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Aphrodite is an 1896 French-language novel by Pierre Louÿs. Set in Alexandria, the novel tells the story of Chrysis, a courtesan, and the sculptor Démétrios. A Galilaean with long golden hair (source of her Greek nickname), Chrysis is proud of her beauty and her skill at winning the devotion and servility of men. Démétrios, for his part, is worshiped by the women of the town, but has grown tired of their devotion. He has come to prefer his statue of the goddess Aphrodite even to his lover, Queen Bérénice, who posed for it. Chrysis is the only woman who does not care for him.
Aphrodite is an 1896 French-language novel by Pierre Louÿs. Set in Alexandria, the novel tells the story of Chrysis, a courtesan, and the sculptor Démétrios. A Galilaean with long golden hair (source of her Greek nickname), Chrysis is proud of her beauty and her skill at winning the devotion and servility of men. Démétrios, for his part, is worshiped by the women of the town, but has grown tired of their devotion. He has come to prefer his statue of the goddess Aphrodite even to his lover, Queen Bérénice, who posed for it. Chrysis is the only woman who does not care for him.
Presenting a fascinating collection of the most beloved works by French poet and writer Pierre Louÿs. He was most famous for following lesbian and classical themes in his writings. Louÿs is celebrated as a writer who aimed to "express pagan sensuality with stylistic perfection." Contents include: Woman and Puppet The New Pleasure Byblis Lêda Immortal Love The Artist Triumphant The Hill of Horsel
The articles in this volume examine historical, cultural, literary and political facets of translation in Turkey, a society in tortuous transformation since the 19th century from empire to nation-state. Some draw attention to tradition in Ottoman practices and agents of translation and interpreting, while others explore the republican period, starting in 1923, with the revolutionary change in script from Arabic to Roman coming in 1928, making a powerful impact on publication and translation practices. Areas covered include the German Jewish academic involvement in translation, traditional and current practices of translating from Kurdish into Turkish, censorship of translated literature, intralingual translations from Ottoman into modern Turkish, pseudotranslation, ideological manipulation and resistance in translation, imitativeness vs. originality and metonymics of literary reviewing.
Hermes—also known as Mercury, Wayfinder, and Prince of Thieves—has many talents. Wearing his famed winged sandals, he does the bidding of his father Zeus, leads the dead down to Hades, and practices his favorite arts of trickery and theft. He also sees the future, travels invisibly, loves jokes, and abhors violence. And he’s an entertaining and ideal narrator on a fast-paced journey through ancient Greek mythology—from Medusa’s cave to Trojan War battlefields to the mysterious Underworld. Stephanie Spinner brings the famous messenger—and the best-known gods and mortals of mythology—to life with high action and spare, powerful prose.
Athletic Artemis rails against the all-boys' Olympic Games at Mount Olympus Academy, which leaves her at odds with her twin brother, Apollo, while a mortal boy named Actaeon catches her eye.
The Poetics of Eros in Ancient Greece offers the first comprehensive inquiry into the deity of sexual love, a power that permeated daily Greek life. Avoiding Foucault's philosophical paradigm of dominance/submission, Claude Calame uses an anthropological and linguistic approach to re-create indigenous categories of erotic love. He maintains that Eros, the joyful companion of Aphrodite, was a divine figure around which poets constructed a physiology of desire that functioned in specific ways within a network of social relations. Calame begins by showing how poetry and iconography gave a rich variety of expression to the concept of Eros, then delivers a history of the deity's roles within social and political institutions, and concludes with a discussion of an Eros-centered metaphysics. Calame's treatment of archaic and classical Greek institutions reveals Eros at work in initiation rites and celebrations, educational practices, the Dionysiac theater of tragedy and comedy, and in real and imagined spatial settings. For men, Eros functioned particularly in the symposium and the gymnasium, places where men and boys interacted and where future citizens were educated. The household was the setting where girls, brides, and adult wives learned their erotic roles--as such it provides the context for understanding female rites of passage and the problematics of sexuality in conjugal relations. Through analyses of both Greek language and practices, Calame offers a fresh, subtle reading of relations between individuals as well as a quick-paced and fascinating overview of Eros in Greek society at large.
Tells the story of Zeus and his battle with his father, Kronos, and the Titans. In graphic novel format.