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“I wish that the Brown Bull of Ringlewood would come and carry me off.” In this collection of folk and fairy tales from the Scottish Highlands, we are transported to an enchanted world of persecuted heroines and courageous heroes, scheming stepmothers and monstrous beasts, swan maidens and talking cats, murderous robbers and thieving giants, benevolent fairies and mysterious strangers, and much more… Whether it is a tale of romance or revenge, legend or magic, this unabridged anthology—collected by the folklorist, Peter Buchan—has a story for everyone and is essential reading for lovers of classic Scottish folktales. Tales: The Red Etin (ATU-303: The Twins or Blood-Brothers) The Young Prince (ATU-851: The Riddle of the Suitor) The History of Mr Greenwood (ATU-955: The Robber Bridegroom) The Cruel Stepmother (ATU-706: The Maiden Without Hands) Rashen Coatie (ATU-510B: Unnatural Love + ATU-511: One-Eye, Two-Eyes, and Three-Eyes) The Brown Bull of Ringlewood (ATU-425A: The Search for the Lost Husband) The Thriftless Wife (ATU-1541: For the Long Winter + ATU-1653: The Robbers Under a Tree) Green Sleeves (ATU-313: The Magic Flight) The Princess with the White Petticoat (ATU-510: Cinderella and Catskin + ATU-886: The Girl Who Could Not Keep the Secret) The Black Cat (ATU-326A: Soul Released From Torment) The Widow’s Son and the Old Man (ATU-302: The Ogre’s Heart in the Egg) The Widow’s Son and the King’s Daughter (ATU-300: The Dragon Slayer) The King of Morocco (ATU-325: The Magician and His Pupil) The Princess of the Blue Mountains (ATU-400: The Man on a Quest for His Lost Wife)
In 1832 the Scottish ballad collector Peter Buchan of Peterhead, Aberdeenshire, presented an anthology of risqué‚ and convivial songs and ballads to a Highland laird. When Professor Francis James Child of Harvard was preparing his magisterial edition of The English and Scottish Popular Ballads, he made inquiries about it, but it was not made available in time to be considered for his work. On his death it was presented to the Child Memorial Library at Harvard. Because of its unseemly materials, the manuscript languished there since, unprinted, though referred to now and again, and a few items from time to time made an appearance. The manuscript has now been transcribed with full annotation and with an introduction on the compiler, his times, and the Scottish bawdy tradition. It contains the texts (without tunes) of seventy-six bawdy songs and ballads, along with a long-lost scatological poem attributed to the Edinburgh writer James “Balloon” Tytler. Appendices give details of Buchan's two published collections of ballads. Additionally, there is a list of tale types and motifs, a glossary of Scots and archaic words, a bibliography, and an index. The High-Kilted Muse brings to light a long-suppressed volume and fills in a great gap in published bawdy songs and ballads.
This collection of Newfoundland folk narratives, first published in 1996, grew out of extensive fieldwork in folk culture in the province. The intention was to collect as broad a spectrum of traditional material as possible, and Folktales of Newfoundland is notable not only for the number and quality of its narratives, but also for the format in which they are presented. A special transcription system conveys to the reader the accents and rhythms of each performance, and the endnote to each tale features an analysis of the narrator’s language. In addition, Newfoundland has preserved many aspects of English and Irish folk tradition, some of which are no longer active in the countries of their origin. Working from the premise that traditions virtually unknown in England might still survive in active form in Newfoundland, the researchers set out to discover if this was in fact the case.