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"Once her dying got underway, Anna could not really complain about the way the process moved along." So begins this deftly amusing, wryly perceptive look at the passing of a feisty, funny woman. During the four-day limbo that bridges her death and burial, Anna, who is "infinitely present, never dead, never stupid, and never done with it all," gets to investigate the preparations for her own funeral, the true nature of her sister's suicide attempt, and the revelations of her own sexual abuse by her half-brother. She contemplates her parents-her impoverished Polish Jewish mother, her father who was obsessed with his digestive system-and she longs to remember her beloved husband, who is all but buried by time. She considers the origins of her bigotry and her reluctant capitulation to romantic and physical love. In her final moments of consciousness, Anna has the last word on her own secrets and crimes before stepping into eternity.
“Then I felt his body leaning over mine and his fingers holding my nostrils shut. I could not breathe. My teeth were clenched. His fingers remained sealing my nose, when suddenly my mouth and jaw opened up and I gasped for air. Startled, he released his grip on my nose and left the room, leaving me paralyzed, naked, and curled up on the floor.” A few years ago, Ana Christina was left for dead. Despite the horrific circumstances, it was a blessing in disguise - the Lord delivered her from the hands of her perpetrator. “Ana Christina shares in such a vulnerable way that she takes her readers on a journey. Her incredible path leaves one with the realization that the human soul is unconquerable. Her honest, open way of revealing herself literally gives her readers the permission and courage to get real with themselves, experiencing a journey of self discovery, self disclosure and eventually the uncovering of self immortality.” - Jeffery Olsen, Author of KNOWING and WHERE ARE YOU?
Russia, 1905. Behind the gates of the Karenin Palace, Sergei, son of Anna Karenina, meets Tolstoy in his dreams and finds reminders of his mother everywhere: the almost-living portrait that the Tsar intends to acquire and the opium-infused manuscripts she wrote just before her death, one of which opens a trapdoor to a wild feminist fairytale. Across the city, Clementine, an anarchist seamstress, and Father Gapón, the charismatic leader of the proletariat, tip the country ever closer to revolution. Boullosa lifts the voices of coachmen, sailors, maids, and seamstresses in this playful, polyphonic, and subversive revision of the Russian revolution, told through the lens of Tolstoy’s most beloved work.
I didn’t even want to go to the party. I just wanted to stay home with my librarian-witch grandmother and her mystical book club. But my best friend Skyler begged me. So I went. Not only was it the worst party of my life, it was the last party of my life. I should have known there was something really strange about the band—especially when the lead singer bit me before taking off with my best friend. Now I'm chasing down a band of dangerous vamps with my best guy friend, Vaughn. Who also happens to be the boy I’ve been secretly crushing on forever. And out on the road, anything can happen. All I ever wanted was for things to change with Vaughn. For him to finally see the real me. But this isn’t exactly what I had in mind. So be it. Let the afterlife begin. The Afterlife series is best enjoyed in order. Reading Order: Book #1 The Afterlife of the Party Book #2 I'm with the Banned Book #3 A Sucker for You
With contributions from leading scholars and detailed catalog entries that interpret the spells and painted scenes, this fascinating and important work affords a greater understanding of ancient Egyptian belief systems and poignantly reveals the hopes and fears about the world beyond death.
We are not alone! Through the eyes of medium, Anna Raimondi, view the spirit realm. This poignant book will open your heart, soul and mind to incomprehensible love.
This book explores 500 years of poetry, drama, novels, television and films about Anne Boleyn. Hundreds of writers across the centuries have been drawn to reimagine the story of her rise and fall. The Afterlife of Anne Boleyn tells the story of centuries of these shifting and often contradictory ways of understanding the narrative of Henry VIII’s most infamous queen. Since her execution on 19 May 1536, Anne’s life and body has been a site upon which competing religious, political and sexual ideologies have been inscribed; a practice that continues to this day. From the poetry of Thomas Wyatt to the songs of the hit pop musical Six, The Afterlife of Anne Boleyn takes as its central contention the belief that the mythology that surrounds Anne Boleyn is as interesting, revealing, and surprising as the woman herself.
In Visits from the Afterlife, Browne journeys even deeper into The Other Side, detailing stirring true encounters, describing visitations with ghosts, in-transition spirits, and other troubled souls seeking peace and closure. She travels to locations as diverse as haunted homes and ships possessed by otherworldly forces. Through these spiritual visits, she explains the reasons behind many of the world's most bizarre and mysterious hauntings, and she shares her own personal, face-to-face experiences with these inexplicable phenomena. From surprising revelations about the spirit world to moving reunions with those who have moved on, Visits from the Afterlife once again illustrates spirits' profound and eternal influence on our earthly lives.
The Afterlife in Popular Culture: Heaven, Hell, and the Underworld in the American Imagination gives students a fresh look at how Americans view the afterlife, helping readers understand how it's depicted in popular culture. What happens to us when we die? The book seeks to explore how that question has been answered in American popular culture. It begins with five framing essays that provide historical and intellectual background on ideas about the afterlife in Western culture. These essays are followed by more than 100 entries, each focusing on specific cultural products or authors that feature the afterlife front and center. Entry topics include novels, film, television shows, plays, works of nonfiction, graphic novels, and more, all of which address some aspect of what may await us after our passing. This book is unique in marrying a historical overview of the afterlife with detailed analyses of particular cultural products, such as films and novels. In addition, it covers these topics in nonspecialist language, written with a student audience in mind. The book provides historical context for contemporary depictions of the afterlife addressed in the entries, which deal specifically with work produced in the 20th and 21st centuries.
This lively and illuminating book explores over 100 contemporary horror films, providing insightful and provocative readings of what they mean while including numerous quotes from their creators. Some of these films, including The Babadook, The Green Inferno, It Follows, The Neon Demon, Pride and Prejudice and Zombies, and The Witch, are so recent that this will be one of the first times they are discussed in book form. The book is divided into three main sections: "nightmares," "nations," and "innovations." "Nightmares" looks at new manifestations of traditional fears, including creepy dolls, haunted houses and demonic possession as well as vampires, werewolves, witches and zombies; and also considers more contemporary anxieties such as dread of home invasion and homophobia. "Nations" explores fright films from around the world, including Australia, Canada, Czechoslovakia, France, Germany, India, Japan, Norway, Russia, Serbia, Spain and Sweden as well as the UK and the U.S. "Innovations" focuses on the latest trends in terror from 3D to found-footage films, from Twilight teen romance to torture porn, and from body horror and eco-horror to techno-horror. Parodies, remakes and American adaptations of Asian horror are also discussed.