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Six-year -old Annie is living a nightmare no one should have to endure alone. World War II is raging in Europe and in the Pacific, and though Annie is far from the front lines, she feels the horror of war on the home front: beloved neighbors are killed in action, her family hears of relatives suffering in Europe, and she sees war’s violence and destruction in weekly newsreels. Strict rationing and blackouts challenge her own daily life. Added to this, when Annie contracts rheumatic fever, she has “her own war to win” if she is to survive! But she has a constant companion – the chubby baby doll, a 1942 Christmas gift, --who helps her “fight” to get well and survive the heartaches of war. Everyone loves her doll, even her school-mate, Emile, a “war guest from France,” and her aviator pen-pal in the Royal Air Force. Inspired by her own recollections of World War II and the personal accounts of war veterans, Eiler has written a sobering reminder of the sacrifices of war as a tribute to The Greatest Generation, intended for children studying the war and adults alike. The doll opens a gateway to discussing difficult topics with children like hope and perseverance in the face of illness and crisis while the novel’s focus on magical play will interest doll and toy enthusiasts. In the novel’s “magical ending” Eiler offers a touch of whimsy. The war is over. The celebrations have ended. Not to be “outdone,” Annie’s doll makes her a promise the reader will hold dear – who said dolls can’t talk?
The legendary feats of Davy Crockett, who could tree a ghost, ride his thirty-seven-foot-long alligator up Niagara Falls, and drink up the Mississippi River, are common knowledge to devotees of this nineteenth-century comic superhero. But what may come as a surprise to many is that the legendary frontiersman also served as the fictional narrator of a collection of outrageous tall tales about women in the same Crocket Almanacs in which he “recorded” his own adventures. Conceived as a marketing device by nineteenth-century publishers hoping to gain a share of the lucrative almanac market, such stories made these slim volumes the best-selling and longest-running series of comic almanacs published in the United States before the Civil War. Booking back at them now, the Crocket Almanacs offer a true “fun house mirror” view of the culture of antebellum America.
People who are considered “famous” can be found in many different fields. This book describes 472 museums, historic sites, and memorials about 409 people in 26 categories: Actors Explorers Playwrights Architects First Ladies Poets Artists/Sculptors Frontiersmen Presidents Athletes Journalists/Publishers Public Officials/ Author/Writers Medical Innovators Political Figures Aviators/Astronauts Military Figures Religious Leaders Business/Industrial/Financial Musicians/Singers/ Scientists/Engineers/ Figures Composers Inventors Educators Outlaws Social Activists Entertainers Patriotic Figures Socialites They include such people as Clark Gable, Judy Garland, Georgia O’Keeffe, Norman Rockwell, Ernest Hemingway, Edgar Allan Poe, Sinclair Lewis, Henry Ford, Thomas Edison, Will Rogers, Daniel Boone, Buffalo Bill Cody, William Randolph Hearst, Douglas MacArthur, Robert E. Lee, Louis Armstrong, Elvis Presley, Betsy Ross, Carl Sandburg, Jesse James, Benjamin Franklin, Daniel Webster, Billy Graham, Martin Luther King, Jr., Jane Addams, Frederick Douglass, Doris Duke, Helen Keller, Wilbur and Orville Wright, and all the Presidents, including George Washington, Abraham Lincoln, and Franklin D. Roosevelt. Among the sites of the museums and other tributes are such places as the Katharine Hepburn Museum, Thomas Hart Benton Home and Studio, Babe Ruth Museum, Louisa May Alcott’s Orchard House, Mark Twain House and Museum, Charles A. Lindberg Historic Site, Lincoln Memorial, Morgan Library and Museum, Kit Carson Home and Museum, Clara Barton National Historic Site, Stonewall Jackson’s Home, Marian Anderson Residence/Museum and Birthplace, Stephen Foster Memorial Museum, Tennessee Williams Birthplace/Home, Mount Vernon: George Washington’s Estate and Gardens, Roger Williams National Memorial, Rachel Carson Homestead, Rosa Parks Library and Museum, and Ronald Reagan Presidential Library and Museum. In addition to the chapters and directory, the book includes a geographical guide to the sites, selected bibliography, index, and 29 photographs.
Outside of yoga class, we don’t pay too much attention to the air we take in every day. Long one of the essential elements to life on earth—from the atmospheric composition that gave life to the coal-forming forests some three hundred million years ago to the air that fuels our most important technologies today—we think little of its incredible properties. In this innovative cultural and scientific history, Peter Adey takes stock of the great ocean of air that surrounds us, exploring our attempts to understand, engineer, make sense of, and find meaning in it. Adey examines how humans have managed and manipulated air as a natural resource and, in doing so, have been taken to the limits of survival, brought to high-altitude mountain peaks, subterranean worlds, and the troughs of new moral depths. Going beyond how vital air has been to our philosophical, scientific, and technological pursuits, he also reveals the way that the artistic and literary imagination has been lifted through air and how, in air, cultures have learned to express and inspire each other. Combining established figures such as Joseph Priestley, John Scott Haldane, and Marie Curie with unlikely individuals from painting, literature, and poetry, this richly illustrated book unlocks new perspectives into the science and culture of this pervasive but unnoticed substance.

Short Stories

Library of Congress. National Library Service for the Blind and Physically Handicapped

Published: 1989

Total Pages: 264


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"Nothing defines the songs of the great American songbook more richly and persuasively than their urban sensibility. During the first half of the twentieth century, songwriter such as Harold Arlen, Irving Berlin, Dorothy Fields, George and Ira Gershwin, and Thomas 'Fats' Waller flourished in New York City, the home of Tin Pan Alley, Broadway, and Harlem. Many of these remarkably deft and forceful creators were native New Yorkers. Others got to Gotham as fast as they could. Either way, it was as if, from their vantage point on the West Side of Manhattan, these artists were describing America--not its geography of politics, but its heart--to Americans and to the world at large. In City songs and American life, 1900-1950, renowned author and broadcaster Michael Lasser offers an evocative and probing account of the popular songs--including some written originally for the stage or screen--that America heard, and sang, and danced to during the turbulent first half of the twentieth century. Lasser demonstrates how the spirit of the teeming city pervaded these wildly diverse songs. Often that spirit took form overtly in songs that portrayed the glamor of Broadway of the energy and jazz age culture of Harlem. But a city-bred spirit--or even a specifically New York City way of feeling and talking--also infused many other widely known and loved songs, stretching from the early decades of the century to the twenties (the age of the flapper, bathtub gin, and women's right to vote), the Great Depression, and, finally, World War II. Throughout this remarkable book, Lasser emphasizes how the soul of city life, as echoes in the nation's songs, developed and changed in tandem with economic, social, and political currents in America as a whole"--Dust jacket flap.
Winifred Black worked in journalism from 1888 to 1936, often writing under the pseudonym Annie Laurie. Her work appeared in the Hearst papers--especially the San Francisco Examiner--and in fifty additional newspapers weekly through syndication. Black wrote 10,000 short pieces, as well as three books, a nonfiction oeuvre that combined quasi-autobiographical details with characters and scenes to provide cultural analysis for a nationwide audience. She wrote about the realities facing modern women--their work, their marriages and divorces, the violence they endured, their need for independence. Contemporary praise for Black named her "the world's most famous feature writer" and "one of the world's most successful reporters," while her critics affixed the pejorative labels "stunt girl" and "sob sister." This study covers her influential career and gives the first serious attention to her journalism and nonfiction.
On Thanksgiving night, 1915, a small band of hooded men gathered atop Stone Mountain, an imposing granite butte just outside Atlanta. With a flag fluttering in the wind beside them, a Bible open to the twelfth chapter of Romans, and a flaming cross to light the night sky above, William Joseph Simmons and his disciples proclaimed themselves the new Knights of the Ku Klux Klan, named for the infamous secret order in which many of their fathers had served after the Civil War. Unsure of their footing in the New South and longing for the provincial, patriarchal world of the past, the men of the second Klan saw themselves as an army in training for a war between the races. They boasted that they had bonded into "an invisible phalanx...to stand as impregnable as a tower against every encroachment upon the white man's liberty...in the white man's country, under the white man's flag." Behind the Mask of Chivalry brings the "invisible phalanx" into broad daylight, culling from history the names, the life stories, and the driving passions of the anonymous Klansmen beneath the white hoods and robes. Using an unusual and rich cache of internal Klan records from Athens, Georgia, to anchor her observations, author Nancy MacLean combines a fine-grained portrait of a local Klan world with a penetrating analysis of the second Klan's ideas and politics nationwide. No other right-wing movement has ever achieved as much power as the Ku Klux Klan of the 1920s, and this book shows how and why it did. MacLean reveals that the movement mobilized its millions of American followers largely through campaigns waged over issues that today would be called "family values": Prohibition violation, premarital sex, lewd movies, anxieties about women's changing roles, and worries over waning parental authority. Neither elites nor "poor white trash," most of the Klan rank and file were married, middle-aged, and middle class. Local meetings, or klonklaves, featured readings of the minutes, plans for recruitment campaigns and Klan barbecues, and distribution of educational materials--Christ and Other Klansmen was one popular tome. Nonetheless, as mundane as proceedings often were at the local level, crusades over "morals" always operated in the service of the Klan's larger agenda of virulent racial hatred and middle-class revanchism. The men who deplored sex among young people and sought to restore the power of husbands and fathers were also sworn to reclaim the "white man's country," striving to take the vote from blacks and bar immigrants. Comparing the Klan to the European fascist movements that grew out of the crucible of the first World War, MacLean maintains that the remarkable scope and frenzy of the movement reflected less on members' power within their communities than on the challenges to that power posed by African Americans, Jews, Catholics, immigrants, and white women and youth who did not obey the Klan's canon of appropriate conduct. In vigilante terror, the Klan's night riders acted out their movement's brutal determination to maintain inherited hierarchies of race, class, and gender. Compellingly readable and impeccably researched, The Mask of Chivalry is an unforgettable investigation of a crucial era in American history, and the social conditions, cultural currents, and ordinary men that built this archetypal American reactionary movement.