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"And Those Ashen Heaps That Cantilevered Vase of Moonlight is a book-length poem by Lynn Xu"--
The poems in Lynn Xu's striking debut collection, Debts & Lessons, travel under the power of history's illusory engine and echo its ululations of love, violence, and lament. Named after the first part of Marcus Aurelius's Meditations, this book also finds its way across oceans and between languages, as the poet looks to the dead for guidance amid the abstractions of contemporary life. Xu pays her phantoms (and her readers) with the dream-currency of hallucinatory songs, which balance her finely-tuned ear against a world of awakenings.
Poetry/Performance. Latino/Latina Studies. Art. Edited by Rosa Alcala. SPIT TEMPLE collects texts and transcriptions of Vicuna's uncategorizable improvised performances, which combine singing, movement, chants, and stories. Also included are a critical introduction by Rosa Alcala, a poetic memoir by Vicuna (translated by Alcala) addressing her life
2021 National Book Critics Circle Award Finalist 2021 Foreword Indies Finalist Winner of the Sillerman First Book Prize for African Poetry The poems in The Rinehart Frames seek to exhaust the labyrinths of ekphrasis. By juxtaposing the character of Rinehart from Ralph Ellison's Invisible Man with the film 24 Frames by Abbas Kiarostami, the poems leap into secondary histories, spaces, and languages that encompass a collective yet varied consciousness of being. Cheswayo Mphanza's collection questions the boundaries of diaspora and narrative through a tethering of voices and forms that infringe on monolithic categorizations of Blackness and what can be intersected with it. The poems continue the conversations of the infinite possibilities of the imagination to dabble in, with, and out of history.
An inspiring guide to the practices of contemporary experimental creative writing, this book explores experimentation within both traditional writing genres and 'post-genre' modes such as hybrid texts, Non-creative writing, textual materiality, creative re-purposing, performance and new media technologies. Combining the practices, history, social context, and philosophical backgrounds of experimental work with a broad anthology of models in-book and online, Experimental Writing gives you the toolkit of techniques and skills to confidently engage with forms previously perceived as intimidating so that you can reinvigorate your craft. In addition, the book includes sections on new approaches to the workshop model, emphasis on community and collaboration, and institutional critique. These chapters will provide you with a “big picture” perspective and the motivation to question the templates you work within, giving you the where-with-all to shape your own ideals for writing, no matter what their stylistic choices. Within its broad scope, Experimental Writing covers: - a comprehensive survey of relevant movements, texts, authors, and techniques of non-traditional forms - a survey of evolving trends with exemplars of how genres can be disrupted to help you appreciate experimental styles - demonstrations of how more diverse and innovative pedagogical interventions have the potential to inspire your creativity and create more original work - an examination of the institutional forces that have shaped the creative writing landscape you inhabit, to prompt you to re-examine the pressures, cultural biases, and power structures that have shaped both your aesthetic vision and potential future career paths - frameworks for independent research, practitioner interviews, and motivating questions to get you thinking and questioning before you encounter each new topic With each chapter accompanied by stimulating pedagogical features such as a timeline of experimental writing, free writes, games and constraints, reflections, exercises, prompts and case studies throughout, this invaluable text reveals wider horizon for your artistic endeavors and will activate your critical thinking about a range of issues and ideas. Additional online resources for this book can be found at http://www.bloomsburyonlineresources.com/experimental-writing-a-writers-guide-and-anthology.
Translated by Joshua Edwards and Lynn Xu. Chinese writer Lao Yang's PEE POEMS go deep and dark--with deceptive lightness--into the metaphysical and the social, offering insight and humor along the way. Written over the past decade, this iconoclastic collection is the first of Yang's to be translated from Chinese into English. PEE POEMS is comprised of meditations, fragments, lyrics, and aphorisms, in dialogue with Chan hermit poets and Zen tricksters, with radical grassroots activism, experimental music, and Dada. Yang regards the body's most basic functions and desires as philosophical problems, restoring garbage and bladder-control to the field of politics, inhabiting both epochal and local time. In PEE POEMS vocabulary fights itself, while impossible opposites are lovingly conjoined. Joshua Edwards and Lynn Xu, poets both and friends of the author, translate Yang with brave tenderness, revealing a thinker whose observations are as simple and as rich as the languages we speak. In the mythos of Chinese ethnogenesis, the sage king Yu countered the great flood by diverting it into rural irrigation. The contemporary Chinese poet Lao Yang adopts a more irreverent strategy for liquid transport, urination (with an emphasis on the nation). This apocalyptic book reads like the waste journals of a survivalist on the run from carnivorous leviathans, God, and the Chinese state. Calling to mind the work of Raul Zurita and Kim Hyesoon, Yang's PEE POEMS consist of crystalline scatalogy, expressions of a profane piety. I can't quite recall reading another poetry book that felt simultaneously this elemental and funny.--Ken Chen In these irreverent poems, we see a fearless spirit in confronting the darkness and absurdity around the poet. An extraordinary collection.--Ha Jin Burrowing trinkets of sound and fury, these poems shoot inward like velvet claws, evoking a courageous loneliness and despair that spits out flowers in return.--Rob Mazurek These poems eat themselves. There's nothing for me to say. Nonetheless I send them to everyone I know. They're all shaking their heads saying this is so good. These poems are so good I can't point, I can only send them out. They are out there. Truly, yay.--Eileen Myles These crisp, lean and clean words of Yang conjure up a landscape situated in uncertain times and with movable spiritual boundaries. Determined to resist the powerful tides of propaganda from political and commercial life, Yang's poems here, like his struggle in the real world, intrigue, provoke and challenge simultaneously.--Zhang Er Poetry. Asian & Asian American Studies.
Poetry. Literary Nonfiction. LGBTQIA Studies. Unlike anything we've ever seen or published; LISTEN MY FRIEND; THIS IS THE DREAM I DREAMED LAST NIGHT is a book of wonder in which poet Cody-Rose Clevidence layers the language of information with the language of the heart; constantly locating the connections between attention and perception. On each page local and global concerns combine in an effort to reveal what it's like to live right now; during a pandemic in a broken world. With its uncategorizable form; somewhere between an essay and a prose poem; Clevidence mixes anthropology; poetry; autobiography; history; psychology; and philosophy; with subject matter ranging from agriculture; gender; justice; loneliness; pollution; space; guns; moths; family; grief; longing--it's hard to name a subject relevant to our time that isn't in this book. Clevidence's deft movement between facts and feelings is immediate from the first page; with an inquisitive and searching voice stretched over one long; never-breaking block of prose; a catalogue that becomes revelatory by the end; allowing readers to imagine a new way of processing their world.
An exquisite art book of gentle and elegant found poetry.
Poetry. Literary Nonfiction. Latino/Latina Studies. Women's Studies. Translated from the Spanish by Jen Hofer. Dolores Dorantes's STYLE is a prose book in which a plural feminine voice narrates the vicissitudes of a war designed to suppress that voice. A voice that represents the war on the Mexico-U.S. border? Guerilla adolescents taking their revenge? Enslaved girls who appear in order to combat a macho presidential figure linked to our current-day Central America? Latin America advancing on a fascist- capitalist government? These are some of the questions that might arise from STYLE. The book was written in 2011, in some dark place in Texas, during the first three months Dorantes was awaiting political asylum.
Poetry as a complete reinvention of the known world, converting attention into rituals of unfolding spectacle.