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More than 600 pieces of nineteenth century Biedermeier furniture, including cabinets, bureaus, wardrobes, secretaries, sofas, chairs, and tables. Provides extensive information on shapes, materials, ornamental features, evaluation and pricing, care and restoration tips, and market trends. Illustrated glossary and current values included.
''The World of Biedermeier'' celebrates every one of its elements - the furniture, decorative ornamentation, paintings, porcelain, crystal, fabrics - as no other recent book on furniture and design. The hundreds of brilliant colour photographs by Lois Lammerhuber set a new standard for design and furniture photography. A chapter on current uses of Biedermeier illustrates its timeless quality, from full traditional settings to the way that Biedermeier furniture is elegantly integrated in contemporary spaces, and the illustrated reference section can prove a guide to anyone interested in this rich homage to Middle European culture.
Swedish Interiors is the first book to share the history, progression, and key elements of Swedish style and how to use it in many different styles of homes. From the white and blue-hued images of the familiar Gustavian style to the gold accents and luxurious patterns found in the Swedish Baroque, Rococo, and Biedermeier periods, the secret to Swedish design is in having the confidence to mix old and new while maintaining a clean and simple aesthetic. Swedish Interiors emphasizes light, comfort and elegance. The authors operate Eleish Van Breems Antiques, a renowned Swedish antiques and decorating resource. Featured on Martha Stewart Living, and in Country Living, House Beautiful, Travel & Leisure, the New York Times, Traditional Home, Better Homes and Gardens, Victoria, and Yankee.
This book sets out to investigate the wealth of the artistic production that developed in Central Europe (Austria and Bohemia in particular) in the first half of the 19th century, when Biedermeier appeared as an original attempt to give rise to a "universal" stylistic expression. Its simplicity of line, rigorous and simple although not lacking in elegance and refinement, the appearance of the first craft productions based on standard models and its unquestionable modernity all make Biedermeier the first example of design, the undisputed point of breakdown between Classicism and Modernism. Indeed, it is considered on the most fascinating genres of the 19th century. The volume offers a 360° view of Central European production using more than 300 objects of extraordinary originality, quality and workmanship from the National Gallery and Museum of Decorative and Applied Arts of Prague and from major Bohemian museums. Paintings, furnishings, sculptures, drawings, graphic works, artistic craftsmanship, jewels, ceramics and glassware that decorated the homes of gentry and bourgeois, miniatures, daguerreotypes... Remarkable pieces such as the refined lady's desk, designed and constructed in the workshop of the most important creator of Biedermeier furniture, the Viennese Josef Danhauser (1780- 1829), and a beautiful lyre- shaped secrétaire with walnut veneer and musical motif carvings that overcome the ostentation of Empire style.
Biedermeier ISBN 3-7757-1796-X / 978-3-7757-1796-0 Clothbound, 10 x 13 in. / 336 pgs / 365 color. / U.S. $65.00 CDN $78.00 September / Design Biedermeier arts and crafts are orderly, frugal and simplistic, just like the fictional German papa for which they are named.
Soon after her arrival in Russia in 1744 the future Catherine the Great lamented the pitiful scarcity of furniture in the Imperial palaces. Within less than a hundred years those palaces, and the grandiose apartments which sprang up alongside them in the burst of building activity that gripped Russia at the end of the eighteenth century, were filled with magnificent furniture, as befitted their sumptuous decor. This remarkable period and the flamboyant style it engendered have only recently excited interest in the West; literature on this subject is not only scarce, but also largely written in Russian. Russian Furniture is therefore valuable as a comprehensive study in English of the development and evolution of Russian furniture styles during the late eighteenth and early nineteenth centuries.
The very first comprehensive work on Louis-Philippe furniture, this book surveys the most important furniture types, stylistic features, woods, mounts and fittings and cloth upholstery. During the years between 1850 and 1870, furniture was made throughout Europe, which borrowed stylistically from Rococo forms. Between the Biedermeier era and the subsequent period, during which industrialism took hold in Germany, the Louis-Philippe style, named after the monarch who took advantage of the July 1830 revolution to declare himself the King of France, developed a formal idiom distinctively its own. The most memorable event of this period is surely the industrialization of furniture making, with the creation of tools and machines that enabled pieces to be cut and then assembled much more quickly and easily, leading to the manufacture of furniture that middle classes can easily afford. Text in English and German
The Art Deco style of the early 1930s presents elements of design reduced to their minimal essence and applied to everyday items. Here Bakelite jewelry and boxes are studied as reflections of this style, with hundreds of items photographed in color and described with their current values. This book demonstrates how Art Deco style fit into the Depression era, providing color, simplicity, and economy.