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This volume explores the relationship between language and political power in the Age of Extremes. Topics include leadership cults under Stalin and Mussolini, depictions of enemies, secret diary-writing under Nazism, and the defence strategies of Soviet party members and Gestapo prisoners.
Johannes Loos (1826-1906) was the son of Georg Wilhelm Loos (b.1792) and Maria Elizabetha Eckelmann (1795-1830) of Guntersblum. She was the daughter of Johann Friedrich Eckelmann of Guntersblum. Johannes married Jacobine Kuhn (1827-1891) at Waldülversheim, near Guntersblum. They emigrated to America in 1854 with his brother Adam Loos. Johannes settled north of Milwaukee, Wisconsin in the Kettle Moraine country and Adam Loos settled at Belleville, Illinois. Johannes was a descendant of Velten Loos (1535-1586) of Guntersblum, near Oppenheim in Rhein-Hessen, Germany. Several generations of ancestors and descendants are given.
This new collection draws from the many areas of Mary Anne Mohanraj's work and includes everything from enticing erotica to Sri Lankan-American immigrant tales, from romantic poetry to provocative essays.
Today's moviegoers and critics generally consider some Hollywood products--even some blockbusters--to be legitimate works of art. But during the first half century of motion pictures very few Americans would have thought to call an American movie "art." Up through the 1950s, American movies were regarded as a form of popular, even lower-class, entertainment. By the 1960s and 1970s, however, viewers were regularly judging Hollywood films by artistic criteria previously applied only to high art forms. In Hollywood Highbrow, Shyon Baumann for the first time tells how social and cultural forces radically changed the public's perceptions of American movies just as those forces were radically changing the movies themselves. The development in the United States of an appreciation of film as an art was, Baumann shows, the product of large changes in Hollywood and American society as a whole. With the postwar rise of television, American movie audiences shrank dramatically and Hollywood responded by appealing to richer and more educated viewers. Around the same time, European ideas about the director as artist, an easing of censorship, and the development of art-house cinemas, film festivals, and the academic field of film studies encouraged the idea that some American movies--and not just European ones--deserved to be considered art.
A unique collection of articles and speeches by prominent African American activists, spanning over 150 years of black political thought.
The field of Intercultural Studies is replete with binary engagements, often dichotomized in we/they divides. This book attempts to go beyond such binaries and dive into the underlying core(s) of distant cultures; it establishes similarities and paradigms.
In a world that often asks us to consider the things that can separate us...whether that is race, politics or ethnicity...A Peace of My Mind explores the common humanity that unites us. "A Peace of My Mind" is a 120-page book that features the b&w portraits and personal stories of 55 individuals who answer the simple question, "What does peace mean to you?" Since 2009, Noltner has photographed and interviewed Holocaust survivors, refugees, political leaders, artists, homeless individuals, and others, asking them to reveal what peace means to them, how they work towards it in their lives and what obstacles they encounter along the way. The result is a stunning and heart-felt collection that acknowledges the challenges we face as a society, yet builds hope through the inspiring stories of people committed to peaceful tomorrows.