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The Book Is A Comprehensive Study Of The Evolution And Development Of Buddhist Visual Art In India And Sri Lanka, Taking Into Consideration Their Diverse Forms And The Impact Of Regional Trends On Them. It Examines Architecture, Sculpture, Painting, And Use Of Symbols Like The Lotus And Sri Lanka Devil Masks.
A pioneering study of the emergence of Buddhist art in southern India, featuring vibrant photography of rare works, many published here for the first time Named for two primary motifs in Buddhist art, the sacred bodhi tree and the protective snake, Tree & Serpent: Early Buddhist Art in India is the first publication to foreground devotional works produced in the Deccan from 200 BCE to 400 CE. Unlike traditional narratives, which focus on northern India (where the Buddha was born, taught, and died), this groundbreaking book presents Buddhist art from monastic sites in the south. Long neglected, this is among the earliest surviving bodies of Buddhist art, and among the most sublimely beautiful. An international team of researchers contributes new scholarship on the sculptural and devotional art associated with Buddhism, and masterpieces from recently excavated Buddhist sites are published here for the first time—including Kanaganahalli and Phanigiri, the most important new discoveries in a generation. With its exploration of Buddhism’s emergence in southern India, as well as of India’s deep commercial and cultural engagement with the Hellenized and Roman worlds, this definitive study expands our understanding of the origins of Buddhist art itself.
These essays address how narratives unfolded in time and space when a body or object moved through premodern architectural or natural environments. Such narratives encompass interpretations of topography, change in built environments over time, and spaces for public assembly.
A stunning showcase of exceptional and rare works of Buddhist art, presented to the international community for the first time The practice of Buddhism in Myanmar (Burma) has resulted in the production of dazzling objects since the 5th century. This landmark publication presents the first overview of these magnificent works of art from major museums in Myanmar and collections in the United States, including sculptures, paintings, textiles, and religious implements created for temples and monasteries, or for personal devotion. Many of these pieces have never before been seen outside of Myanmar. Accompanied by brilliant color photography, essays by Sylvia Fraser-Lu, Donald M. Stadtner, and scholars from around the world synthesize the history of Myanmar from the ancient through colonial periods and discuss the critical links between religion, geography, governance, historiography, and artistic production. The authors examine the multiplicity of styles and techniques throughout the country, the ways Buddhist narratives have been conveyed through works of art, and the context in which the diverse objects were used. Certain to be the essential resource on the subject, Buddhist Art of Myanmar illuminates two millennia of rarely seen masterpieces.
On the Buddhist paintings at Nalanda, Bihar.
In this interdisciplinary inquiry, John Clifford Holt seeks to uncover how Buddhism was understood and expressed during the waning years of indigenous political power in Asia's oldest continuing Buddhist culture. Holt focusses on King Kirti Sri Rajasinha and how, despite powerful and persistent Dutch colonial threats and a deeply suspicious Kandyan Buddhist Sinhalese aristocracy, he successfully revived Sinhalese Theravada Buddhism. As Holt demonstrates, Kirti Sri succeeded in formulating his vision of an orthodox Buddhism in a number of ways: through the patronage of monastic sanha and re-establishing traditional lines of ordination, translating the Pali suttas into Sinhala, sponsoring public Buddhist religious rites, and refurbishing almost all Buddhist temples in the Kandyan culture region. The ultimate aim of Holt's study is to describe and interpret Kirti Sri's articulation of a normative Buddhist world, the essentials of which remain normative for many Buddhists in the Kandyan region of Sri Lanka today. Scholars and students will find The Religious World of Kirti Sri is an indispensable resource for the understanding of orthodox Buddhism at this important historical juncture, as well as the present day.