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The story of the last survivor pulled from the 9/11 Ground Zero debris after 27 hours and her journey from desperation to a miraculous salvation.
A heart-breaking, gripping, authentic, life-affirming true story for our times from the last survivor to be pulled out alive from under the wreckage of the North Tower of the World Trade Centre.
Argues for a renewed vision of the cosmos based on the centrality of the human encounter with the sacred.
“A record of how a city of great wealth ignored the desperate poverty at its very heart . . . It is a lesson in the price of capitalism.” —North West Labour History Journal “It is all free fighting here. Even some of the windows do not open, so it is useless to cry for help. Dampness and misery, violence and wrong, have left their handwriting in perfectly legible characters on the walls.” —Manchester Guardian, 1870 Step into the Victorian underworld of Angel Meadow, the vilest and most dangerous slum of the Industrial Revolution. In the shadow of the world’s first cotton mill, 30,000 souls trapped by poverty are fighting for survival as the British Empire is built upon their backs. Thieves and prostitutes keep company with rats in overcrowded lodging houses and deep cellars on the banks of a black river, the Irk. Gangs of “scuttlers” stalk the streets in pointed, brass-tipped clogs. Those who evade their clutches are hunted down by cholera, typhoid and tuberculosis. Lawless drinking dens and a cold slab in the dead house provide the only relief from a filthy and frightening world. In this shocking book, journalist Dean Kirby takes readers on a hair-raising journey through the gin palaces, alleyways and underground vaults of this nineteenth-century Manchester slum considered so diabolical it was re-christened “hell upon earth” by Friedrich Engels. ENTER ANGEL MEADOW IF YOU DARE . . . “In this book the author expertly achieves driving home the grim horror that was Angel Meadow. These were conditions at the bottom of human endurance and conditions that go beyond imaginations of modern-day citizens.” —Crime Traveller
Willem Frederik Hermans's lucid and exhilarating WWII masterpiece in a razor-sharp translation by David Colmer A Guardian Angel Recalls is a gripping and diabolical wartime novel by one of the most provocative Dutch writers of the twentieth-century. Alberegt, a frenzied and lovelorn public prosecutor, speeds through Hook of Holland in his black Renault on May 9, 1940 – the eve of the German invasion of the Netherlands. Guiding his every move is a guardian angel. With unflappable patience, the angel flits from the hood of the Renault to the rim of his windswept hat, determined to quell his every anxiety and doubt. The angel's momentary distraction, however, sets off a chain of events that spins a nightmarish web. Alberegt's elusive companion serves both as narrator and meddlesome driver of the plot, though not without the interventions of a rotating cast of devils.
Originally published: Gold Medal Books, New York, 1953.
Gonzo journalist and literary roustabout Hunter S. Thompson flies with the angels—Hell’s Angels, that is—in this short work of nonfiction. “California, Labor Day weekend . . . early, with ocean fog still in the streets, outlaw motorcyclists wearing chains, shades and greasy Levis roll out from damp garages, all-night diners and cast-off one-night pads in Frisco, Hollywood, Berdoo and East Oakland, heading for the Monterey peninsula, north of Big Sur. . . The Menace is loose again.” Thus begins Hunter S. Thompson’s vivid account of his experiences with California’s most notorious motorcycle gang, the Hell’s Angels. In the mid-1960s, Thompson spent almost two years living with the controversial Angels, cycling up and down the coast, reveling in the anarchic spirit of their clan, and, as befits their name, raising hell. His book successfully captures a singular moment in American history, when the biker lifestyle was first defined, and when such countercultural movements were electrifying and horrifying America. Thompson, the creator of Gonzo journalism, writes with his usual bravado, energy, and brutal honesty, and with a nuanced and incisive eye; as The New Yorker pointed out, “For all its uninhibited and sardonic humor, Thompson’s book is a thoughtful piece of work.” As illuminating now as when originally published in 1967, Hell’s Angels is a gripping portrait, and the best account we have of the truth behind an American legend.
Inside an ancient ruin, Keira discovers the mythic stone angel she seeks—but also senses a malevolent presence…just before the ruins collapse around her. Search-and-rescue veteran Simon Cahill finds Keira in the rubble just as she's about to free herself. Simon holds no stock in myths or magic, so he isn't surprised that there's no trace of her stone angel. But there is evidence of startling violence and—whatever the source—the danger to Keira is quite real. The long-forgotten legend that captivated her has also aroused a killer…a calculating predator who will follow them back to Boston, determined to kill again.
ONCE THE 24 MOST powerful magicians in the Empire pledged to use their magic only to protect the people. But the promise that bound them has now corrupted them. They have become a single terrible entity with a limitless desire for domination. Only the Ropemaker may be able to stop them, but he has not been seen for over 200 years. Into this dangerous world come Saranja, Maja, and Ribek. They seek the Ropemaker so that he might restore the ancient magic that protects their valley. It is the task they were born to, but now it seems there is far more than the valley at stake should they fail. . . .
A collection of epistolary poems that exorcises and explores the material violence and generational trauma of colonization and systemic racism stored within queer Latinx memory. In DESGRACIADO, Angel Dominguez navigates a visceral constellation of language and memory, illuminating the ongoing impacts of misremembered and missing histories, and their lasting impacts. Dominguez unravels a critical and tender language of lived experience in letters addressed to their ancestral oppressor, Diego de Landa, (a Spanish friar who attempted to destroy the written Maya language in Mani Yucatán, on July 12th 1562), to articulate an old rage, dreaming of a futurity beyond the wreckage and ruin of the colonial imaginary. This collection doesn't seek to heal the incurable wound of colonization so much as attempt to re-articulate a language towards recuperation.