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The final section (pp. [294]-356) consist of Leigh Hunt's translations of classical poetry chiefly from Greek and Latin.
This work contains songs, anecdotes, and poetry from the Civil War.
The bestselling, award-winning author’s “fiercely freewheeling collection of stories and poems about the tragicomedies of ordinary lives” (O, The Oprah Magazine). Winner of the PEN/Faulkner Award for Fiction, War Dances blends short stories, poems, call-and-response, and more into something that only Sherman Alexie could have written. Ordinary men stand at the threshold of profound change, from a story about a famous writer caring for a dying but still willful father, to the tale of a young Indian boy who learns to value his own life by appreciating the deaths of others. Perceptions change, too, as “Another Proclamation” casts a shadow over Abraham Lincoln’s Emancipation Proclamation, and “Invisible Dog on a Leash” limns the heartbreak of shattered childhood illusions. And nostalgia for antiquated technology is tenderly rendered in “Ode to Mix Tapes” and “Ode for Pay Phones.” With his versatile voice, Alexie explores love, betrayal, fatherhood, alcoholism, and art in this spirited, soulful, and endlessly entertaining collection, transcending genre boundaries to create something truly unique. This ebook features an illustrated biography including rare photos from the author’s personal collection.
Katie O'Regan has worn many hats so far in her life. She has been a New York City real estate broker, a resident artist in Schools for the Creative Arts as a director and a writer, a regional manager of a large portfolio in a national bank, a dancer on a Broadway show that played on television, a singer for various lead roles in musical theater productions that have toured and have been performed for thousands, a writer, a published academic, a consultant to CEO's in fortune 500 companies and in one-person shops. She has been an adjunct Professor of Women's studies, a gardener, a cook, a graphic designer and a producer and director of a feature film. She has produced film festivals, played the lead as an actress off-Broadway, leads countless workshops and has been a speaker at conferences on the topic of mentoring for international conferences. She is the artistic director of Sacred Noise Society, Inc., a non-profit organization where she produced and directed over 50 staged productions and movies. Katie's experiences make up the stories of the stories within this book. She hopes you find your story by reading some of hers.
Essay from the year 2004 in the subject English Language and Literature Studies - Literature, grade: 1, University of Dusseldorf "Heinrich Heine" (Anglistics), course: Seminar "Irish Literature and Sean O' Faolain", language: English, abstract: It was simple to define poetry hundred years ago: a poem had to contain a measure, rhythm and rhymes. Nowadays, none of them is indispensable any more. So, what is poetry? In my opinion, poetry is primarily qualified by a concentrated language. I feel certain that there is a relationship between the German words “Dichte” (concentration, denseness) and “Dichter” (poet, writer). In a poem, every single word should be essential, no word random, nothing to delete or to add. There is only one literary genre where this tightness of language is almost as important – the short story. Sean O’Faolain wrote poems in his youth, and then he switched to short stories. It seems to me that he did not consider himself talented enough as a poet to publish his verses (maybe partly because of the experience he describes in his autobiography “Vive moi!” – as a student, he was laughed at for his naïve poem about Mother Ireland’s teeming navel), but still felt a desire to write poetry. Interestingly, the twenty-four years old hero of “How to write a short story” with whom the author seems to identify, had rested from writing poetry and was trying to write short stories. The short story is a genre that has a long tradition in Ireland and many Irish masters, but that is surely not the only reason why O’Faolain wrote mainly short stories. He must have felt the close relationship between them and verses. He wrote prose, but smuggled poetry into it. O’Faolain either placed his own poems into his stories (a few times, for example, in “Hymenial”), or quoted other poets there (far more frequently), or he made whole passages of his prose sound remarkably poetic – and this he did in almost every story. To analyze this phenomenon, I have chosen O’Faolain’s later stories (from 1970 on, the collections “The Talking Trees and Other Stories”, “Foreign Affairs and Other Stories” and the last stories published only after the author’s death). By the time he wrote them, he was not so susceptible for outer influences as in his youth. These works are more mature and original; they contain less romantic (and other) clichés than his early experiments. Therefore, these compositions are more interesting to study and to decompose into single metaphors, similes, alliterations etc – especially if there are many of them at once, as it often occurs in his stories. I did not use any secondary literature, because I wanted to study O’Faolain’s way of writing by myself.
The Complete Works of Sir Walter Scott showcases the renowned author's diverse literary talents, including novels, short stories, poetry, memoirs, and letters. With a rich historical context and vivid storytelling, Scott's works transport readers to the romantic landscapes of Scotland and beyond. His novels, such as 'Ivanhoe' and 'Rob Roy,' are characterized by their intricate plots, memorable characters, and immersive historical details. Furthermore, Scott's poetic compositions reflect his deep love for nature and his keen observations of human emotions. Sir Walter Scott, a prominent figure in the Romantic literary movement, drew inspiration from Scottish history and folklore. His passion for antiquarianism and chivalric tales heavily influenced his writing style, making his works both entertaining and educational. Scott's dedication to preserving Scotland's cultural heritage through his literary endeavors earned him widespread acclaim and solidified his legacy as one of the greatest literary figures of his time. I highly recommend 'The Complete Works of Sir Walter Scott' to readers who appreciate masterful storytelling, rich historical settings, and lyrical prose. This comprehensive collection offers a glimpse into the creative genius of a literary giant whose works continue to captivate audiences worldwide.