keep getting scarcer, and the fabric of society is slowly disintegrating . . . . But in the midst of this all, Jasper's just a guy trying to make ends meet, find a nice girl who won't screw him around, and keep his group safe on the violent streets. Soft Apocalypse follows the tribe's struggle to find a place for themselves and their children in the dangerous new place their world has become.
The aliens have arrived. And they’re hungry for electricity. In the Earth of the future, humans are on the run from an alien force—giant blobs who suck up electrical devices wherever they can find them. Strata and her family are part of a caravan of digital rescuers, hoping to keep the memory of civilization alive by saving electronics wherever they can. Many humans have reverted to a pre-electrical age, and others have taken advantage of the invasion to become dangerous bandits and outlaws. When Strata and her brother are separated from the caravan, they must rely on a particularly beautiful and rare robot pony to escape the outlaws and aliens—and defeat the invaders once and for all.
It figured that the last man on earth would be the one who broke her heart. The world died practically overnight, leaving behind sparse pockets of survivors, who must learn to live without electricity, internet, cable, or grocery stores. When it came to survival, it was kill or be killed. When Brody rides off into the sunset, with grandiose dreams, he leaves behind not just his small town but also his first love. But the hopes he had of making it big are shattered when a deadly virus hit. Lonely in this new reality, he finds himself drawn back to his hometown and rediscovers the woman he left behind. Hannah never thought the expression, “Not if you were the last man on earth” would ever come back to haunt her, but when the world’s population is decimated by a deadly virus, she regrets her words, especially when Brody comes riding back into her life. A very alive Brody who reminds her she’s not just a survivor but also a woman. Eking out an existence in this new world is hard. Forgiving the blunders of the past sometimes harder. Against all odds, Brody and Hannah survived the plague, but will their stubborn nature still tear them apart? Genre: post apocalypse romance, zombies, second chance romance, horror romance, end of the world, dystopian, futuristic
DAWN OF THE APOCALYPSE gathers the pinnacle of speculative fiction to explore end times across diverse landscapes, from the desolate to the dystopian. It stitches a rich tapestry of literary approaches, ranging from the classic gothic horror of Edgar Allan Poe to the socio-political dystopias envisioned by Ayn Rand and H.G. Wells, and the unique utopian perspective of Edward Bellamy. The anthology thrives on its variety, not just in the cataclysmic events it portrays but also in the myriad ways these events are perceived and interpreted by its characters. Key pieces within this collection stand as milestones in the science fiction genre, framing apocalyptic and post-apocalyptic narratives as lenses through which we critique and comprehend contemporary societal fears. The authors, both pioneers, and craftsmen of their time, come from a broad spectrum of backgrounds, each contributing to the anthology's overarching theme with their unique flavor of apocalypse. These writers are not just storytellers but visionaries who collectively paint a multifaceted picture of humanity at the brink. They belonged to and were influenced by a range of historical, cultural, and literary movements, from the romanticism and transcendentalism of the 19th century to the early 20th century's modernism and the budding science fiction genre. Their combined works offer a historical capsule of societal anxieties and hopes, reflecting on themes of human resilience, the abuse of technology, and the moral dilemmas of progress. DAWN OF THE APOCALYPSE is an essential collection for readers eager to dive into the depths of human imagination faced with its own end. It offers an unparalleled opportunity to traverse the vast landscapes of apocalyptic fiction through the eyes of some of the most influential authors in literary history. This anthology not only serves as an academic goldmine for those studying the evolution of speculative fiction and its impact on society but also provides a timeless reflection on humanity's perennial concerns with its own survival and legacy. Readers are invited to witness the end of worlds not just as an exercise in literary exploration but as a mirror to our collective psyche across generations.
Amsterdam, Virginia — a small farming community in the midst of a suburban transformation — is decimated by the H16N1 flu pandemic. With resources scarce and law enforcement nonexistent, the normally decent citizens of the once well-to-do area turn on each other. Then the militias arrive — men once looked on as "kooks" and outsiders, but who now have the military resources to claim the area farming infrastructure as their own. And with their ranks swollen by the desperate, they don't stop there. United against the tyranny by Reverend Jacob Craft — a local minister and veteran of the war in Afghanistan — the people of Amsterdam fight back. But with the federal, state, and local governments eerily silent, a new form of leadership is needed and The Amsterdam Directorate is born. Today - Reverend Jacob Craft awakens to a brilliant flash in the Eastern sky, the sight of a fiery mushroom cloud on the horizon, and a world ensnared in darkness by the failure of a susceptible power grid. With everything he has worked to build threatened, Jacob rushes to find answers. But an old enemy waits in the darkness for a second chance. Can Jacob keep the peace and defend his friends from a madman's attack or will the fragile community be torn apart from within and consumed by forces from without? ★★★★★ "Slick, well-executed!" - Steven Konkoly (author of The Jakarta Pandemic and The Perseid Collapse series)
The reintegration of the religious and political aspects of their thought reveals the Baptist movements to have been capable of generating support for both radical groups.".