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When Andrew finds a crayon under the sofa, he puts it to use by scribbling on the floor. Mom is not happy, but Andrew's grandmother knows what to do. She gives him a pad of paper. From that day on, Andrew draws, and draws, and draws. He becomes so skilled that his work takes on a life of its own. "Oh my, says Grandmother when the bird Andrew draws alights on her shoulder. Hearing of Andrew's remarkable artwork, the president calls with a question. Could Andrew use his ability to help the whole world? Here is the story of a small boy who does the extraordinary, reminding readers of the power that both art and artist can wield.
Meet Andrew who loves to draw.
This classic edition of Violet Oaklander’s groundbreaking book presents her pioneering approach to engaging with children who enter therapy. A new introduction by Peter Mortola reflects on the ways that Hidden Treasure continues to inform therapeutic practice all over the world. Most of the literature available on working with children is written from a traditional `play therapy’ point of view; the Gestalt therapy-based approach detailed here provides a more effective method for psychotherapeutic work with children of all ages. With a focus on the relationship between the therapist and the client, Violet Oaklander shows a wide variety of creative, expressive, and projective techniques in her work, and each chapter reflects and exemplifies the use of this work in the service of therapy. This dynamic approach is applicable to a wide variety of ages as well as individual, family, and group settings. This book will interest child and adolescent psychotherapists, psychologists, social workers, counsellors, school personnel, and parents, as well as graduate students.
The Music Box, Irving Berlin, Select Theatres Corporation, owners, Helen Bonfils, Morton Gottlieb, Michael White present Anthony Quayle, Donal Donnelly in "Sleuth," a new thriller by Anthony Shaffer, with Philip Farrar, Harold K. Newman, Roger Purnell, directed by Clifford Williams, designed by Carl Toms, lighting by William Ritman.
Shows the comedy thriller to be a singularly postmodern form. This work examines various elements of the thriller - openings, settings, characters, plot lines, the role of the audience, and endings - and shows how they work to overturn the conventions of realism in detective drama.
“You think you got away with something, don’t you? But your time has run out. We know where you are. And we are coming.” Andrew Ranulf Blankenship is a stylish nonconformist with wry wit, a classic Mustang, and a massive library. He’s also a recovering alcoholic and a practicing warlock. His house is a maze of sorcerous booby traps and escape tunnels, as yours might be if you were sitting on a treasury of Russian magic stolen from the Soviet Union thirty years ago. Andrew has long known that magic is a brutal game requiring blood sacrifice and a willingness to confront death, but years of peace and comfort have left him more concerned with maintaining false youth than with seeing to his own defense. Now a monster straight from the pages of Russian folklore is coming for him, and frost and death are coming with her.