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Anguish, Anger, and Folkwaysin Soviet Russia offers original perspectives on the politics of everyday life in the Soviet Union by closely examining the coping mechanisms individuals and leaders alike developed as they grappled with the political, social, and intellectual challenges the system presented before and after World War II. As Gabor T. Rittersporn shows, the "little tactics" people employed in their daily lives not only helped them endure the rigors of life during the Stalin and post-Stalin periods but also strongly influenced the system's development into the Gorbachev and post-Soviet eras. For Rittersporn, citizens' conscious and unreflected actions at all levels of society defined a distinct Soviet universe. Terror, faith, disillusionment, evasion, folk customs, revolt, and confusion about regime goals and the individual's relation to them were all integral to the development of that universe and the culture it engendered. Through a meticulous reading of primary documents and materials uncovered in numerous archives located in Russia and Germany, Rittersporn identifies three related responses—anguish, anger, and folkways—to the pressures people in all walks of life encountered, and shows how these responses in turn altered the way the system operated. Rittersporn finds that the leadership generated widespread anguish by its inability to understand and correct the reasons for the system's persistent political and economic dysfunctions. Rather than locate the sources of these problems in their own presuppositions and administrative methods, leaders attributed them to omnipresent conspiracy and wrecking, which they tried to extirpate through terror. He shows how the unrelenting pursuit of enemies exacerbated systemic failures and contributed to administrative breakdowns and social dissatisfaction. Anger resulted as the populace reacted to the notable gap between the promise of a self-governing egalitarian society and the actual experience of daily existence under the heavy hand of the party-state. Those who had interiorized systemic values demanded a return to what they took for the original Bolshevik project, while others sought an outlet for their frustrations in destructive or self-destructive behavior. In reaction to the system's pressure, citizens instinctively developed strategies of noncompliance and accommodation. A detailed examination of these folkways enables Rittersporn to identify and describe the mechanisms and spaces intuitively created by officials and ordinary citizens to evade the regime's dictates or to find a modus vivendi with them. Citizens and officials alike employed folkways to facilitate work, avoid tasks, advance careers, augment their incomes, display loyalty, enjoy life's pleasures, and simply to survive. Through his research, Rittersporn uncovers a fascinating world consisting of peasant stratagems and subterfuges, underground financial institutions, falsified Supreme Court documents, and associations devoted to peculiar sexual practices. As Rittersporn shows, popular and elite responses and tactics deepened the regime's ineffectiveness and set its modernization project off down unintended paths. Trapped in a web of behavioral patterns and social representations that eluded the understanding of both conservatives and reformers, the Soviet system entered a cycle of self-defeat where leaders and led exercised less and less control over the course of events. In the end, a new system emerged that neither the establishment nor the rest of society could foresee.
Mennonites in the Russian Empire and the Soviet Union is the first history of Mennonite life from its origins in the Dutch Reformation of the sixteenth century, through migration to Poland and Prussia, and on to more than two centuries of settlement in the Russian Empire and the Soviet Union. Leonard G. Friesen sheds light on religious, economic, social, and political changes within Mennonite communities as they confronted the many faces of modernity. He shows how the Mennonite minority remained engaged with the wider empire that surrounded them, and how they reconstructed and reconfigured their identity after the Bolsheviks seized power and formed a Soviet regime committed to atheism. Integrating Mennonite history into developments in the Russian Empire and the USSR, Friesen provides a history of an ethno-religious people that illuminates the larger canvas of Imperial Russian, Ukrainian, and Soviet history.
Allegations of Russian conspiracies meddling in the affairs of Western countries have been a persistent feature of Western politics since the Cold War – allegations of Russian interference in the US presidential election are only the most recent in a long series of conspiracy allegations that mark the history of the twentieth century. But Russian politics is rife with conspiracies about the West too. Everything bad that happens in Russia is traced back by some to an anti-Russian plot that is hatched in the West. Even the collapse of the Soviet Union – this crucial turning point in world politics that left the USA as the only remaining superpower – was, according to some Russian conspiracy theorists, planned and executed by Russia’s enemies in the West. This book is the first-ever study of Russian conspiracy theories in the post-Soviet period. It examines why these conspiracy theories have emerged and gained currency in Russia and what role intellectuals have played in this process. The book shows how, in the new millennium, the image of the ‘dangerous, conspiring West’ provides national unity and has helped legitimize Russia’s rapid turn to authoritarianism under Vladimir Putin.
Based on an extensive reading of a broad range of women’s accounts of their lives in the Soviet Union, this book focuses on many hidden aspects of Soviet women’s everyday lives, thereby revealing a great deal about how the Soviet Union operated on a day-to-day basis and about the place of the individual within it. Including testimony from both celebrated literary and cultural figures and from many ordinary people, and from both enthusiastic supporters of the regime and dissidents, the book considers women’s daily routines, attitudes and behaviours. It highlights some of the hidden inequalities of an ostensibly egalitarian society, and considers many wider questions, including how extensive was the ‘reach’ of the Soviet regime; how ‘modern’ was it; how far were there continuities after 1917 between the new Bolshevik regime and Russia’s imperial past; and how homogenous and how mobile was Soviet society?
A distinctive writer’s fascinating journey into the heart of a troubled region, tracing the origins of the war that is now tearing Europe apart. Each time Ukraine has rebuilt itself over the last century, it has been plagued by the same conflicts: corruption, poverty, and, most of all, Russian aggression. Sophie Pinkham saw all this and more during ten years in Ukraine and Russia, a period that included the Maidan revolution of 2013–14, Russia’s annexation of Crimea, and the ensuing war in Donbass. With a keen eye for the dark absurdities of post-Soviet society, Pinkham presents a dynamic account of contemporary Ukrainian life. She meets—among others—a charismatic doctor helping to smooth the transition to democracy even as he struggles with drug dependence; a band of Ukrainian, Russian, and Belarusian hippies in a Crimean idyll; and a Jewish clarinetist agitating for Ukrainian liberation. These fascinating personalities, rendered in a bold, original style, deliver an indelible impression of a country on the brink. Black Square is necessary reading for anyone who wishes to learn the roots of the current Russo-Ukrainian war and the stories of the people who live it every day.
This book is the first full-length study of the Soviet Constitution of 1936, exploring Soviet citizens’ views of constitutional democratic principles and their problematic relationship to the reality of Stalinism. Drawing on archival materials, the book offers an insight into the mass political culture of the mid-1930s in the USSR and thus contributes to wider research on Russian political culture. Popular comments about the constitution show how liberal, democratic and conciliatory discourse co-existed in society with illiberal, confrontational and intolerant views. The study also covers the government’s goals for the constitution’s revision and the national discussion, and its disappointment with the results. Outcomes of the discussion convinced Stalin that society was not sufficiently Sovietized. Stalin's re-evaluation of society's condition is a new element in the historical picture explaining why politics shifted from the relaxation of 1933-36 to the Great Terror, and why repressions expanded from former oppositionists to the officials and finally to the wider population.
A study of the Socialist Realist aesthetic focusing on the artist Aleksandr Deineka. Dislodging the avant-garde from its central position in the narrative of Soviet art, Collective Body presents painter Aleksandr Deineka’s haptic and corporeal version of Socialist Realist figuration as an alternate experimental aesthetic that, at its best, activates and organizes affective forces for collective ends. Christina Kiaer traces Deineka’s path from his avant-garde origins as the inventor of the proletarian body in illustrations for mass magazines after the revolution through his success as a state-sponsored painter of monumental, lyrical canvases during the Terror and beyond. In so doing, she demonstrates that Socialist Realism is best understood not as a totalitarian style but as a fiercely collective art system that organized art outside the market and formed part of the legacy of the revolutionary modernisms of the 1920s. Collective Body accounts for the way the art of the October Revolution continues to capture viewers’ imaginations by evoking the elation of collectivity, making viewers not just comprehend but truly feel socialism, and retaining the potential to inform our own art-into-life experiments within contemporary political art. Deineka figures in this study not as a singular master, in the spirit of a traditional monograph, but as a limit case of the system he inhabited and helped to create.
During Stalin's Great Terror, more than a million Soviet citizens were arrested or killed for political crimes they did not commit. Who carried out these purges, and what motivated them? Alexander Vatlin opens up the world of the Soviet perpetrators using detailed evidence from one Moscow suburb. Spurred by ambition or fear, local secret police rushed to fulfill quotas for arresting "enemies of the people"-even when it meant fabricating evidence. Vatlin confronts head-on issues of historical agency and moral responsibility in Stalin-era crimes.
The Russian Revolution of 1917 has often been presented as a complete break with the past, with everything which had gone before swept away, and all aspects of politics, economy, and society reformed and made new. Recently, however, historians have increasingly come to question this view, discovering that Tsarist Russia was much more entangled in the processes of modernisation, and that the new regime contained much more continuity than has previously been acknowledged. This book presents new research findings on a range of different aspects of Russian society, both showing how there was much change before 1917, and much continuity afterwards; and also going beyond this to show that the new Soviet regime established in the 1920s, with its vision of the New Soviet Person, was in fact based on a complicated mixture of new Soviet thinking and ideas developed before 1917 by a variety of non-Bolshevik movements.
In this original and timely assessment of cultural expressions of paranoia in contemporary Russia, Eliot Borenstein samples popular fiction, movies, television shows, public political pronouncements, internet discussions, blogs, and religious tracts to build a sense of the deep historical and cultural roots of konspirologiia that run through Russian life. Plots against Russia reveals through dramatic and exciting storytelling that conspiracy and melodrama are entirely equal-opportunity in modern Russia, manifesting themselves among both pro-Putin elites and his political opposition. As Borenstein shows, this paranoid fantasy until recently characterized only the marginal and the irrelevant. Now, through its embodiment in pop culture, the expressions of a conspiratorial worldview are seen everywhere. Plots against Russia is an important contribution to the fields of Russian literary and cultural studies from one of its preeminent voices.