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I began writing poetry in 1951. This book of poetry is influenced by my faith in God that spreads through every poem that I have written on these humble pages. My intentions are to edify and exhort the reader to be inspired by these treasures of my soul. Anna L. Nelson
I began writing poetry in 1951. This book of poetry is influenced by my faith in God that spreads through every poem that I have written on these humble pages. My intentions are to edify and exhort the reader to be inspired by these treasures of my soul. Anna L. Nelson
A collection of poems about peace by Anna Grossnickle Hines, accompanied by illustrations that feature quilts made by the poet.
Poetry, Divorce, Independence, Love, Aging, Empowerment, Abuse
Anna Swir's poetry is featured in the best-selling anthologies Ten Poems to Set You Free and Risking Everything Anna Swir (1909-1984) famously said "A poet should be as sensitive as an aching tooth." Swir was one of Poland's most distinguished poets, and she was open in her feminism and eroticism, with poetry that explored the life of the female body--from the agonizing depths of wartime to delirious sensual delight. The New York Times wrote that Swir's poetry pointed toward a "ferocious internal life." A member of the Resistance during the Nazi occupation and a military nurse in a makeshift hospital during the Warsaw Uprising, Swir once waited an hour fully expecting to be executed. Affected deeply by her experience, she wrote a poetry which rejected the grand gestures of war in favor of a world cast in miniature, a world in which the body and individual survive. Co-translated by Nobel Laureate Czeslaw Milosz and Leonard Nathan, with an introduction by Milosz, who writes: "What is the central theme of these poems? Answer: Flesh. Flesh in love and ecstasy, in pain, in terror, flesh afraid of loneliness, giving birth, resting, feeling the flow of time or reducing time to one instant. By such a clear delineation of her subject matter, Anna Swir achieves in her sensual, fierce poetry a nearly calligraphic neatness." Reviews: "The poems delight in all things physical, painting a passionate picture of the soul as a reified, pulsating entity that argues with the body."--San Francisco Review "Talking to My Body is an extremely rewarding book... Her best poems are so original as to deliver that mild shock we've come to recognize as real poetry."--Boston Book Review
Welcome wildebeest / and beetle, / Oxpecker and lion. / This water hole is yours. / It offers you oasis / beside its shrinking shores. Spend a day at a water hole on the African grasslands. From dawn to nightfall, animals come and go. Giraffes gulp, wildebeest graze, impalas leap, vultures squabble, and elephants wallow. Fact sidebars support the poems about the animals and their environment. Imaginative illustrations from Anna Wadham complete this delightful collection.
Publisher Description
THE TOUCHING TRUE STORY THAT WON THE HEARTS OF MILLIONS OF READERS AROUND THE WORLD! Anna was only four years old when Fynn found her on London's fog-shrouded docks. He took her back to his mother's home, and from that first moment, their times together were filled with delight and discovery. Anna had an astonishing ability to ask--and to answer--life's largest questions. Her total openness and honesty amazed all who knew her. She seemed to understand with uncanny certainty the purpose of being, the essence of feeling, the beauty of love. You see, Anna had a very special friendship with Mister God. . . .
Anna Akhmatova lived through pre-revolution Russia, Bolshevism, and Stalinism. Throughout it all, she maintained an elegant, muscular style that could grab a reader by the throat at a moment’s notice. Defined by tragedy and beauty in equal measure, her poems take on romantic frustration and the pull of the sensory, and find power in the mundane. Above all, she believed that a Russian poet could only produce poetry in Russia. You Will Hear Thunder spans Akhmatova’s very early career into the early 1960s. These poems were written through her bohemian prerevolution days, her many marriages, the terror and privation of life under Stalin, and her later years, during which she saw her work once again recognized by the Soviet state. Intricately observed and unwavering in their emotional immediacy, these strikingly modern poems represent one of the twentieth century’s most powerful voices.
When musician Anna Greene dies at the untimely age of 42, her family and friends are stunned by their sudden loss. Theo, Anna’s husband, fluctuates between numb grief and fury at the world. Fifteen-year-old Beth is fighting her own demons, while little brother Sam just misses his mum. But Anna has left one last request: that those who love her should walk the Pilgrims’ Way to Canterbury in her memory. Four months later, they set out on a hundred-mile journey that will change their lives for ever. Walking with the family are Father Stephen – a priest wrestling with a deeply personal crisis of conscience – and Anna’s sparky best friend, single mother Tamsin. Then a stranger joins the group. Who is he? And what was the catastrophe that drove Anna from home a decade earlier? Over the course of nine days, the pilgrims share their memories of Anna, and gradually the layers of her life are peeled back to uncover secrets no one ever suspected. Can those who love her live with all that is past? ‘Beautifully written, emotionally resonant and truthful, this is an inspiring novel about the many faces of love and the struggle to come to terms with grief.’ Elizabeth Buchan, author of Consider the Lily ‘Sarah Meyrick’s latter-day pilgrims are as congenial companions for the reader as for one another. A highly accomplished debut filled with wisdom and grace.’ Michael Arditti, author of The Enemy of the Good