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Edward Ashton's Antimatter Blues is the thrilling follow up to Mickey7 in which an expendable heads out to explore new terrain for human habitation. Summer has come to Niflheim. The lichens are growing, the six-winged bat-things are chirping, and much to his own surprise, Mickey Barnes is still alive—that last part thanks almost entirely to the fact that Commander Marshall believes that the colony’s creeper neighbors are holding an antimatter bomb, and that Mickey is the only one who’s keeping them from using it. Mickey’s just another colonist now. Instead of cleaning out the reactor core, he spends his time these days cleaning out the rabbit hutches. It’s not a bad life. It’s not going to last. It may be sunny now, but winter is coming. The antimatter that fuels the colony is running low, and Marshall wants his bomb back. If Mickey agrees to retrieve it, he’ll be giving up the only thing that’s kept his head off of the chopping block. If he refuses, he might doom the entire colony. Meanwhile, the creepers have their own worries, and they’re not going to surrender the bomb without getting something in return. Once again, Mickey finds the fate of two species resting in his hands. If something goes wrong this time, though, he won’t be coming back.
In The Never Wars—a mind-bending mix of Interstellar and The Expanse—a group of disgraced Special Forces are given one chance to redeem themselves. The question is whether they’ll survive long enough for it to matter. Special Forces are used for crazy ops, but orbiting a black hole to slow down time and fight Earth’s dirty wars in the future? That’s new, even for them. But that’s the mission for Owen Quarry, Anaya Pretorius, and the rest of COG, a company of elite, disgraced, soldiers from around the globe. They join a defrocked company commander, an AI warship with self-confidence issues, and a crew of misfit troupers on a dizzying time-quest: prove the concept of stationing armies in space-time. If they complete ten missions, they’ll be redeemed as citizens in good standing. But the cost will be heavy—in time and in souls. And as one of their own hunts them down and another rises from the past with a key to freedom, Quarry and Pretorius find that redemption and survival are two very different things.
The humans are fighting again. Go figure. As a free A.I., Mal finds the war between the modded and augmented Federals and the puritanical Humanists about as interesting as a battle between rival anthills. He’s not above scouting the battlefield for salvage, though, and when the Humanists abruptly cut off access to infospace he finds himself trapped in the body of a cyborg mercenary, and responsible for the safety of the modded girl she died protecting. A dark comedy wrapped in a techno thriller’s skin, Mal Goes to War provides a satirical take on war, artificial intelligence, and what it really means to be human.
The debut standalone novel from author Edward Ashton, author of Mickey7, THREE DAYS IN APRIL is a near-future speculative thriller that marks the entry of a bright new voice into the genre. Anders Jensen is having a bad month. His roommate is a data thief, his girlfriend picks fights in bars, and his best friend is a cyborg…and a lousy tipper. When everything is spiraling out of control, though, maybe those are exactly the kind of friends you need. In a world divided between the genetically engineered elite and the unmodified masses, Anders is an anomaly: engineered, but still broke and living next to a crack house. All he wants is to land a tenure-track faculty position, and maybe meet someone who’s not technically a criminal-but when a nightmare plague rips through Hagerstown, Anders finds himself dodging kinetic energy weapons and government assassins as Baltimore slips into chaos. His friends aren’t as helpless as they seem, though, and his girlfriend’s street-magician brother-in-law might be a pretentious hipster - or might hold the secret to saving them all. Frenetic and audacious, Three Days in April is a a blend of science fiction and psychological thriller that raises an important question: once humanity goes down the rabbit hole, can we ever find our way back?
The book is the fruit of Douglas Mark Ponton’s and co-editor Uwe Zagratzki’s enduring interest in the Blues as a musical and cultural phenomenon and source of personal inspiration. Continuing in the tradition of Blues studies established by the likes of Samuel Charters and Paul Oliver, the authors hope to contribute to the revitalisation of the field through a multi-disciplinary approach designed to explore this constantly evolving social phenomenon in all its heterogeneity. Focusing either on particular artists (Lightnin’ Hopkins, Robert Johnson), or specific texts (Langston Hughes’ Weary Blues and Backlash Blues, Jimi Hendrix’s Machine Gun), the book tackles issues ranging from authenticity and musicology in Blues performance to the Blues in diaspora, while also applying techniques of linguistic analysis to the corpora of Blues texts. While some chapters focus on the Blues as a quintessentially American phenomenon, linked to a specific social context, others see it in its current evolutions, as the bearer of vital cultural attitudes into the digital age. This multidisciplinary volume will appeal to a broad range of scholars operating in a number of different academic disciplines, including Musicology, Linguistics, Sociology, History, Ethnomusicology, Literature, Economics and Cultural Studies. It will also interest educators across the Humanities, and could be used to exemplify the application to data of specific analytical methodologies, and as a general introduction to the field of Blues studies.
They rocketed into space as four ordinary human beings. They came back as heroes. The Fantastic Four -- the Thing, the Invisible Woman, the Human Torch, and Mr. Fantastic. Together they have used their powers for the betterment of mankind. For years, the world's top scientists have dreamed of creating a quantum computer, a machine that would be infinitely more powerful than any based on the transistor. Now Reed Richards -- Mr. Fantastic -- has achieved that dream. He has birthed a device capable of creating the unbreakable cipher, predicting the weather, performing calculations, and retrieving knowledge at heretofore unimagined speeds. He has also, unwittingly, created something else. A machine that one of the Fantastic Four's oldest and most powerful adversaries will use against them, will twist to his own destructive, murderous purposes, one that will turn friend against friend, husband against wife, and force Ben Grimm -- the Thing -- to confront a nightmarish dilemma. A choice between humanity's salvation -- and the death of the three people he loves most in all the world. . . .
One of Goodreads Most Popular Horror of 2022 "Engrossing, character-rich, powerful. Sten is on a roll."—Publishers Weekly(starred review) Crimson Peak meets The Sanatorium in The Resting Place, a heart-thumping, unforgettable novel of horror and suspense by international sensation Camilla Sten. Deep rooted secrets. A twisted family history. And a house that will never let go. Eleanor lives with prosopagnosia, the inability to recognize a familiar person's face. It causes stress. Acute anxiety. It can make you question what you think you know. When Eleanor walked in on the scene of her capriciously cruel grandmother, Vivianne’s, murder, she came face to face with the killer—a maddening expression that means nothing to someone like her. With each passing day, the horror of having come so close to a murderer—and not knowing if they’d be back—overtakes both her dreams and her waking moments, thwarting her perception of reality. Then a lawyer calls. Vivianne has left her a house—a looming estate tucked away in the Swedish woods. The place her grandfather died, suddenly. A place that has housed a chilling past for over fifty years. Eleanor. Her steadfast boyfriend, Sebastian. Her reckless aunt, Veronika. The lawyer. All will go to this house of secrets, looking for answers. But as they get closer to uncovering the truth, they’ll wish they had never come to disturb what rests there.
In this humorous science fiction thriller, a genetic engineer and a group of teens uncover a dangerous conspiracy. Drew Bergen is an Engineer. He builds living things, one gene at a time. He’s also kind of a doofus. Six years after the Stupid War—a bloody, inconclusive clash between the Engineered and the UnAltered—that’s a dangerous combination. Hannah is Drew’s greatest project, modified in utero to be just a bit more than human. She’s also his daughter. Drew’s working on a new project now. He thinks his team is developing a spiffy new strain of corn, but Hannah’s classmate and her mysterious companion disagree. They think he’s cooking up the end of the world. When one of Drew’s team members disappears, he begins to suspect that they might be right. Soon they’re all in far over their heads, with corporate goons and government operatives hunting them, and millions of lives in the balance. Energetic and bitingly satirical, The End of Ordinary is a riveting near-future thriller that asks an important question: if we can’t get along when our differences are barely skin deep, what happens when they run all the way down to the bone?
'Like an episode of Black Mirror written by Stephen King' John Marrs, bestselling author of The One 'Immersive, claustrophobic . . . addictive' Guardian Win and All Your Dreams Come TrueTM! ;) Charlie and his friends have entered the God Game. Tasks are delivered through their phones. When they accomplish a mission, the game rewards them. Charlie's money problems could be over. Vanhi can erase the one bad grade on her university application. It's all fun and games - at first. Then the threatening messages start. Obey me. Mysterious packages show up at their homes. Shadowy figures start following them. Who else is playing this game, and how far will they go to win? As Charlie looks for a way out, there's only one rule he knows for sure. If you die in the game, you die for real. 'Smart, propulsive and gripping' Harlan Coben, #1 Sunday Times bestselling author
What a long, strange trip it's been