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Ann Sothern was often quoted as saying she had played every venue in show business except fairs. For over 60 years, she has captivated audiences from the stage, on radio and television, in film, and as a recording artist. This book is the first full-length examination of Miss Sothern's life and career. In addition to individual chapters on each facet of her life, the book features an extensive annotated bibliography of articles by and about Miss Sothern. The book includes a filmography and discography, as well as comprehensive lists of Miss Sothern's stage, radio, and television appearances. Schultz has done a magnificent job of documenting Ann Sothern's career. Classic Images Ann Sothern was often quoted as saying she had played every venue in show business except fairs. Ann Sothern: A Bio-Bibliography is proof that her statement was not far from wrong. For over 60 years, she has captivated audiences from the stage, on radio and television, in film, and as a recording artist. This book is the first full-length examination of Miss Sothern's life and career. In addition to individual chapters on each facet of her life, the book features an extensive annotated bibliography of articles by and about Miss Sothern. The book includes a filmography and discography, as well as comprehensive lists of Miss Sothern's stage, radio, and television appearances. Ann Sothern: A Bio-Bibliography is the first full-length examination of Miss Sothern's life and career. In addition to individual chapters on each facet of her career, the book features an extensive annotated bibliography of articles by and about Miss Sothern. The book includes a filmography and discography, as well as comprehensive lists of Miss Sothern's stage, radio, and television appearances. It is the first source to include a complete episode guide for Miss Sothern's television series, Private Secretary, The Ann Sothern Show, The Lucy Show, and My Mother the Car. An appendix lists products which were endorsed by Miss Sothern or which used her likeness in promotion. The book utilizes sixteen photographs, including four from Miss Sothern's personal collection, which she donated to the Ketchum Community Library in Ketchum, Idaho. A great library reference source, this book will be of interest to film scholars and fans of Miss Sothern.
LIFE Magazine is the treasured photographic magazine that chronicled the 20th Century. It now lives on at LIFE.com, the largest, most amazing collection of professional photography on the internet. Users can browse, search and view photos of today’s people and events. They have free access to share, print and post images for personal use.
In the words of television and movie actress Tisha Sterling, the daughter of renowned Hollywood actress Ann Sothern: "My cards were dealt generously. From my parents and the good Lord, I inherited beauty and was blessed with a sparkling future. On the surface, I had a life most people could only dream of having." However... "Every morning for four years, I had been swallowing 100 milligrams of methadone, mixed with Kool-Aid from a little white paper cup. Like clockwork, I dressed in yesterday's dirty clothes picked up from my tiny apartment I shared with my 16-year-old daughter and headed for the West Los Angeles Methadone Clinic. That morning what I felt inside: anger, fear and shame. I thought about my mother, a one-time important film actress whose career had flourished from the 1920's to the present time and stupidly compared it to my own career that was by now in the toilet, almost nonexistent. Yet I stubbornly hung on to a glimmer of hope (maybe my only salvation) that some successful auditions for me on television and film would be forthcoming and that soon I would be back to work on a Hollywood set doing what I did best acting." And thus Tisha begins her heartfelt memoir chronicling what on the surface appeared to be a dream life as Ann Sothern's daughter, but which at times was precisely the opposite. Along the way, Tisha paints an intimate portrait of Hollywood and its personalities during Hollywood's bygone Golden Age in the 1930s through the 1960s, a portrait that only one who lived and worked inside the Hollywood of that glamorous era could present. "
In 1989 alone, for example, there were some forty-five major motion pictures which were sequels or part of a series. The film series phenomenon crosses all genres and has been around since the silent film era. This reference guide, in alphabetical order, lists some 906 English Language motion pictures, from 1899 to 1990, when the book was initially published. A brief plot description is given for each series entry, followed by the individual film titles with corresponding years, directors and performers. Animated pictures, documentaries and concert films are not included but movies released direct to video are.
LIFE Magazine is the treasured photographic magazine that chronicled the 20th Century. It now lives on at LIFE.com, the largest, most amazing collection of professional photography on the internet. Users can browse, search and view photos of today’s people and events. They have free access to share, print and post images for personal use.
Most of the bright and talented actresses who made America laugh in the 1950s are off the air today, but their pioneering Hollywood careers irrevocably changed the face of television comedy. These smart and sassy women successfully negotiated the hazards of the male-dominated workplace with class and humor, and the work they did in the 1950s is inventive still by today's standards. Unable to fall back on strong language, shock value, or racial and sexual epithets, the female sitcom stars of the 1950s entertained with pure talent and screen savvy. As they did so, they helped to lay the foundation for the development of television comedy. This book pays tribute to 10 prominent television actresses who played lead roles in popular comedy shows of the 1950s. Each chapter covers the works and personalities of one actress: Lucille Ball (I Love Lucy), Gracie Allen (The George Burns and Gracie Allen Show), Eve Arden (Our Miss Brooks), Spring Byington (December Bride), Joan Davis (I Married Joan), Anne Jeffreys (Topper), Donna Reed (The Donna Reed Show), Ann Sothern (Private Secretary and The Ann Sothern Show), Gale Storm (My Little Margie and The Gale Storm Show: Oh! Susanna), and Betty White (Life with Elizabeth). For each star, a career sketch is provided, concentrating primarily on her television work but also noting achievements in other areas. Appendices offer cast and crew lists, a chronology, and an additional biographical sketch of 10 less familiar actresses who deserve recognition.
Why watch TV when you can read about it? Featuring more than 600 previously unpublished photos, TVparty! offers fascinating, untold stories from TV's golden age.
Since the beginning of network television, many shows have been preceded by an announcement or theme song that served various purposes. In the 1950s and ’60s, it was common for announcers to declare that a program had been “brought to you by” a sponsor who paid for the privilege of introducing a show. Other programs, such as The Twilight Zone, Star Trek, and The Odd Couple,provided a brief encapsulation of the show’s subject matter, a practice that has continued for recent shows like Alias, Battlestar Galactica, Person of Interest, and the various editions of Law & Order. In Television Introductions: Narrated TV Program Openings since 1949, Vincent Terrace has assembled openings for more than nine hundred television shows from the past seven decades. The only documented history of narrated television program introductions, this volume is arranged by type of programming, such as comedy, drama, Western, game show, soap opera, and children’s show. In addition to quoting the opening material, entries provide information about each show’s network history and years of broadcast. Many entries include descriptions of the show, the names of announcers, and a list of main cast members, as well as a sponsor pitch exactly as spoken. Openings for programs with multiple introductions like The Adventures of Ozzie and Harriet and Charlie’s Angels are also included. For programs that featured new guest stars every episode—such as game shows and variety programs—Terrace has selected a representative introduction. In addition to the theme song credits found in the main text, there are also appendixes of theme songs and their composers and/or singers, as well as a listing of commercial releases (on DVD, VHS, CD, and LP) of shows and their soundtracks. A comprehensive resource for researchers and pop culture aficionados alike, Television Introductions provides a fascinating look at this neglected part of TV history.
“Insightful, often humorous, and always fascinating remembrances by some of the greatest names in entertainment history . . . a vibrant portrait of a bygone era.” —Brent Phillips, author of Charles Walters: The Director Who Made Hollywood Dance During television's first fifty years—long before Hulu, Netflix, and the like—families would gather around their sets nightly to watch such shows as I Love Lucy, Gunsmoke, M*A*S*H, The Beverly Hillbillies, Fantasy Island, and The Rockford Files. Seasoned journalists James Bawden and Ron Miller have captured provocative and entertaining interviews with beloved stars of shows like these, important figures from TV’s first half century. These thirty-nine interviews, selected from conversations conducted from 1971-1998, present a fascinating glimpse of some of television’s most influential performers. Featured are exclusive interviews with major stars (including Donna Reed, James Garner, and Ricardo Montalban), icons of comedy (including Lucille Ball, George Burns, and Milton Berle), TV hosts (including Dick Clark and Ed Sullivan), and notable musical entertainers (such as Glen Campbell, Mary Martin, and Lawrence Welk). Each chapter explores the subject’s television work—with detailed behind-the-scenes disclosures—and includes additional information about the subject’s performances in film and on stage.
The early years of television relied in part on successful narratives of another medium, as studios adapted radio programs like Boston Blackie and Defense Attorney to the small screen. Many shows were adapted more than once, like the radio program Blondie, which inspired six television adaptations and 28 theatrical films. These are but a few of the 1,164 programs covered in this volume. Each program entry contains a detailed story line, years of broadcast, performer and character casts and principal production credits where possible. Two appendices ("Almost a Transition" and "Television to Radio") and a performer's index conclude the book. This first-of-its-kind encyclopedia covers many little-known programs that have rarely been discussed in print (e.g., Real George, based on Me and Janie; Volume One, based on Quiet, Please; and Galaxy, based on X Minus One). Covered programs include The Great Gildersleeve, Howdy Doody, My Friend Irma, My Little Margie, Space Patrol and Vic and Sade.