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Anglo-Saxon Manuscripts is the first publication to list every surviving manuscript or manuscript fragment written in Anglo-Saxon England between the seventh and the eleventh centuries or imported into the country during that time. Each of the 1,291 entries in Helmut Gneuss and Michael Lapidge's Bibliographical Handlist not only details the origins, contents, current location, script, and decoration of the manuscript, but also provides bibliographic entries that list facsimiles, editions, linguistic analyses, and general studies relevant to that manuscript. A general bibliography, designed to provide full details of author-date references cited in the individual entries, includes more than 4,000 items. Compiled by two of the field's greatest living scholars, the Gneuss-Lapidge Bibliographical Handlist stands to become the most important single-volume research tool to appear in the field since Greenfield and Robinson's Bibliography of Publications on Old English Literature. Their achievement in the present book will endure for many decades and serve as a catalyst for new research across several disciplines.
The Anglo-Saxon period stretches from the arrival of Germanic groups on British shores in the early 5th century to the Norman Conquest of 1066. During these centuries, the English language was used and written down for the first time, pagan populations were converted to Christianity, and the foundations of the kingdom of England were laid. This richly illustrated new book - which accompanies a landmark British Library exhibition - presents Anglo-Saxon England as the home of a highly sophisticated artistic and political culture, deeply connected with its continental neighbours. Leading specialists in early medieval history, literature and culture engage with the unique, original evidence from which we can piece together the story of the Anglo-Saxon kingdoms, examining outstanding and beautiful objects such as highlights from the Staffordshire hoard and the Sutton Hoo burial. At the heart of the book is the British Library's outstanding collection of Anglo-Saxon manuscripts, the richest source of evidence about Old English language and literature, including Beowulf and other poetry; the Lindisfarne Gospels, one of Britain's greatest artistic and religious treasures; the St Cuthbert Gospel, the earliest intact European book; and historical manuscripts such as Bede's Ecclesiastical History and the Anglo-Saxon Chronicle. These national treasures are discussed alongside other, internationally important literary and historical manuscripts held in major collections in Britain and Europe. This book, and the exhibition it accompanies, chart a fascinating and dynamic period in early medieval history, and will bring to life our understanding of these formative centuries.
"The Anglo-Saxons first appeared on the historical scene as pagan pirates and mercenaries moving into the declining Roman Empire in the fifth century. By the time of the Norman Conquest in 1066, Anglo-Saxon England was one of the most sophisticated states in the medieval West, renowned for its ecclesiastical and cultural achievements. The written word was of tremendous importance in this transformation. Within a century of the introduction of Christianity and literacy, the book had become a central element of Anglo-Saxon society, and a rich vehicle for cultural and artistic expression. This new edition of Anglo-Saxon Manuscripts provides a short introduction to the art of bookmaking in the Anglo-Saxon period and illustrates in colour over 150 examples of the finest Anglo-Saxon books in the British Library and other major collections."--Pub. desc.
The discovery in Sonderhausen of a fragmentary psalter glossed in Latin and Old English allows fresh inferences to be drawn regarding the study of the psalter in Anglo-Saxon England, and of the transmission of the corpus of vernacular psalter glosses. A detailed textual and palaeographical study of the Wearmouth-Jarrow bibles leads to the exciting possibility that the hand of Bede can be identified, annotating the text of the Bible which he no doubt played an instrumental role in establishing. Two Latin texts from the circle of Archbishop Wulfstan are published here in full, whilst disciplined philological and historical analysis helps to clarify a puzzling reference in 'thelbert's law-code to the early medieval practice of providing food render for the king. Finally, the volume contains two pioneering essays in the histoire des mentalités. The usual comprehensive bibliography of the previous year's publications in all branches of Anglo-Saxon studies rounds off the book.
Edition and translation of prognostic guides and calendars, intended as an effort to foretell the future.
The definitive edition of the most widely read occult book of the past century-now published with a groundbreaking introduction that establishes its true authorship and history. This volume also features a previously unpublished work by the original author. It is one of the most mysterious and hotly debated esoteric works ever written-and without question the most popular and influential volume of arcane philosophy of the twentieth century: The Kybalion. Reputedly based on the ancient Greek-Egyptian wisdom, The Kybalion has been credited only to the cryptic 'Three Initiates' since its first appearance in 1908. Readers have long debated the identity of the Three Initiates, along with the nature of the Hermetic mystery teachings from which the book is believed to be derived. The Kybalion: The Definitive Edition presents the first full- scale analysis of this work of practical occult wisdom. In an engaging introduction, religious scholar Philip Deslippe authoritatively surveys book's context, history, and far reaching influence (including its legacy as a source of spiritual insight to communities ranging from New Thought to Black Nationalism), Deslippe further provides a biographical sketch of its elusive and influential author, the New Thought pioneer William Walker Atkinson. This special edition features both the original text of The Kybalion and the first-ever publication of Atkinson's previously unknown post-Kybalion work: The Seven Cosmic Laws. As valuable to newcomers as it is to longtime readers who crave more knowledge about Atkinson and his work, The Kybalion: The Definitive Edition illuminates the strange and significant history of this long-cherished work.
This book presents a colection of colour pla tes from famous illuminated manuscripts that emerged from mo nasteries and island workshops during the 7th and 8th centur ies A.D., including the Book of Kells, the Lindisfarne Gospe ls, and the Book of Durrow. '
Manuscripts that were made and used in the Anglo-Saxon kingdoms before the Norman conquest of England are treasure troves of art and text. Many of these books and documents were brought together in the British Library exhibition, 'Anglo-Saxon kingdoms: art, word, war.' Together, these manuscripts illuminate extensive intellectual connections as well as widespread scribal and artistic networks that developed within the islands of Britain and Ireland, and further afield across much of early medieval Europe. Using new scientific methods, as well as textual criticism, art historical analysis, and historical research, the essays in this richly illustrated volume, written by leading scholars, present innovative research that focuses on manuscripts that were copied, decorated, or used in the early English kingdoms and their neighbours across a 500-year period from the advent of Christianity among the English, c.600, to the age of conquest in the eleventh century.
The essays collected in this volume focus on a prominent aspect of Anglo-Saxon culture: educational texts and the Insular manuscripts which have preserved them. The English imported manuscripts and texts from the Continent, whilst a series of foreign masters, from Theodore of Tarsus to Abbo of Fleury, brought with them knowledge of works which were being studied in Continental schools. Although monastic education played a leading role for the entire Anglo-Saxon period, it was in the second half of the tenth and early eleventh centuries that it reached its zenith, with its renewed importance and the presence of energetic masters such as Aethelwold and Aelfric. The indebtedness to Continental programs of study is evident at each step, beginning with the Disticha Catonis. Nevertheless, a number of texts initially designed for a Latin-speaking milieu appear to have been abandoned (for instance in the field of grammar) in favour of new teaching tools. Besides texts which were part of the standard curriculum, Anglo-Saxon manuscripts provide abundant evidence of other learning and teaching instruments, in particular those for a specialized class of laymen, the Old English lAece, the healer or physician. Medicine occupies a relevant place in the book production of late Anglo-Saxon England and, in this field too, knowledge from very far afield was preserved and reshaped. All these essays, many by leading scholars in the various fields, explore these issues by analysing the actual manuscripts, their layout and contents. They show how miscellaneous collections of treatises in medieval codices had an internal logic, and highlight how crucial manuscripts are to the study of medieval culture. Contributors: Filippa Alcamesi, Isabella Andorlini, Anne Van Arsdall, Luisa Bezzo, Sandor Chardonnens, Maria Amalia D'Aronco, Maria Caterina De Bonis, Claudia Di Sciacca, Michael Drout, Concetta Giliberto, Florence Eliza Glaze, Joyce Hill, Loredana Lazzari, Patrizia Lendinara, Danielle Maion, Ignazio Mauro Mirto, Alexander R. Rumble, Hans Sauer, Loredana Teresi.
This book examines descriptions of the natural world in a wide range of Old English poetry. Jennifer Neville describes the physical conditions experienced by the Anglo-Saxons - the animals, diseases, landscapes, seas and weather with which they had to contend. She argues that poetic descriptions of these elements were not a reflection of the existing physical conditions but a literary device used by Anglo-Saxons to define more important issues: the state of humanity, the creation and maintenance of society, the power of individuals, the relationship between God and creation and the power of writing to control information. Examples of contemporary literature in other languages are used to provide a sense of Old English poetry's particular approach, which incorporated elements from Germanic, Christian and classical sources. The result of this approach was not a consistent cosmological scheme but a rather contradictory vision which reveals much about how the Anglo-Saxons viewed themselves.