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Meet Joe Gomez. He’s got high school on lock – good grades, a cool band, and girls digging his vibe. But just when he’s got the world figured out, he goes and turns into a saber-toothed tiger. A shape-shifting nature spirit known as a Chimera, to be specific. Now Joe needs every single one of his new powers to help save the human race – whether he wants to or not. Meet Joe Gomez. He’s got high school on lock – good grades, a cool band, and girls digging his vibe. But just when he’s got the world figured out, he goes and turns into a saber-toothed tiger. A shape-shifting nature spirit known as a Chimera, to be specific. Now Joe needs every single one of his new powers to help save the human race – whether he wants to or not.
ANIMAL COMICS #1Featuring the golden age great Walt Kelly art and more...It was the Golden Age of Comics, the 1940's. Every week new publications would warp the minds of our youth, destroy (or save, depending on your point of view) the culture of America, and drain hard-earned dimes from the pockets of young boys and girls. A glorious time! Now you can enjoy again - or, for the first time - some of the classic Golden Age comics, with Golden Age Reprints comic reprint series. This book contains the full issue of ANIMAL COMICS #1, available in print for the first time in almost 70 years! The classic comic reprints from GOLDEN AGE REPRINTS and UP History and Hobby are reproduced from actual comics, and sometimes reflect the imperfection of books that are decades old. These books are constantly updated with the best version available - if you are EVER unhappy with the experience or quality of a book, return the book to us to exchange for another title or the upgrade as new files become available. For our complete classic comics library catalog contact [email protected] OR VISIT OUR WEB STORE AT www.goldenagereprints.com
The Grail of Funny Animals For decades, Italian comics historian Alberto Becattini has been researching and writing about American funny animal comics. In this first volume of his two-part opus, Becattini presents the fruits of his labors, the definitive guide for funny animal fans, collectors, and historians alike. Becattini examines the funny animal phenomenon, starting from its origins in popular and children's literature, and continuing through its appearances in newspaper comics, comic books, and comic magazines. All of the more famous characters are included, such as those created at Disney, Lantz, Warner Bros., MGM, and other cartoon studios, as well as the many lesser-known characters that appeared in obscure comic book titles issued by equally obscure comic book publishers. During the writing process, and while viewing thousands of comic strips and comic pages, Becattini had many discoveries and "epiphanies" that let him shed light on the identities of hitherto uncredited artists and writers. While his aim has been to highlight the talent behind the comics, rather than the stories and characters themselves, he also provides in-depth coverage of virtually every funny animal comic book, illustration, and animated cartoon. A must-have title for any serious funny animal fan
On the Farm all animals were equal. In the Castle some are more equal than others. For fans of the bestselling Stray Dogs and the Eisner Award winning Beasts of Burden comes an animal fable at once familiar and surprising! You may think you know the story but set aside your assumptions, this animal uprising is unlike any you have read! Nestled in the heart of a farm forgotten by men, the Animal Castle is ruled with an iron hoof by President Silvio. The bull and its dog militia savor their power, while the other animals are exhausted by work, until the arrival of the mysterious Azelard, a traveling rat who will teach them the secrets of civil disobedience.
"Collecting issues #40-49 of Image's longest-running Pulp Science Fiction series, Elephantmen, Volume 6 is packed with extras, including the Hip Flask/Strontium Dog crossover by Starkings and Boo Cook, and the Hip Flask/Marineman crossover by Starkings and Ian Churchill"--Publisher description.
Animal characters abound in graphic narratives ranging from Krazy Kat and Maus to WE3 and Terra Formars. Exploring these and other multispecies storyworlds presented in words and images, Animal Comics draws together work in comics studies, narrative theory, and cross-disciplinary research on animal environments and human-animal relationships to shed new light on comics and graphic novels in which animal agents play a significant role. At the same time, the volume's international team of contributors show how the distinctive structures and affordances of graphic narratives foreground key questions about trans-species entanglements in a more-than-human world. The writers/artists covered in the book include: Nick Abadzis, Adolpho Avril, Jeffrey Brown, Sue Coe, Matt Dembicki, Olivier Deprez, J. J. Grandville, George Herriman, Adam Hines, William Hogarth, Grant Morrison, Osamu Tezuka, Frank Quitely, Yu Sasuga, Charles M. Schultz, Art Spiegelman, Fiona Staples, Ken'ichi Tachibana, Brian K. Vaughan, and others.
In these classic tales from Animal Man #1-13 (plus a story from Secret Origins #39), meet Buddy Baker, a caring husband, devoted father, animal rights activist, and super-powered adventurer. But as he attempts to live up to his roles, he finds that there are no black-and-white situations in life. In these stories, Animal Man is called by S.T.A.R. Labs to investigate a break-in related to an AIDS vaccine, only to learn what inhumane acts are going on.
First time in comics Uncle Wiggily. (History of childrens comics) At the time of Dell Publishing's launch of 'Animal Comics' humorous animal stories were becoming popular, but it was the first comic book to specialize in that genre using comic book creations. The first issue was published in 1941, and the title ended with issue #30 in December 1947. Animal Comics is best known for the first appearance of the historic 'Pogo', drawn by Walt Kelly, which appeared in issue #1. The original story titled 'Albert Takes the Cake' introduces Pogo the possum and Albert the alligator. Also in the story is a young African-American boy named Bumbazine, who would soon be dropped, as Kelly found humor easier with just animals. Walt Kelly also produced other non-Pogo pages for Animal Comics and others who contributed to the title were Dan Noonan and John Stanley, who is now best known for his work on Little Lulu. In 1948 Walt Kelly was hired as a political cartoonist for the New York Star newspaper and decided to use his Pogo characters in the daily strip. This debuted on October 4, 1948. The paper folded very soon afterwards, but the strip survived and was syndicated by Post-Hall Syndicate, going national. The strip was designed to be read on many levels, so it could be enjoyed by young and old alike. The slapstick was designed for the younger audience and the puns and satire for the older generation. Pogo was the first comic book series to make a permanent transition to newspapers. It lasted 27 years and continued even after Walt Kelly's death until the last issue in July 20,1975. Amongst others George Ward and Henry Shikuma worked on the strip as Walt Kelly's assistants. The comic reprints from Escamilla Comics are reproduced from actual classic comics, and sometimes reflect the imperfection of books that are decades old.
When the downtrodden animals of Manor Farm overthrow their master Mr Jones and take over the farm themselves, they imagine it is the beginning of a life of freedom and equality. But gradually a cunning, ruthless elite, masterminded by the pigs Napoleon and Snowball, starts to take control. Soon the other animals find themselves hopelessly ensnared as one form of tyranny is replaced with another . . .
This edition collects the bizarre adventures of Animal Man, a second-rate super hero struggling with real-life issues and moral dilemmas. Buddy Baker is a caring husband, devoted father, animal activist and super-powered being. But as he attempts to live up to all of his roles, he soon finds that there are no black and white situations in life. With a strong focus on storytelling, these thought-provoking and innovative tales make the reader question the actions of Animal Man as well as their own behavior in similar situations. Collects issues #1-9.