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Memory in Ancient Rome and Early Christianity presents perspectives from an international and interdisciplinary range of contributors on the literature, history, archaeology, and religion of a major world civilization, based on an informed engagement with important concepts and issues in memory studies.
of the Pope." --Book Jacket.
A New York Times Notable Book, winner of the Jerwood Award from the Royal Society of Literature, a New York Times Book Review Editors’ Choice, and named a Book of the Year by the Telegraph, Spectator, Observer, and BBC History Magazine, this bold new history of the rise of Christianity shows how its radical followers helped to annihilate Greek and Roman civilizations. The Darkening Age is the largely unknown story of how a militant religion deliberately attacked and suppressed the teachings of the Classical world, ushering in centuries of unquestioning adherence to "one true faith." Despite the long-held notion that the early Christians were meek and mild, going to their martyrs' deaths singing hymns of love and praise, the truth, as Catherine Nixey reveals, is very different. Far from being meek and mild, they were violent, ruthless, and fundamentally intolerant. Unlike the polytheistic world, in which the addition of one new religion made no fundamental difference to the old ones, this new ideology stated not only that it was the way, the truth, and the light but that, by extension, every single other way was wrong and had to be destroyed. From the first century to the sixth, those who didn't fall into step with its beliefs were pursued in every possible way: social, legal, financial, and physical. Their altars were upturned and their temples demolished, their statues hacked to pieces, and their priests killed. It was an annihilation. Authoritative, vividly written, and utterly compelling, this is a remarkable debut from a brilliant young historian.
Western culture saw some of the most significant and innovative developments take place during the passage from antiquity to the middle ages. This stimulating new book investigates the role of the visual arts as both reflections and agents of those changes. It tackles two inter-related periodsof internal transformation within the Roman Empire: the phenomenon known as the 'Second Sophistic' (c. ad 100300)two centuries of self-conscious and enthusiastic hellenism, and the era of late antiquity (c. ad 250450) when the empire underwent a religious conversion to Christianity. Vases, murals, statues, and masonry are explored in relation to such issues as power, death, society, acculturation, and religion. By examining questions of reception, viewing, and the culture of spectacle alongside the more traditional art-historical themes of imperial patronage and stylisticchange, Jas Elsner presents a fresh and challenging account of an extraordinarily rich cultural crucible in which many fundamental developments of later European art had their origins. 'a highly individual work . . . wonderful visual and comparative analysis . . . I can think of no other general book on Roman art that deals so elegantly and informatively with the theme of visuality and visual desire.' Professor Natalie Boymel Kampen, Barnard College, New York 'exciting and original . . . a vibrant impression of creative energy and innovation held in constant tension by the persistence of more traditional motifs and techniques. Elsner constantly surprises and intrigues the reader by approaching familiar material in new ways.' Professor Averil Cameron,Keble College, Oxford
For centuries into the Common Era, Christians faced social ostracism and suspicion from neighbors and authorities alike. At times, this antipathy erupted into violence. Following Christ was a risky allegiance: to be a Christian in the Roman Empire carried with it the implicit risk of being branded a traitor to cultural and imperial sensibilities. The prolonged experience of distrust, oppression, and outright persecution helped shape the ethos of the Christian faith and produced a wealth of literature commemorating those who gave their lives in witness to the gospel. Wolfram Kinzig, in Christian Persecution in Antiquity, examines the motivations and legal mechanisms behind the various outbursts of violence against Christians, and chronologically tracks the course of Roman oppression of this new religion to the time of Constantine. Brief consideration is also given to persecutions of Christians outside the borders of the Roman Empire. Kinzig analyzes martyrdom accounts of the early church, cautiously drawing on these ancient voices alongside contemporary non-Christian evidence to reconstruct the church's experience as a minority sect. In doing so, Kinzig challenges recent reductionist attempts to dismantle the idea that Christians were ever serious targets of intentional violence. While martyrdom accounts and their glorification of self-sacrifice seem strange to modern eyes, they should still be given credence as historical artifacts indicative of actual events, despite them being embellished by sanctified memory. Newly translated from the German original by Markus Bockmuehl and featuring an additional chapter and concise notes, Christian Persecution in Antiquity fills a gap in English scholarship on early Christianity and offers a helpful introduction to this era for nonspecialists. Kinzig makes clear the critical role played by the experience of persecution in the development of the church's identity and sense of belonging in the ancient world.
First Published in 2001. Routledge is an imprint of Taylor & Francis, an informa company.
This book offers an engrossing portrayal of the early years of the Christian movement from the perspective of the Romans.
The rise of Christianity during the first four centuries of the common era was the pivotal development in Western history and profoundly influenced the later direction of all world history. Yet, for all that has been written on early Christian history, the primary sources for this history are widely scattered, difficult to find, and generally unknown to lay persons and to historians not specially trained in the field. In Christianity and the Roman Empire Ralph Novak interweaves these primary sources with a narrative text and constructs a single continuous account of these crucial centuries. The primary sources are selected to emphasize the manner in which the government and the people of the Roman Empire perceived Christians socially and politically; the ways in which these perceptions influenced the treatment of Christians within the Roman Empire; and the manner in which Christians established their political and religious dominance of the Roman Empire after Constantine the Great came to power in the early fourth century CE. Ralph Martin Novak holds a Masters Degree in Roman History from the University of Chicago. For: Undergraduates; seminarians; general audiences
This book offers a radical new survey of more than a thousand years of religious life at Rome. It sets religion in its full cultural context, between the primitive hamlet of the eighth century BC and the cosmopolitan, multicultural society of the first centuries of the Christian era. The narrative account is structured around a series of broad themes: how to interpret the Romans' own theories of their religious system and its origins; the relationship of religion and the changing politics of Rome; the religious importance of the layout and monuments of the city itself; changing ideas of religious identity and community; religious innovation - and, ultimately, revolution. The companion volume, Religions of Rome: A Sourcebook, sets out a wide range of documents richly illustrating the religious life in the Roman world.