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Brill's Companion to Aphrodite brings together an international and multidisciplinary team of experts in the study of Aphrodite—one of the best known, yet ambiguous and complex Graeco-Roman deities. The contributions, which reevaluate conventional approaches to this remarkable goddess, are thematically grouped in four parts according to aspects of the goddess: 'Aphrodite’s Identity’; ‘Aphrodite's Companions and Relations’; ‘The Spread of Aphrodite’s Cults’ and ‘The Reception of the Goddess.’ Each part draws on literary and visual sources, incorporates Greek, Roman, and later material, and ranges across places and periods—from prehistoric Cyprus and the Near East to the antiquities market in 19th century France. This book therefore crosses interdisciplinary boundaries, as well as the multiple aspects and characteristics of the goddess
Nympholeptic goddesses at the end of the theogony -- Nympholepts in ancient Greece -- Goddesses in love and nympholeptic heroes -- Odysseus nympholeptos -- Kephalos in the city -- Hellenistic nympholeptoi
This book offers a groundbreaking revision of the popular image of Aphrodite and Eros that lives on in Roman poetry (Venus and Cupid) and has inspired artists for centuries. An interdisciplinary analysis of the Archaic period - using literary, iconographical, and cultic evidence - shows the distinct concept behind the two deities of love. Aphrodite's character, sphere of influence, and function feature in her traditional myths and are well reflected in cult. Eros, however, was not yet a similarly personified mythical figure at that stage, nor did he have an individual cult. Breitenberger follows the different stages of the development of Eros's personality. Originally a cosmic entity and an unpersonified aspect of Aphrodite, he was given his mythical identity by successive archaic lyric poets who were particularly keen to mythologize a male counterpart to the established love-goddess Aphrodite. This male love-god turns out to be the divinized homoerotic ideal of the male aristocracy 'worshipped' at their symposia. The development of the male love-god is taken as an example to demonstrate that poets' artistic innovation as well as their social and historical background played an important role in creating Greek mythology.
-- Latin text, spaced with four lines below each line, for working out translations (as homework, in-class can rections, for review); to note figures of speech, points of grammatical interest -- Right-hand column for additional notes/vocabulary for spec
Aphrodite explores the many myths and meanings of the Greek goddess of love, sex and beauty. One of the most widely worshipped and popular deities in Greek antiquity, Aphrodite emerges from the imaginations of the ancient Greek writers and artists as a multifaceted, powerful and charismatic figure. This volume explores the importance of Aphrodite for the ancient Greeks, as well as her enduring influence as a symbol of beauty, adornment, love and sexuality in contemporary culture. In a wide-ranging investigation of the universality of Aphrodite’s power and significance, this volume illuminates the numerous intricate levels of divinity embodied by the alluring figure of Aphrodite. Aphrodite offers new insights into the ancient texts and artistic representations of the goddess, as well as a comprehensive survey of the current scholarship about the origins and interpretations of Aphrodite, whilst also highlighting her eternal popular appeal across cultures and generations. A goddess of love who is not afraid to enter the battlefield; a goddess of bodily adornment who is the first to appear totally nude; a goddess born of the sea who emerges into the open sky: Aphrodite is a polyvalent deity, plural in nature, function and significance.
Explores the interaction between Greece and the Ancient Near East through stories about the gods and their relationships with humankind.
"Worshipping Aphrodite fills a gap in scholarship that has largely ignored the worship of Aphrodite in classical Athens in favor of more prominent deities, such as Athena, Zeus, and Hephaistos. It is the first study in English to address the role Aphrodite played in the daily religious activities of the city's population by focusing on the archaeological material associated with Aphrodite's Athenian and Attic cult sites from a specific time period." "By examining this material together, Rosenzweig reveals that Aphrodite had a much more prominent position among the gods of classical Athens than previously understood, far greater than a deity who merely presided over matters of love and lust. Aphrodite aided in the overall maintenance and welfare of Athens' local government, business community, family life, and agricultural health and unified the people in both the public and private spheres." "This fascinating study will interest not only classical archaeologists, but those interested in the nature of Greek religion and cult practices, and those specializing in the development of the Athenian polis." "It provides a useful re-examination of scholarship on Aphrodite and enhances our understanding of her social and political importance in the Athenian environment."--BOOK JACKET.
We have long recognized in the Iliad the hallmarks of the oral, traditional poet who chooses among alternative arrangements of formulaic elements. In The Power of Thetis, Laura M. Slatkin makes us aware of another compositional resource, just as crucial to our understanding of the meaning of Homeric epic. Slatkin shows how, through the selection and combination of mythic motifs, Homer interprets mythological traditions and locates his characters within them by allusion or oblique reference. The figure of Thetis, the mother of Achilles, provides an especially revealing example of the way in which such mythological resonance contributes a wider context and meaning to the epic's central themes. Slatkin teaches us to listen for what is unspoken as well as spoken in the poetry of Homer, and thereby confronts us with the larger questions of the function of epic and its boundaries as a genre.