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All the classic elements are included funerary art, exotic costumes and headdresses, religious iconography, dynamic charioteers, magnificent sailing ships, as well as exquisite patterns from interior and exterior architectural ornamentation. 350 designs."
The beauty and exotic appeal of ancient Egyptian art is revealed in male and female figures, hieroglyphics, florals, geometric motifs, animal shapes, papyrus blossoms, cobras, much more. 251 color illustrations.
More than a pictorial archive of medieval dress and decoration, this beautiful collection is also valuable for its discerning scholarship. A magnificent compilation of artwork from Henry Shaw's detailed study of court life in the Middle Ages, this splendid book provides a grand display of medieval figures and fashions of the times. Reproduced directly from Shaw's original, hand-colored plates and identified by brief captions, more than 200 superb illustrations depict knights in battle, ladies in waiting, kings, queens, popes, and commoners, as well as armor and weapons, jewelry, and other decorative accessories. Skillfully adapted from rare paintings, illuminated manuscripts, tapestries, textiles, and stained glass windows, these lovely illustrations will be invaluable to fashion historians and costume designers. Craftworkers will find them equally useful.
DIVThe 19th-century French illustrator's classic reference to the decorative ornament of history's major cultures; over 2,000 royalty-free motifs in 100 beautiful full-color plates. /div
Lavishly illustrated in color, this book presents a spectacular collection of archaeological and artistic treasures covering the extent of Egyptian art from the Predynastic Period of the fourth millennium B.C. to the Greco-Roman period of the fourth century A.D. The volume features more than 130 objects ranging from architectural elements of a royal palace and funerary chapel to delicate jewelry and textile fragments, and contains many objects never previously shown in print. In an introductory essay David P. Silverman documents major expeditions to sites in Egypt and Nubia and summarizes the new information gleaned about ancient Egyptian civilization. Donald B. Redford provides a general treatment of ancient Egypt history. The objects themselves are introduced with concise essays by recognized Egyptologists: Edward Brovarski, Rita E. Freed, Arielle P. Kozloff, David O'Connor, Edna R. Russmann, William K. Simpson, and Josef W. Wegner. Contributors-- Edward Brovarski, Museum of Fine Arts, Boston Rita Freed, Museum of Fine Arts, Boston Arielle Kozloff, Cleveland Museum of Art David O'Connor, Institute of Fine Arts, New York University Donald Redford, University of Toronto Edna. R. Russman, Brooklyn Museum of Art David Silverman, University of Pennsylvania William Kelly Simpson, Yale University Josef W. Wegner, University of Pennsylvania
Classic sourcebook of spectacular design collages, all royalty-free, featuring over 1,500 decorative elements and motifs from major cultures in world history through the 19th century.
Over 1,000 motifs reprinted from a rare book of design first published in France in 1870. Ornate Cyrillic and Greek letters, corners, borders, page heads, and more as they appeared in illuminated Russian manuscripts.
Classic sourcebook of spectacular royalty-free design collages, featuring over 1,500 decorative elements and motifs from major cultures in history through the 19th century, from Asia and Africa to Europe and the Americas. Adapted from jewelry, illuminated manuscripts, weapons, tiles, carved wood panels, ceilings, inlay, hardware, ceramics and more.
Drawn from a 20th-century French collection, this volume interprets classic motifs of ancient Egypt in a dynamic Art Deco style. Hundreds of images include serpents, scarabs, and mythological creatures as well as a profusion of stylized flowers. Individual motifs can serve as striking spot illustrations, and dozens of borders and panels can be used as repeating patterns.
A complete and unabridged full-color edition of the classic sourcebook on ornamental design First published in 1856, The Grammar of Ornament remains a design classic. Its inspiration came from pioneering British architect and designer Owen Jones (1809–1874), who produced a comprehensive design treatise for the machine age, lavishly illustrated in vivid chromolithographic color. Jones made detailed observations of decorative arts on his travels in Europe, the Middle East, and in his native London, where he studied objects on display at the Great Exhibition of the Works of Industry of All Nations in 1851 and at local museums. His aim was to improve the quality of Western design by changing the habits of Victorian designers, who indiscriminately mixed elements from a wide variety of sources. Jones's resulting study is a comprehensive analysis of styles of ornamental design, presenting key examples ranging from Maori tattoos, Egyptian columns, and Greek borders to Byzantine mosaic, Indian embroidery, and Elizabethan carvings. At once splendidly Victorian and insistently modern, The Grammar of Ornament celebrates objects of beauty from across time periods and continents, and remains an indispensable sourcebook today.