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"Anglomania gripped Europe during the mid to late 18th century. Continental Anglophiles such as Voltaire and Montesquieu saw England as a land of reason, freedom, and tolerance. Yet what began as an intellectual phenomenon became, and has remained, a matter of style. Through the lens of fashion, this volume examines aspects of English culture that continue to capture the imaginations of Europeans and Americans, among them the class system, sport, royalty, pageantry, eccentricity, the gentleman, and the country garden. Englishness is a romantic construct, formed by fictive and imaginary narratives. These narratives are, however, not merely the product of European-American Anglophilia but are fostered by the English themselves. As this book reveals, they can be found in the novels of Samuel Richardson and in the paintings of George Stubbs and William Hogarth. AngloMania presents historical costumes with clothing of the late 20th and early 21st centuries in a series of theatrical vignettes staged in the Museum's English Period Rooms. The illuminating and entertaining texts are complemented by an essay, which traces the desire for all things British"-- Metropolitan Museum of Art website.
“Marvelous and entertaining.” —Julian Fellowes, creator of Downton Abbey Discover the true stories behind the women who inspired DowntonAbbey and HBO’s The Gilded Age, the heiresses—including a Vanderbilt (railroads), a LaRoche (pharmaceuticals), and a Rogers (oil)—who staked their ground in England, swapping dollars for titles and marrying peers of the British realm. Filled with vivid personalities, grand houses, dashing earls, and a wealth of period details and quotes on the finer points of Victorian and Edwardian etiquette, To Marry an English Lord is social history at its liveliest and most accessible. Sex, snobbery, humor, social triumphs (and gaffes), are all recalled in marvelous detail, complete with parties, clothes, scandals, affairs, and 100-year-old gossip that’s still scorching.
With its distinctive history of civil liberties and the delicate balance between social order and the free pursuit of self-interest, England has always fascinated its continental neighbours. Buruma examines the history of ideas of Englishness and what Europeans have admired (or loathed) in England across the centuries. Voltaire wondered why British laws could not be transplanted into France, or even to Serbia; Karl Marx thought the English were too stupid to start a revolution; Goethe worshipped Shakespeare; and the Kaiser was convinced that Britain was run by Jews. Combining the stories of European Anglophiles and Anglophobes with memories of his own Anglo-Dutch-German-Jewish family, this utterly original book illuminates the relationship between Britain and Europe, revealing how Englishness - and others' views of it - have shaped modern European history.
An alluring look at the relationship of clothing and interior design in 18th-century France
This volume is populated with reproductions of paintings and frescos from the period and illustrations from the surveyed texts. A fascinating read, belonging in any serious rider's library.
The Places and Spaces of Fashion, 1800-2007 brings together art, design, fashion, and a much neglected concern for its spatial realities. The spaces and places of fashion have often been overlooked in the writing of fashion history and visual culture. More often than not, however, these environments mitigate, control, inform, and enhance how fashion is experienced, performed, consumed, seen, exhibited, purchased, appreciated and of course displayed. Space, as this volume attempts to illustrate, is itself a representational strategy on par with and influencing the visibility and visuality of fashion. Innovative and challenging, the essays in this volume explore various physical and conceptual spaces, moving from physical environments to the two-dimensional with paintings, illustrations, and photographs to chart similarities, differences, and complex nuanced relationships between environments, fashion, identities, and visuality. The volume also navigates various sites (both permanent and temporary) of production, circulation, exhibition, consumption, and promotion of fashion that define meaning and knowledge about a culture or individual by providing for a bond between embodied consumers/spectators and fashion objects. The Places and Spaces of Fashion, 1800-2007 is a compelling project with a thematic, theoretical, and historiographic approach that is at once both focused yet far-reaching and original in its implications. The volume engages with questions attending to the ‘modern condition’ by seamlessly weaving interdisciplinary discussions of the visual with material culture to explore the spatial dimension(s) of fashion. Some of the essays explore new and exciting spaces while others offer compelling revisionary analyses of relatively known sources
For a thousand years France has struggled to impose unity upon its diverse components. For most of the time its leaders have sought to define its identity by opposition to the 'Anglo-Saxons': first England, then Britain and the USA. The prologue explores France's self-image by contrast with the Anglo-American counter-identity. Part one deals with the unfinished Revolution from 1789 to 1878 when the Third Republic achieved relative stability. After examining the variety of symbolic representatives of Frenchness in the search for democratic legitimacy and national unanimity, the enduring divisions in French society are explained in their ideological, social, religious, territorial and political aspects. Emphasis is given to the role of writers and intellectuals in expressing these cleavages before analysing how parliamentary democracy was established by the Third Republic. Part two starts by relating French political paralysis to the slowness of socio-economic modernisation before turning to the polarizing role of intellectuals in perpetuating varieties of Left and Right battles over who personified anti-France . The adversarial character of French party politics is then considered as it fluctuated up to the present in terms of the fragmented Left and Right, between the rhetorical revolutionary and reactionary extremes and the conservative or timidly reformist realities. The colonial and international role of France is described, stressing Franco-German European Union leadership. The protectionist aversion to competitive global capitalism results in reluctant adaption to forces beyond French control.