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World famous author and former police lieutenant T.M.Drake struggles with an agonizing literary dry spell after his wife's fatal bout with cancer in 1998. Now a widower in July of 2002, he battles with life itself, as well as the business of composition. Not a creative sentence on paper for months. That is, until Friday night, when neighbor Nicole Banks dies in a fiery explosion at her home one block down the street. The result of defective plumbing? Lana Sands, her workmate at a local fitness center, insists that an unknown assailant murdered the lovely young widow - and Miss Sands fears she will be next. In this fortuitous twist of fate, Tom (Drake) and Lana become personally (and romantically) involved as they delve into the cause of Miss Banks' demise. Questions (and bodies) mount and their lives curiously resemble one of Drake's recent best sellers. Who is the second victim discovered in the rubble of that explosion, and why is he there? When Nicky's married suitor dies a few days later, is this another accident - or murder? What about the death of Nicole's analyst not long after the other 'mishaps'? And finally, do these events have anything to do with the fact that Mrs. Banks' husband perished in the World Trade Center Tragedy the previous year? So many questions emerge over such a few days in the placid world of Tom's home town: York, Pennsylvania. The answers change his life forever, in this tale of healing and renewal for Thomas Michael Drake.
The author, a computer science professor diagnosed with terminal cancer, explores his life, the lessons that he has learned, how he has worked to achieve his childhood dreams, and the effect of his diagnosis on him and his family.
Whether a believer or not, a devotee or an agnostic, an accomplished seeker or a simpleton, this is truly a book for all those who shall die!
This bold, pioneering book explores rites of passage in America by sifting through the accounts of influential thinkers who experienced them. Arthur J. Magida explains the underlying theologies, evolution, and actual practice of Jewish bar and bat mitzvahs, Christian confirmations, Hindu sacred thread ceremonies, Muslim shahadas and Zen jukai ceremonies. In rare interviews, renowned artists and intellectuals such as Nobel laureate Elie Wiesel, holistic guru Deepak Chopra, singer Yusuf Islam (Cat Stevens), actress/comedienne Julia Sweeney, cartoonist Roz Chast, interfaith maven Huston Smith, and many more talk intimately about their religious backgrounds, the rites of passage they went through, and how these events shaped who they are today. Magida compares these coming of age ceremonies' origins and evolution, considers their ultimate meaning and purpose, and gauges how their meaning changes with individuals over time. He also examines innovative rites of passage that are now being "invented" in the United States. Passionate and lyrical, this absorbing book reveals our deep, ultimate need for coming-of-age events, especially in a society as fluid as ours. Conversations with: Bob Abernethy, Huston Smith, Julia Sweeney, Roz Chast, Harold Kushner, Ram Dass, Elie Wiesel, Deepak Chopra, Robert Thurman, Coleman Barks, Yusuf Islam (Cat Stevens), And others
A half-mad, alcoholic Edgar Allan Poe aims to defeat an occultist’s terrifying plot in this “intelligent, suspenseful” thriller set in 1840s New York (Booklist). It is said that beneath Solomon’s glorious throne, books that gave the fabled king control over life, death, and demonic power were buried. The throne has been lost for millennia, but now one man seeks to find it and harness its secrets to unleash hell upon the world. Jonathan is the most powerful psychic on earth, and in service of his god, Lucifer, he will tear civilization apart. To combat his dark designs, mankind’s hopes rest on a troubled author named Edgar Allan Poe. In the shadows of New York City, Poe drowns his talent in rotgut gin, trying to forget the death of his beloved wife. A bare-knuckle fighter named Pierce James Figg arrives with a letter of introduction from Charles Dickens, begging for Poe’s help chasing down the power-mad devil worshiper. Now, writer and fighter must stand together to save humanity from a darkness beyond even Poe’s tortured imagination. This fast-paced tale of historical supernatural suspense, which Booklist hailed as “unfailingly readable and terrifically well-written,” provides “one cliffhanging chapter after another” (Kirkus Reviews).
An intriguing exploration of the great transition between life and the after-life.
THE STORY: Set on the last day on earth, this explosive farce details the reactions of a particularly zany household to the unexpected news that the world is about to end--first their disbelief and then their relief that they will no longer have t
Staging Christ’s Passion in Eighteenth-Century Nahua Mexico explores the Passion plays performed in Nahuatl (Aztec) by Indigenous Mexicans living under Spanish colonial occupation. Though sourced from European writings and devotional practices that emphasized the suffering of Christ and his mother, this Nahuatl theatrical tradition grounded the Passion story in the Indigenous corporate community. Passion plays had courted controversy in Europe since their twelfth-century origin, but in New Spain they faced Catholic authorities who questioned the spiritual and intellectual capacity of Indigenous people and, in the eighteenth century, sought to suppress these performances. Six surviving eighteenth-century scripts, variants of an original play possibly composed early in the seventeenth century, reveal how Nahuas passed along this model text while modifying it with new dialogue, characters, and stage techniques. Louise M. Burkhart explores the way Nahuas merged the Passion story with their language, cultural constructs, social norms, and religious practices while also responding to surveillance by Catholic churchmen. Analytical chapters trace significant themes through the six plays and key these to a composite play in English included in the volume. A cast with over fifty distinct roles acted out events extending from Palm Sunday to Christ’s death on the cross. One actor became a localized embodiment of Jesus through a process of investiture and mimesis that carried aspects of pre-Columbian materialized divinity into the later colonial period. The play told afar richer version of the Passion story than what later colonial Nahuas typically learned from their priests or catechists. And by assimilating Jesus to an Indigenous, or macehualli, identity, the players enacted a protest against colonial rule. The situation in eighteenth-century New Spain presents both a unique confrontation between Indigenous communities and Enlightenment era religious reformers and a new chapter in an age-old power game between popular practice and religious orthodoxy. By focusing on how Nahuas localized the universalizing narrative of Christ’s Passion, Staging Christ’s Passion in Eighteenth-Century Nahua Mexico offers an unusually in-depth view of religious life under colonial rule. Burkhart’s accompanying website also makes available transcriptions and translations of the six Nahuatl-language plays, four Spanish-language plays composed in response to the suppression of the Nahuatl practice, and related documentation, providing a valuable resource for anyone interested in consulting the original material. Comments restricted to single page plays composed in response to the suppression of the Nahuatl practice, and related documentation, providing a valuable resource for anyone interested in consulting the original material