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This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.
This historic book may have numerous typos and missing text. Purchasers can usually download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1850 edition. Excerpt: ... Chapter 33. In this chapter we propose to explain the general form and arrangement of ancient churches and their furniture, which as before mentioned, is of far greater importance than mere detail: for of what use is good writing if the spelling be bad? or of what use is good spelling if the words have no sense in them? So a knowledge of detail in Architecture is of little worth, if the greater principles of combination be not thoroughly understood. The sin of modern Church Architecture in England until these last few years has not been in the badness of detail, for it has oft times been most pure, yet the building where it is found has been most wretched. It has consisted in the misapplication of those details; sometimes by copying them on too small a scale, thereby rendering them absurd, as. the building churches for dolls or cathedrals for babies: sometimes by misplacing them, as in putting windows well suited for a flank elevation in a western front, or a cathedral doorway in a village porch, and vice versa. When we consider what Architecture really is; that it implies not only the art of building well, but building beautifully and appropriately, we shall soon see that something beyond a mere correctness of detail is necessary to produce a perfect building. When we look abroad on the world and trace the hand of God in the vegetable, animal or mineral kingdom, it is not the beauty of form alone which the most enchants us;--it is not alone the peculiar suitability of each portion to do its particular work that engages our admiration; but it is the combination of utility with beauty which impresses us with wonder and awe, and which tells us in language not to be mistaken, " The hand that made us is divine." In creation beauty appears...
Hardcover reprint of the original 1850 edition - beautifully bound in brown cloth covers featuring titles stamped in gold, 8vo - 6x9. No adjustments have been made to the original text, giving readers the full antiquarian experience. For quality purposes, all text and images are printed as black and white. This item is printed on demand. Book Information: Wills, Frank. Ancient English Ecclesiastical Architecture And Its Principles, Applied To The Wants of The Church At The Present Day. Indiana: Repressed Publishing LLC, 2012. Original Publishing: Wills, Frank. Ancient English Ecclesiastical Architecture And Its Principles, Applied To The Wants of The Church At The Present Day, . New-York: Stanford And Swords, 1850. Subject: Church Architecture
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Excerpt from The Present State of Ecclesiastical Architecture in England HE revival of our ancient parochial church architecture is a subject which occupies much attention at the present time; after three centuries of demolition and neglect, the solemn structures raised by our Catholic ancestors are being gradually restored to somewhat of their original appearance, and buildings which but a few years since were considered as unsightly and barbarous erections of ignorant times, are now become the theme for general eulogy, and models for imita tion. To the English Catholic there is no class of religious edifices of greater interest than the ancient parish churches of this country. The are admirably suited to the present wants and necessities of the Church, nor is it possible to adopt, con sistently, any other models for the greater portion of our ecclesiastical buildings. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.