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Chronicles the passionate relationship between the Emperor Hadrian and the beautiful Greek youth Antinous, a relationship that ended in 130 A.D. when the body of Antinous was found in the river Nile
"Antinous: Boy Made God is the catalogue of an exhibition that center's around one of the most important surviving portraits of Antinous, an inscribed bust from Syria found in 1879 and currently in a private collection. The piece is basically unpublished and will be presented for the first time to the wider public in this volume. Other key portraits, as well as coins of Antinous, medals and bronze figurines, feature here, and help contextualise the image of this country boy who was greatly loved by the Emperor Hadrian and became a hero and a god within the Empire. The exhibition and the book's narrative highlight the range and variety of Antinous' reception and shows how the fascination and reach of his image went well beyond antiquity into the modern world. It reconstructs a visual biography of an extraordinarily fascinating figure, representing an ideal of perfect beauty for many centuries after his tragic death."--Publisher's website.

The Works of Beaumont and Fletcher: The maid's tragedy; Philaster; A king and no king; The scornful lady; Custom of the country; The elder brother; The Spanish curate; Wit without money; The beggars' bush; The humurous lieutenant; The faithful shepehrdess; The mad lover; The loyal subject; Rule a wife and have a wife; The laws of Candy; The false one; The little French lawyer; Valentinan; Monsieur Thomas; The chances; The bloody brother; The wild-goose chase; A wife for a month; The pilgrim; The captain

Francis Beaumont

Published: 1866

Total Pages: 738


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The maid's tragedy. Philaster. A king and no king. The scornful lady. Custom of the country. The elder brother. The spanish curate. Wit without money. The beggars' bush. The humorous lieutenant. The faithful shepherdess. The mad lover- The loyal subject. Rule a wife and have a wife. The laws of Candy. The false one. The little french lawyer. Valentinian. Monsieur Thomas. The chances. The bloody brother. The wild- goose chase. A wife for a month. The pilgrim. The captain

Francis Beaumont

Published: 1840

Total Pages: 742


Get eBook

LUST. LOVE. REVENGE. COMING-OUT, Romance, ancient Roman-style. 130 years after Christ, but two centuries before Christians received legal recognition, Rome is ruled by pagan values. Caesar Hadrian's search for love destroys the very person he most adores. His loved one is found dead one dawn beneath the waters of Egypt's River Nile. Is it a youthful prank gone wrong, a suicide, a murder, or something even more sinister? Hadrian assigns historian Suetonius Tranquillus & his courtesan paramour Surisca to investigate. The Hadrian Enigma is the hidden record of Caesar's investigation into one of history's most intriguing, suspicious deaths. Hadrian learns more than he wanted in an era which sanctions unbridled sensuality in a macho culture of pride, honor, & shame.
Hadrian's reign (AD 117-138) was a watershed in the history of the Roman Empire. Hadrian abandoned his predecessor Trajan's eastern conquests - Mesopotamia and Armenia - trimmed down the lands beyond the lower Danube, and constructed new demarcation lines in Germany, North Africa, and most famously Hadrian's Wall in Britain, to delimit the empire. The emperor Hadrian, a strange and baffling figure to his contemporaries, had a many-sided personality. Insatiably ambitious, and a passionate Philhellene, he promoted the 'Greek Renaissance' extravagantly. But his attempt to Hellenize the Jews, including the outlawing of circumcision, had disastrous consequences, and his 'Greek' love of the beautiful Bithynian boy Antinous ended in tragedy. No comprehensive account of Hadrian's life and reign has been attempted for over seventy years. In Hadrian: The Restless Emperor, Anthony Birley brings together the new evidence from inscriptions and papyri, and up-to-date and in-depth examination of the work of other scholars on aspects of Hadrian's reign and policies such as the Jewish war, the coinage, Hadrian's building programme in Rome, Athens and Tivoli, and his relationship with his favourite, Antinous, to provide a thorough and fascinating account of the private and public life of a man who, though hated when he died, left an indelible mark on the Roman Empire.
This bold new set of interpretations of tragedy offers innovative analyses of the dynamic between politics and youth in the ancient world. By exploring how tragedy responded to the fluctuating attitudes to young people at a highly turbulent time in the history of Athens, Shipton sheds new light on ancient attitudes to youth. Focusing on famous plays, such as Sophocles' Antigone and Euripides' Bacchae, alongside lesser known tragedies such as Euripides' Heraclidae and Orestes, Shipton uncovers compelling evidence to show that the complex and often paradoxical views we hold about youth today can also be found in the ancient society of classical Athens. Shipton argues that the prominence of young people in tragedy throughout the fifth century reflects the persistent uncertainty as to what their role in society should be. As the success of Athens rose and then fell, young characters were repeatedly used by tragic playwrights as a way to explore political tensions and social upheaval in the city. Throughout his text, Shipton reflects on how negative conceptualisations of youth, often expressed via the socially constructed 'gang' are formed as a way in which paradoxical views on youth can be contained.