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Now available in paperback, the first comprehensive survey of portraits made by Andy Warhol (1928-87), one of the most popular artists of the twentieth century
Contains color artwork by Andy Warhol.
A tale of two Pop artists in 1960s New York This book charts the emergence of Marisol Escobar (1930-2016) and Andy Warhol (1928-87) in New York during the dawn of Pop art in the early 1960s. Through essays, interviews and prose, the book explores the artists' parallel rise to success, the formation of their artistic personas, their savvy navigation of gallery relationships and the blossoming of their early artistic practices from 1960 to 1968. The exhibition features key loans of Marisol's work from major global collections, along with iconic works and rarely seen films and archival materials from the Andy Warhol Museum's collection. By situating Marisol's work in dialogue with Warhol's, this new collection of writing seeks to reclaim the importance of her art; reframe the strength, originality and daring nature of her work; and reconsider her as one of the leading figures of the Pop era.
The definitive biography of a fascinating and paradoxical figure, one of the most influential artists of his—or any—age To this day, mention the name “Andy Warhol” to almost anyone and you’ll hear about his famous images of soup cans and Marilyn Monroe. But though Pop Art became synonymous with Warhol’s name and dominated the public’s image of him, his life and work are infinitely more complex and multi-faceted than that. In Warhol, esteemed art critic Blake Gopnik takes on Andy Warhol in all his depth and dimensions. “The meanings of his art depend on the way he lived and who he was,” as Gopnik writes. “That’s why the details of his biography matter more than for almost any cultural figure,” from his working-class Pittsburgh upbringing as the child of immigrants to his early career in commercial art to his total immersion in the “performance” of being an artist, accompanied by global fame and stardom—and his attempted assassination. The extent and range of Warhol’s success, and his deliberate attempts to thwart his biographers, means that it hasn’t been easy to put together an accurate or complete image of him. But in this biography, unprecedented in its scope and detail as well as in its access to Warhol’s archives, Gopnik brings to life a figure who continues to fascinate because of his contradictions—he was known as sweet and caring to his loved ones but also a coldhearted manipulator; a deep-thinking avant-gardist but also a true lover of schlock and kitsch; a faithful churchgoer but also an eager sinner, skeptic, and cynic. Wide-ranging and immersive, Warhol gives us the most robust and intricate picture to date of a man and an artist who consistently defied easy categorization and whose life and work continue to profoundly affect our culture and society today.
i>About Face, which accompanies an exhibition organizedby the Wadsworth Atheneum, presents the first overview of Warhol'sportraiture to embrace all periods and media.
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250 works by Andy Warhol showing how he captured the cult of merchandise. Andy Warhol (Pittsburgh, 1928) is without a doubt one of the most relevant and best-known artists of the 20th century. This volume, which accompanies the exhibition of the same name in Barcelona, Madrid and Malaga, highlights how Andy Warhol captured the cult of merchandise from industrial inventions of the 19th century. Always attentive to technical and industrial breakthroughs, Warhol used all types of techniques and machinery, from silk-screen printing to video recorders, with production patterns that he himself defined as "pertaining to an assembly line." This apparently impersonal mechanical art, cynically rejects any intentional spiritual burden. This catalogue brings together a selection of over 250 works by Andy Warhol, which portray the technical and conceptual evolution of underground art in New York, emerging from the start of the second half of the 20th century. It also includes a series of essays written on his work and a selection of portraits of the artist, by photographers Alberto Schommer, Richard Avedon and Robert Mapplethorpe. 250 images
Billed as the first book to examine Warhol's use of photography as inspiration, artistic resource, and documentary means, this book features contributions from a variety of authors, including Callie Angel, Hubertus Butin, Mark Francis, and Margery King. 300 duotone and 110 color plates.
Essays by John W. Smith, Mario Kramer and Matt Wrbican. Introduction by Thomas Sokolowski and Udo Kittelmann.