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French author Gaston Leroux unknowingly created a timeless and powerful character in his Erik, the Phantom of the Opera. Movies, books and musicals have retold the original tale, enhancing it with a sparse tease of detail that we may glimpse the tortured life of Erik. As outstanding as these renditions prove to be, there seems to be so many unanswered questions. The Angel of Music is an account of the very private adventures of Erik in his quest to love and be loved. As brilliant and gifted as he is, he cannot convey his feelings to Christine properly. Frustrated to the point of violence, his fantasy of a beautiful life with her is shattered and he despairs into his last breath. The nightingale that rescues him and loves him back to life is rewarded with a romantic adventure of epic proportions. Herein lies the testament of the Angel of Music and his beloved Christine.
(Faber Piano Adventures ). The appeal of popular music spans generations and genres. In this collection of 27 hits, enjoy folk tunes like "Ashokan Farewell" and "Bridge Over Troubled Water," movie themes from James Bond and Batman , Broadway numbers from Evita and A Little Night Music , and chart-toppers performed by Michael Jackson, Adele, Billy Joel, and more. Adult Piano Adventures Popular Book 2 provides this variety, yet with accessible arrangements for the progressing pianist. Students may advance through the book alongside method studies, or jump to all their favorites. Optional chord symbols above the staff guide understanding and personal expression.
Three stories, based on characters from the original Phantom of the Opera novel. Three stories, revisiting that universe. A phantom who lives in hiding. An angel heard in dreams. There are Phantoms of the Mind, that send a lonely rape victim spiraling off into madness. Theres The Portal, a place where darkness meets light. There is Little Lotte, the child who hears an angel sing. Unlike any stage or screen version, the focus is angel, not phantom. Ever present, he unites the threads of these tales.
Deep in the shadows under the Paris Opera House resides Erik the Phantom, mysteriously enduring through the decades as the mastermind behind a strange and secret agency. A revolving door of female agents are charged by wealthy Parisians and the French Government to investigate crimes and misdemeanours they would prefer to keep out of the public eye.
Dolly Parton's success as a performer and pop culture phenomenon has overshadowed her achievements as a songwriter. But she sees herself as a songwriter first, and with good reason. Parton's compositions like "I Will Always Love You" and "Jolene" have become American standards with an impact far beyond country music. Lydia R. Hamessley's expert analysis and Parton’s characteristically straightforward input inform this comprehensive look at the process, influences, and themes that have shaped the superstar's songwriting artistry. Hamessley reveals how Parton’s loving, hardscrabble childhood in the Smoky Mountains provided the musical language, rhythms, and memories of old-time music that resonate in so many of her songs. Hamessley further provides an understanding of how Parton combines her cultural and musical heritage with an artisan’s sense of craft and design to compose eloquent, painfully honest, and gripping songs about women's lives, poverty, heartbreak, inspiration, and love. Filled with insights on hit songs and less familiar gems, Unlikely Angel covers the full arc of Dolly Parton's career and offers an unprecedented look at the creative force behind the image.
Although medieval English music has been relatively neglected in comparison with repertoire from France and Italy, there are few classical musicians today who have not listened to the thirteenth-century song ‘Sumer is icumen in’, or read of the achievements and fame of fifteenth-century composer John Dunstaple. Similarly, the identification of a distinctively English musical style (sometimes understood as the contenance angloise) has been made on numerous occasions by writers exploring the extent to which English ideas influenced polyphonic composition abroad. Angel song: Medieval English music in history examines the ways in which the standard narratives of English musical history have been crafted, from the Middle Ages to the present. Colton challenges the way in which the concept of a canon of English music has been built around a handful of pieces, composers and practices, each of which offers opportunities for a reappraisal of English musical and devotional cultures between 1250 and 1460.
Vixenfur's MikaYuu Phantom of the Opera fanfiction, Angel of Music, is now available in print. You can now own the complete, formatted and edited story of Mika and Yuu's romance, complete with two extra never-before-seen epilogue stories, artwork from 15 different artists, a doujinshi by Rindartist, and a few extra surprises!
A piercing, unforgettable love story set in Greenwood, Oklahoma, also known as the “Black Wall Street,” and against the Tulsa Race Massacre of 1921. Isaiah Wilson is, on the surface, a town troublemaker, but is hiding that he is an avid reader and secret poet, never leaving home without his journal. Angel Hill is a loner, mostly disregarded by her peers as a goody-goody. Her father is dying, and her family’s financial situation is in turmoil. Though they’ve attended the same schools, Isaiah never noticed Angel as anything but a dorky, Bible toting church girl. Then their English teacher offers them a job on her mobile library, a three-wheel, two-seater bike. Angel can’t turn down the money and Isaiah is soon eager to be in such close quarters with Angel every afternoon. But life changes on May 31, 1921 when a vicious white mob storms the Black community of Greenwood, leaving the town destroyed and thousands of residents displaced. Only then, Isaiah, Angel, and their peers realize who their real enemies are.
(Faber Piano Adventures ). Piano arrangements of some of the great symphonic and operatic masterworks of Western music. Contents include: Aria (from the Peasant Cantata) by J.S. Bach * La Donna e Mobile (from the opera Rigoletto ) by Verdi * Largo (from the opera Die Fliedermaus ) by J. Strauss, Jr. * The Little Man in the Woods (from the opera Hansel and Gretel ) by Humperdinck * March Militaire by Shubert * Overture (from the opera William Tell ) by Rossini * Pizzicato Polka by J. Strauss, Jr. & J. Strauss * Polvetzian Dance No. 17 (from the opera Prince Igor ) by Borodin * Roses from the South by J. Strauss, Jr. * The Rage Over the Lost Penny by Beethoven * Theme from "The Surprise" Symphony by Haydn * Theme from Trumpet Concerto in Eb by Haydn * Trepak (from the ballet The Nutcracker ) by Tchaikovsky.
"You consider yourself to be a creature of light... but you long for the darkness. It's where you belong. It's who you are... Do you not think I recognise the parts of a soul that mirror my own?"Meg Giry grew up with tales of the Opera Ghost, a spectral being said to haunt the Paris Opera House. But when he rescues her from rape in the streets of Paris, Meg learns that the stories are true, that the Ghost —also known as the Phantom of the Opera— is a real man, with his sights set on her best friend, Christine Daaé. Despite being warned to stay away, Meg is drawn deeper into a world that has remained secret for years, her life becoming inextricably linked with the dark and mysterious Erik, and is forced to confront the darkness that lurks within her own past, finding herself always in the shadow of an Angel of Music...