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Groundbreaking anthology of poetry on substance abuse and recovery.
One small town. Two childhood friends. Ten years later, will an attempt to save the local bar be their last call for love? MAGGIE The bar was my legacy. It was all I had to look forward to: a lonely life waiting tables in a small town and dumping beer on the tourists who got a little too forward. Though, as the current owner of the bar, Mom didn't exactly approve of the beer-dumping thing. But it wasn't my fault they were pigs. Maybe if I'd listened to her, things would have gone better. Because then he came back. Just in time to see everything around me crumble. And he's the last person I want to get help from. CALEB The cabin was my inheritance. Not money or heirlooms. Just a rundown cabin in Marble Beach made even shoddier by the luxurious lake houses that surrounded it. Typical Dad. Everything had to be a lesson with him. I thought that was the last lesson he was trying to teach me: turning what I had into what I wanted. Take the cabin and spruce it up, then sell it so I could use the money to start my business like I'd planned. But I was wrong. She was my lesson. But would she be my reward? Based on the original award-winning novella The Last Time, this second chance small town romance between a surly waitress and the man who returns to her life ten years after they had their first time together has been revamped as a 50K novel. It features plenty of steamy scenes and passionate drama. Please see book preview for potential content warnings.
An anthology edited by acclaimed poets Kaveh Akbar and Paige Lewis. In 1997, Sarabande published Last Call, a poetry anthology which became a formative text on the lived experiences of addiction. Now, more than twenty-five years later, editors Kaveh Akbar and Pagie Lewis offer a contemporary follow-up. Another Last Call: Poems on Addiction & Deliverance showcases work from poets like Joy Harjo, Afaa M. Weaver, Diane Seuss, Layli Long Soldier, Sharon Olds, Jericho Brown, Ada Limón, and Ocean Vuong, as well as many new and powerful voices. Contributors: Samuel Ace, Chase Berggrun, Sherwin Bitsui, Sophie Cabot Black, Jericho Brown, Anthony Ceballos, Marianne Chan, Jos Charles, Brendan Constantine, Cynthia Cruz, Steven Espada Dawson, Megan Denton Ray, Martín Espada, Megan Fernandes, Sarah Gorham, Joy Harjo, Mary Karr, Sophie Klahr, Michael Klein, Dana Levin, Ada Limón, Zach Linge, Layli Long Soldier, Sharon Olds, Airea Dee Matthews, Joshua Mehigan, Tomás Q. Morín, Erin Noehrem, Joy Priest, Dana Roeser, sam sax, Diane Seuss, Natalie Shapero, Katie Jean Shinkle, Jeffrey Skinner, Bernardo Wade, Afaa M. Weaver, The Cyborg Jillian Weise, Phillip B. Williams, Ocean Vuong
"In this work of nonfiction, Elon Green reports on a series of baffling and brutal crimes. The victims of the serial murderer dubbed the 'Last Call Killer' were all gay men, and Green tries to shine a light onto their complicated lives and the queer community in New York City in the 1980s and 1990s as well. Peter Stickney Anderson was the first of the known victims"-- Adapted from the publisher's description.
A brilliant, authoritative, and fascinating history of America’s most puzzling era, the years 1920 to 1933, when the U.S. Constitution was amended to restrict one of America’s favorite pastimes: drinking alcoholic beverages. From its start, America has been awash in drink. The sailing vessel that brought John Winthrop to the shores of the New World in 1630 carried more beer than water. By the 1820s, liquor flowed so plentifully it was cheaper than tea. That Americans would ever agree to relinquish their booze was as improbable as it was astonishing. Yet we did, and Last Call is Daniel Okrent’s dazzling explanation of why we did it, what life under Prohibition was like, and how such an unprecedented degree of government interference in the private lives of Americans changed the country forever. Writing with both wit and historical acuity, Okrent reveals how Prohibition marked a confluence of diverse forces: the growing political power of the women’s suffrage movement, which allied itself with the antiliquor campaign; the fear of small-town, native-stock Protestants that they were losing control of their country to the immigrants of the large cities; the anti-German sentiment stoked by World War I; and a variety of other unlikely factors, ranging from the rise of the automobile to the advent of the income tax. Through it all, Americans kept drinking, going to remarkably creative lengths to smuggle, sell, conceal, and convivially (and sometimes fatally) imbibe their favorite intoxicants. Last Call is peopled with vivid characters of an astonishing variety: Susan B. Anthony and Billy Sunday, William Jennings Bryan and bootlegger Sam Bronfman, Pierre S. du Pont and H. L. Mencken, Meyer Lansky and the incredible—if long-forgotten—federal official Mabel Walker Willebrandt, who throughout the twenties was the most powerful woman in the country. (Perhaps most surprising of all is Okrent’s account of Joseph P. Kennedy’s legendary, and long-misunderstood, role in the liquor business.) It’s a book rich with stories from nearly all parts of the country. Okrent’s narrative runs through smoky Manhattan speakeasies, where relations between the sexes were changed forever; California vineyards busily producing “sacramental” wine; New England fishing communities that gave up fishing for the more lucrative rum-running business; and in Washington, the halls of Congress itself, where politicians who had voted for Prohibition drank openly and without apology. Last Call is capacious, meticulous, and thrillingly told. It stands as the most complete history of Prohibition ever written and confirms Daniel Okrent’s rank as a major American writer.
A ferociously authentic debut about a deadly bank heist and a young teller taken hostage for the ride of his life in a backwoods fairy tale of fate and flight that is a dark, modern thriller.
Once Rose Fisher makes a decision, that's it. End of story. Like when her ex, Patrick, dumped her out of the blue, then showed up with a super hot, tatted up sex kitten on his arm. Then it was over for good. The end. Poof. Dead to her. Except he was everywhere - down the hall, at the bar with their friends, worming his way into her dreams. But with their friends paired off, they're left alone more and more. Rose is determined to keep him friendzoned - doesn't matter that he stares at her with a smolder that drops all panties in a ten foot radius. She's over him, and she'll prove it by getting back into the dating game, Patrick be damned. Patrick Evans is no stranger to consequences. When your mother walks out, your dad drifts away. When you leave home, you're on your own. And when you run away from the girl you love, you lose her. He finally has an opportunity to rebuild the bridge he burned, and it's not one he'll take for granted. But he'll have to fight for her, even if it hurts. Even if it means he'll walk away brokenhearted. Because deep down, he knows that she's it for him. The trick will be to get her to admit she feels it too.
You thought you knew how crazy the TempleVerse could get? Hold my beer¿LAST CALL is a collection of three drunken novellas set in the TempleVerse, including:Motherlucker-Callie and Quinn's girls' night out in Vegas.Collins-Quinn's prequel novella to the Phantom Queen Diaries.Beerlympian-Gunnar's bachelor party.Get ready for some shenanigans¿ You might need a drink just to comprehend the insanity.
Having descended from a long line of indomitable, good-humored Scots, Hayden MacBride sees no reason to take his own death lying down. In fact, he now spends his days crashing funerals for the free food and insight into the Great Beyond. Then he meets Rosamond, a nun playing hooky from the Holy Orders. Hayden is smitten the instant her heavy silver cross smacks him in the face when she leaps up to do the wave at a ball game. Luckily, Rosamond has picked the right person to teach her how to live . . . and to love–because nobody does both better than Hayden MacBride. However, Rosamond’s years in the convent have not prepared her for the oddball characters of Hayden’s world. There’s his ever-fretful, vigilant daughter, Diana, the “Dutchess o’ the Sidelong Glance”; his sweet grandson Joey, struggling to break free of his mother’s overprotective embrace; Hayden’s bagpipe-blowing cronies; the Greyfriars Gang; neighbor Bobbie Anne, a “working girl” full of good advice and tender mercies; and Hank, the sexy architect contemplating the priesthood–a big mistake in Hayden’s book. For Hayden thinks that Hank should be married to his daughter and raising Joey. And he has an elaborate plan to make Hank see things his way. . . . In an uproariously funny novel of love, laughter, and one man’s final call at the riotous watering hole called life, Laura Pedersen proves that miracles are all around us–when we open our eyes and our hearts to embrace them.