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Thirty disguises, all identified and ready to color, include a mask used by a performer in an ancient Roman tragedy, a Death Mask from Mexico, a Chinese Lion Mask for New Year's celebrations, a water spirit disguise from New Caledonia, as well as masks from Guatemala, India, Nigeria, Egypt, Peru, Borneo, and Burma (Myanmar).
In diversity, connectedness. This is the surprising thread that emerges when admiring art around the world. Take masks -- in all their raw and exuberant beauty. Art enthusiast Garth Dahl has collected masks on his travels to other countries, attracted first by the beautiful designs and later by the fascinating mythology and cultural history behind the faces. In this book, Dahl presents 74 works from his personal collection, introducing their geographic origins, cultural history and underlying mythology. The vivid colour photographs are by Alistair Eagle.
For at least 20,000 years, masking has been a mark of cultural evolution and an indication of magical-religious sophistication in society. This book provides a comprehensive understanding of the mask as a powerful cultural phenomenon--a means by which human groupings attempted to communicate their dignity and sense of purpose, as well as establish a continuum between the natural and supernatural worlds. It addresses the distinctive environments within which masks flourished, and analyzes the mask as a manifestation of art, ethnology and anthropology.
Inspired by the Day of the Dead holiday, this book features 16 elaborate press-out masks to color, display, and wear. Find images of sugar skulls, skulls sporting smiles, covered in intricate designs, bedecked with marigolds, and more. Includes perforated pages and elastic headbands.
Epic history of America's 50th state in 43 ready-to-color illustrations. Color traditional god, hula dancers, a warrior, plants and animals, more. Fact-filled, informative captions.
"John Emigh and Lesley K. Ferris explore the role of masks in theater, whose roots lie in ritual performance. Cara McCarty looks at the ways in which masks are featured in the medium of film as well. But these artistic examples are not the only masks found in industrial societies. McCarty also discusses the proliferation of masks for physical protection, in areas such as military combat, sports competitions, and space exploration."--BOOK JACKET.
Enter a world of creative self-expression with this relaxing coloring book for grownups. Inside you ll find 30 amazing art activities that will take you on an inspiring adventure of patterning, shading, and coloring. These charming international folk designs offer a fun and easy way to unleash your inner artist. Both traditional and contemporary artworks are included, inspired by the living cultures of indigenous people around the world. Each vibrantly detailed illustration is designed to exercise your creativity. Beautifully colored finished examples are provided, along with a handy guide to basic art techniques, from patterning and combinations to shading and color theory. This quirky coloring book for grownups is perfect for decorating with markers, colored pencils, gel pens, or watercolors. Folk Art Coloring Book is printed on high-quality, extra-thick paper to eliminate bleed-through. Each page is pre-perforated for easy removal and display. "
Clearly rendered illustrations on 30 pages display authentic designs taken from rugs, masks, sandpaintings, pottery, jewelry, baskets, and other artifacts created by southwestern Native Americans. Geometrical designs on a Navajo woven saddlebag, a Chumash rock painting of mythical creatures, a Hopi kachina doll, an Apache "crown headdress," and more.
Thirty-eight carefully researched, accurate illustrations of Seminoles, Mohawk, Iroquois, Crow, Cherokee, Huron, other tribes engaged in hunting, dancing, cooking, other activities. Authentic costumes, dwellings, weapons, etc. Royalty-free. Introduction. Captions.
A showcase of Phyllis Galembo's extraordinary photographs of the costume, ritual and traditions of masquerade Mexico Phyllis Galembo has travelled all over the globe to sites of ritual masquerade. In Africa, the Caribbean, and now Mexico, she captures cultural performances with a subterranean political edge. Using a direct, unaffected portrait style, Galembo captures her subjects informally posed but often strikingly attired in traditional or ritualistic dress. Attuned to a moment's collision of past, present and future, Galembo finds the timeless elegance and dignity of her subjects. Masking is a complex, mysterious, and profound tradition in which the participants transcend the physical world and enter the spiritual realm. In her vibrant images, Galembo exposes an ornate code of political, artistic, theatrical, social and religious symbolism and commentary. Galembo highlights the creativity of the individuals morphing into a fantastical representation of themselves, having cobbled together materials gathered from the immediate environment to idealize their vision of mythical figures. While still pronounced in their personal identity, the subject's intentions are rooted in the larger dynamics of religious, political and cultural affiliation. Establishing these connections is a hallmark of Galembo's work.