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A History of Corporate Financial Reporting provides an understanding of the procedures and practices which constitute corporate financial reporting in Britain, at different points of time, and how and why those practices changed and became what they are now. Its particular focus is the external financial reporting practices of joint stock companies. This is worth knowing about given the widely held view that Britain (i) pioneered modern financial reporting, and (ii) played a primary role in the development of both capital markets and professional accountancy. The book makes use of a principal and agent framework to study accounting’s past, but one where the failure of managers always to supply the information that users’ desire is given full recognition. It is shown that corporate financial reporting did not develop into its current state in a straightforward and orderly fashion. Each era produces different environmental conditions and imposes new demands on accounting. A proper understanding of accounting developments therefore requires a careful examination of the interrelationship between accountants and accounting techniques on the one hand and, on the other, the social and economic context within which changes took place. The book’s corporate coverage starts with the legendary East India Company, created in 1600, and continues through the heyday of the statutory trading companies founded to build Britain’s canals (commencing in the 1770s) and railways (commencing c.1829) to focus, principally, on the limited liability company fashioned by the Joint Stock Companies Act 1844 and the Limited Liability Act 1855. The story terminates in 2005 when listed companies were required to prepare their consolidated accounts in accordance with International Financial Reporting Standards, thus signalling the effective end of British accounting.
This is a first-hand account of theatre in apartheid society. Exploring the forces which led to the foundation and development of "New South African Theatre", the financial backing provided by the South African business world, the black majority's point of view and the influence of cultural boycotts and problems of tours abroad, it provides specialist information on the Market Theatre. It also considers black consciousness and trade union and state-funded theatre in South Africa.
This book, drawing on wide experience of the Isle of Man, describes, interprets and explains the features that make the Island’s physical and human landscapes so distinctive and give it a unique sense of place. Although the editors have taken a strongly geographical approach to their theme, the book is unparalleled in writings on the Isle of Man in the broad range of contributions it has assembled: geology, quaternary science, geomorphology, archaeology, history, natural history, political science, demography, social policy and economics. The book definitively reviews current geographical knowledge relating to the Isle of Man, bringing together hitherto fragmented, scattered and inaccessible work. Particular emphasis is placed upon the way in which geographers are returning to their intellectual roots with a renewed focus on both the distinctiveness and sense of place. By helping readers to understand the processes that formed, and continue to change, the Isle of Man’s unique physical and human landscapes, this book aims both to inform and to enhance enjoyment of the Island.