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The relationship between humans and animals has always been strong, symbiotic and complicated. Animals, real and fictional, have been a mainstay in the arts and entertainment, figuring prominently in literature, film, television, social media, and live performances. Increasingly, though, people are anthropomorphizing animals, assigning them humanoid roles, tasks and identities. At the same time, humans, such as members of the furry culture or college mascots, find pleasure in adopting animal identities and characteristics. This book is the first of its kind to explore these growing phenomena across media. The contributors to this collection represent various disciplines, to include the arts, humanities, social sciences, and healthcare. Their essays demonstrate the various ways that human and animal lives are intertwined and constantly evolving.
The starting point for this book is a particular answer to a question that grips many of us: what kind of thing are we? The particular answer is that we are animals (of a certain sort)—a view nowadays called 'animalism'. This answer will appear obvious to many but on the whole philosophers have rejected it. Paul F. Snowdon proposes, contrary to that attitude, that there are strong reasons to believe animalism and that when properly analysed the objections against it that philosophers have given are not convincing. One way to put the idea is that we should not think of ourselves as things that need psychological states or capacities to exist, any more that other animals do. The initial chapters analyse the content and general philosophical implications of animalism—including the so-called problem of personal identity, and that of the unity of consciousness—and they provide a framework which categorises the standard philosophical objections. Snowdon then argues that animalism is consistent with a perfectly plausible account of the central notion of a 'person', and he criticises the accounts offered by John Locke and by David Wiggins of that notion. In the two next chapters Snowdon argues that there are very strong reasons to think animalism is true, and proposes some central claims about animal which are relevant to the argument. In the rest of the book the task is to formulate and to persuade the reader of the lack of cogency of the standard philosophical objections, including the conviction that it is possible for the animal that I would be if animalism were true to continue in existence after I have ceased to exist, and the argument that it is possible for us to remain in existence even when the animal has ceased to exist. In considering these types of objections the views of various philosophers, including Nagel, Shoemaker, Johnston, Wilkes, and Olson, are also explored. Snowdon concludes that animalism represents a highly commonsensical and defensible way of thinking about ourselves, and that its rejection by philosophers rests on the tendency when doing philosophy to mistake fantasy for reality.
In 2020, COVID-19, the Australia bushfires, and other global threats served as vivid reminders that human and nonhuman fates are increasingly linked. Human use of nonhuman animals contributes to pandemics, climate change, and other global threats which, in turn, contribute to biodiversity loss, ecosystem collapse, and nonhuman suffering. Jeff Sebo argues that humans have a moral responsibility to include animals in global health and environmental policy. In particular, we should reduce our use of animals as part of our pandemic and climate change mitigation efforts and increase our support for animals as part of our adaptation efforts. Applying and extending frameworks such as One Health and the Green New Deal, Sebo calls for reducing support for factory farming, deforestation, and the wildlife trade; increasing support for humane, healthful, and sustainable alternatives; and considering human and nonhuman needs holistically. Sebo also considers connections with practical issues such as education, employment, social services, and infrastructure, as well as with theoretical issues such as well-being, moral status, political status, and population ethics. In all cases, he shows that these issues are both important and complex, and that we should neither underestimate our responsibilities because of our limitations, nor underestimate our limitations because of our responsibilities. Both an urgent call to action and a survey of what ethical and effective action requires, Saving Animals, Saving Ourselves is an invaluable resource for scholars, advocates, policy-makers, and anyone interested in what kind of world we should attempt to build and how.
From the "New York Times"-bestselling author of "The Jane Austen Book Club," the story of an American family, ordinary in every way but one--their close family relative was a chimpanzee.
Animals are conscious beings that form their own perspective regarding the lifeworlds in which they exist, and according to which they act in relation to their species and other animals. In recent decades a thorough transformation in societal research has taken place, as many groups that were previously perceived as being passive or subjugated objects have become active subjects. This fundamental reassessment, first promoted by feminist and radical studies, has subsequently been followed by spatial and material turns that have brought non-human agency to the fore. In human–animal relations, despite a power imbalance, animals are not mere objects but act as agents. They shape our material world and our encounters with them influence the way we think about the world and ourselves. This book focuses on animal agency and interactions between humans and animals. It explores the reciprocity of human–animal relations and the capacity of animals to act and shape human societies. The chapters draw on examples from the Global North to explore how human life in modernity has been and is shaped by the sentience, autonomy, and physicality of various animals, particularly in landscapes where communities and wild animals exist in close proximity. It offers a timely contribution to animal studies, environmental geography, environmental history, and social science and humanities studies of the environment more broadly.
This book is based on a belief we both fiercely share: That we are not separate from the Divine, not separate from other humans, and are inextricably interconnected with the Earth community, with a responsibility to protect and to live in humble and grateful harmony with the whole of creation.
New York Times best-selling author and primatologist Frans de Waal explores the fascinating world of animal and human emotions. Frans de Waal has spent four decades at the forefront of animal research. Following up on the best-selling Are We Smart Enough to Know How Smart Animals Are?, which investigated animal intelligence, Mama’s Last Hug delivers a fascinating exploration of the rich emotional lives of animals. Mama’s Last Hug begins with the death of Mama, a chimpanzee matriarch who formed a deep bond with biologist Jan van Hooff. When Mama was dying, van Hooff took the unusual step of visiting her in her night cage for a last hug. Their goodbyes were filmed and went viral. Millions of people were deeply moved by the way Mama embraced the professor, welcoming him with a big smile while reassuring him by patting his neck, in a gesture often considered typically human but that is in fact common to all primates. This story and others like it form the core of de Waal’s argument, showing that humans are not the only species with the capacity for love, hate, fear, shame, guilt, joy, disgust, and empathy. De Waal discusses facial expressions, the emotions behind human politics, the illusion of free will, animal sentience, and, of course, Mama’s life and death. The message is one of continuity between us and other species, such as the radical proposal that emotions are like organs: we don’t have a single organ that other animals don’t have, and the same is true for our emotions. Mama’s Last Hug opens our hearts and minds to the many ways in which humans and other animals are connected, transforming how we view the living world around us.
"How Animals Talk explores the phenomenon of vocal, silent, and even motionless communication among animals. From crow talk to instant herd communication, author William J. Long theorizes that animals are much more intelligent, emotional, and moral than we have traditionally thought and that their ability to sense the presence of other living beings is an innate ability shared by humans as well. Based on many years of field observations, this classic text contains numerous examples of animal behavior that defy conventional explanation"--Simon & Schuster website, viewed September 14, 2022.
There are complex & often surprising connections between our imagining of animals & our cultural environment. Topics discussed in this collection include fox hunting, pet cloning, animatronic characters & how we displace our fear of aging onto our dogs.
Sue Coe’s advocacy of animal rights is unmatched in its eloquence, forcefulness, and lasting impact. She does so with a combination of extraordinary images and few words. In her unstinting insistence on tolerance and love, Coe brings us to a life-affirming philosophy that values compassion over greed, community over self, and life over capital. In 115 black-and-white woodcut illustrations for The Animals’ Vegan Manifesto, Sue Coe unleashes an outraged cry for action that takes its rightful place alongside the other great manifestoes of history. As a prize-winning artist, she bears witness to unspeakable crimes, and has long advocated that we human beings must take more responsibility for ourselves, our fellow species, and the planet. Her illustrations, in the tradition of Goya, Kollwitz, and Grosz, will be familiar to many; her paintings, drawings and prints have been exhibited in galleries and museum around the world, including New York’s Museum of Modern Art.