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Is the West to blame for the agony of Uganda and its neighbors? In this powerful account of Ugandan dictator Yoweri Museveni's 30 year reign, Helen Epstein chronicles how Western leaders' single-minded focus on the War on Terror and their naïve dealings with strongmen are at the root of much of the turmoil in eastern and central Africa. Museveni's involvement in the conflicts in Sudan, South Sudan, Rwanda, Congo, and Somalia has earned him substantial amounts of military and development assistance, as well as near-total impunity. It has also short-circuited the power the people of this region might otherwise have over their destiny. Epstein set out for Uganda more than 20 years ago to work as a public health consultant on an AIDS project. Since then, the roughly $20 billion worth of foreign aid poured into the country by donors has done little to improve the well-being of the Ugandan people, whose rates of illiteracy, mortality, and poverty surpass those of many neighboring countries. Money meant to pay for health care, education, and other public services has instead been used by Museveni to shore up his power through patronage, brutality, and terror. Another Fine Mess is a devastating indictment of the West's Africa policy and an authoritative history of the crises that have ravaged Uganda and its neighbors since the end of the Cold War. "A stunning new book of reportage and analysis." --Pankaj Mishra, Bloomberg
Tim Moore - indefatigable travelling everyman – switches two wheels for four as he journeys across Trumpland in an original Model T Ford. ‘Alarmingly full of incident, very funny – even mildly transformative’ Daily Mail Lacking even the most basic mechanical knowhow, Tim Moore sets out to cross Trumpland USA in an original Model T Ford. Armed only with a fan belt made of cotton, wooden wheels and a trunkload of ‘wise-ass Limey liberal gumption’, his route takes him exclusively through Donald-voting counties, meeting the everyday folks who voted red along the way. He meets a people defined by extraordinary generosity, willing to shift heaven and earth to keep him on the road. And yet, this is clearly a nation in conflict with itself: citizens ‘tooling up’ in reaction to ever-increasing security fears; a healthcare system creaking to support sugar-loaded soda lovers; a disintegrating rust belt all but forgotten by the warring media and political classes. With his trademark blend of slapstick humour, affable insight and butt-clenching peril, Tim Moore invites us on an unforgettable road trip through America. Buckle up!
Charlie Chaplin. Buster Keaton. The Marx Brothers. Billy Wilder. Woody Allen. The Coen brothers. Where would the American film be without them? Yet the cinematic genre these artists represent--comedy--has perennially received short shrift from critics, film buffs, and the Academy Awards. Saul Austerlitz’s Another Fine Mess is an attempt to right that wrong. Running the gamut of film history from City Lights to Knocked Up, Another Fine Mess retells the story of American film from the perspective of its unwanted stepbrother--the comedy. In 30 long chapters and 100 shorter entries, each devoted primarily to a single performer or director, Another Fine Mess retraces the steps of the American comedy film, filling in the gaps and following the connections that link Mae West to Doris Day, or W. C. Fields to Will Ferrell. The first book of its kind in more than a generation, Another Fine Mess is an eye-opening, entertaining, and enlightening tour of the American comedy, encompassing the masterpieces, the box-office smashes, and all the little-known gems in between.
When a fox cleans his den to prepare for a visit from his uncle, his trash inadvertently makes the rounds of the homes of other animals before ending up right back where it began.
Describes a series of nineteenth-century British expeditions into Africa, the Arctic, and Antarctica, chronicling the adventures of explorers who ventured into some of the most perilous unknown regions of the world.
Arguably the greatest comedy duo in show business history, Stan Laurel and Oliver Hardy delighted filmgoers and theatregoers for over thirty years. The public not only found Laurel's serene simpleton and Hardy's pompous buffoon hilarious, but they also thought of them as friends. Laurel and Hardy may have been nitwits, but they were loveable nitwits. Another Nice Mess: The Laurel and Hardy Story explores the lives and careers of Laurel and Hardy. The book examines how the comedians teamed up and it explains why, nearly half a century after their deaths, their films continue to enchant people all over the world.
A magician's apprentice teams up with the demon Aahz and experiences a variety of adventures with many strange, other-worldy characters.
The lines between fiction and nonfiction have become increasingly blurred, but in journalist Pope Brock's first book, about murder and adultery in his family, everything is true. Journalist Pope Brock grew up ignorant of his family's most closely guarded secret. It was only when his great-aunt was dying that he learned the true circumstances surrounding the death of his great-grandfather Ham Dillon. An aspiring young Indiana politician, Dillon was shot to death in 1908 by his own brother-in-law, Link Hale--a man half-crazed with anger and grief over the fact that his wife, Allie, had just borne Ham a child. To add another twist, Allie Hale was more than just Ham Dillon's lover; she was also his wife's only sister. Fascinated by this revelation, Pope Brock began his research. In Indiana Gothic, he tells the story of Ham Dillon with the sweep and power of a novel, re-creating the era in such vivid detail that we have the sensation of time travel. Readers first meet the young Ham Dillon--handsome, charismatic, ambitious--as he courts Maggie Thompson, the daughter of a well-to-do farmer. But after their marriage in 1898, Ham comes into the orbit of Maggie's sister, Allie, who is locked in a joyless marriage to the depressive Link Hale. Passion soon takes over, and tragedy ensues--culminating in the drama of Link's murder trial, which made headlines for its controversial use of the insanity plea. Atmospheric and gripping, Indiana Gothic is a bold saga of an American past that is both forever lost and strangely, startlingly familiar.
‘This is a strong, character-driven story from a talented playwright and novelist, which tackles some hefty issues with lightness and humour. It is an impressive debut.’ Books+Publishing Since Ava lost Kelly, things haven’t been going so well. Even before she gets thrown out of school for shouting at the principal, there’s the simmering rage and all the weird destructive choices. The only thing going right for Ava is her job at Magic Kebab. Which is where she meets Gideon. Skinny, shy, anxious Gideon. A mad poet and collector of vinyl records with an aversion to social media. He lives in his head. She lives in her grief. The only people who can help them move on with their lives are each other. The winner of the 2016 Text Prize, Beautiful Mess is funny and sad and a bit screwed up and romantic and absolutely real. In other words, a lot like life. Claire Christian is a novelist and playwright who lives in Brisbane. She has had three plays published by Playlab, and her play Bloom was shortlisted for the Griffin Award in 2009. She was one of YWCA Queensland’s 125 leading women of 2013. ‘A book full of heart and hope. Claire Christian’s voice leaps off the page, brimming with energy and verve.’ Judges' comments, Readings Young Adult Book Prize ‘A raw, affecting coming-of-age story that starts a conversation about mental health.' Readings ‘Beautiful Mess is a powerful, poignant novel about love, loss, and learning that even though we might feel cracked or broke at times, we are still beautiful...Claire Christian must be commended for tackling some of the most confronting themes in YA with sincerity and heart.’ Written Word Worlds ‘An engrossing read that brings together Ava and Gideon, two emotionally flawed and troubled characters not unlike Libby and Jack in Jennifer Niven’s Holding Up the Universe or Eleanor and Park of Rainbow Rowell’s book of the same title.’ Readings ‘Beautiful Mess tackles young adult issues head on, but with a lightness of touch that lifts it from the dark topics it explores. A debut novel with memorable, authentic characters that touch your heart, float into your life and leave you wanting more.’ Magpies ‘A truly touching story of young people trying to navigate their way through real problems. I highly recommend this novel and congratulate Claire on a great debut.’ Lamont Books ‘Claire is such a lovely bubble of positivity. I'm excited to see what she brings to Aussie YA.' Danielle Binks, Alpha Reader Beautiful Mess is a stunning read. Claire Christian has delivered a raw and moving debut with beautifully flawed, well-drawn characters who you can’t help but fall in love with.’ Gabrielle Tozer ‘Claire Christian delivers an honest and searing depiction of the flow-on effects of grief...A book with a lot of heart and hope and a useful compass for teens facing similar issues.’ Kids’ Book Review ‘Bittersweet and funny...A beautiful book with important words to say about mental health, love and brokenness.’ Paper Fury ‘Beautiful Mess is a wonderful reflection of complexities of adolescence. Palpable, poignant and captivating, the narration of two adolescents finding moments of solace in one another. Claire Christian is a captivating, compassionate and remarkable debut author composing a narrative that will linger long after the final page.’ Diva Booknerd ‘Beautiful Mess is the most sensitive explanation of depression and how it affects lives that I have ever read. If you read any other book and felt a bit uncomfortable about the depiction of depression, read this one and understand more. Recommend it to your teenagers, your students, your friends with teen kids. It might help them understand and recognise themselves in some of the pages.’ The Sapling ‘Tender and insightful...An enlightened look at youth suicide and mental health.’ New Zealand Herald ‘Claire has created an authentic and informative book for young adults, while also an enjoyable read.’ Tea in the Treetops ‘The characterisation is strong and works wonderfully with the sinuous dialogue. In these darkened lives there are some light and funny moments, cleverly crafted by Claire Christian...All libraries for young adults should stock at least one copy of this book.’ Reading Time ‘A raw, beautifully written story that sensitively tackles grief, suicide, self-harm and first sexual experience.’ NZ Women’s Weekly ‘A funny and sad rom-com that doesn’t sugar-coat the grittier parts of teenage angst.’ Readings Best Young Adult Books 2017 ‘The issues that are tackled in this book are important...Anxiety and depression, self-harm, suicide and grief are covered without making it feel like that’s all the book was written to do.’ Boffins Books ‘Beautiful Mess doesn’t shy away from how rough the teen years can be, but also demonstrates the possibilities of healing and provides quite a few laughs to boot.’ Readings 'The characters are engaging, and their emotional struggles are palpable...While the majority of the plot is dark and grim, support from caring adults and siblings brings about an ending that is realistic and hopeful. VERDICT Recommended for most public library young adult collections.’ School Library Journal ‘Tender and absorbing, this debut novel from Australia tackles challenging topics...with an open and loving hand. It deals with myriad emotions and allows the healing process to be organic. The sweetness of the characters rises above the darkness they carry, and their honest desire for acceptance...will resonate with a wide range of readers.’ Booklist
“The most blisteringly impassioned music book of the season.” —New York Times Book Review A thrilling account of the Altamont Festival—and the dark side of the ‘60s. If Woodstock tied the ideals of the '60s together, Altamont unraveled them. In Just a Shot Away, writer and critic Saul Austerlitz tells the story of “Woodstock West,” where the Rolling Stones hoped to end their 1969 American tour triumphantly with the help of the Grateful Dead, the Jefferson Airplane, and 300,000 fans. Instead the concert featured a harrowing series of disasters, starting with the concert’s haphazard planning. The bad acid kicked in early. The Hells Angels, hired to handle security, began to prey on the concertgoers. And not long after the Rolling Stones went on, an 18-year-old African-American named Meredith Hunter was stabbed by the Angels in front of the stage. The show, and the Woodstock high, were over. Austerlitz shows how Hunter’s death came to symbolize the end of an era while the trial of his accused murderer epitomized the racial tensions that still underlie America. He also finds a silver lining in the concert in how Rolling Stone’s coverage of it helped create a new form of music journalism, while the making of the movie about Altamont, Gimme Shelter, birthed new forms of documentary. Using scores of new interviews with Paul Kantner, Jann Wenner, journalist John Burks, filmmaker Joan Churchill, and many members of the Rolling Stones' inner circle, as well as Meredith Hunter's family, Austerlitz shows that you can’t understand the ‘60s or rock and roll if you don’t come to grips with Altamont.