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In Ancient Andean Houses, Jerry Moore offers an extensive survey of vernacular architecture from across the entire length of the Andes, drawing on ethnographic and archaeological information from Sierra Nevada de Santa Marta in Colombia to the Patagonia region of Argentina and Chile. This book explores the diverse ways ancient peoples made houses, the ways houses re-create culture, and new perspectives and methods for studying houses. In the first part of this multidimensional approach, Moore examines the construction of houses and how they shaped different spheres of household life, considering commonalities and variations among cultural traditions. In the second part, Moore discusses how domestic architecture serves as both constructed template and lived-in environment, expressing social relationships between men and women, adults and children, household members and the community, and the living and the dead. Finally, Moore critiques archaeological approaches to the subject, arguing for a far-reaching and engaged reassessment of how we study the houses and lives of people in the past. Moore emphasizes that the house has always been a pivotal space around which complex human meanings orbit. This book demonstrates that the material traces of dwellings offer insight into significant questions regarding the development of sedentism, the spread of cultural traditions, and the emergence of social identities and inequalities.
An innovative 1996 discussion of architecture and its role in the culture of the ancient Andes.
This book argues that a careful consideration of Andean conceptions of powerful places is critical not only to understanding Andean political and religious history but to rethinking sociological theories on landscapes more generally.
While many baby boomers are downsizing to a simpler retirement lifestyle, photographer and writer Judy Blankenship and her husband Michael Jenkins took a more challenging leap in deciding to build a house on the side of a mountain in southern Ecuador. They now live half the year in Cañar, an indigenous community they came to know in the early nineties when Blankenship taught photography there. They are the only extranjeros (outsiders) in this homely, chilly town at 10,100 feet, where every afternoon a spectacular mass of clouds rolls up from the river valley below and envelopes the town. In this absorbing memoir, Blankenship tells the interwoven stories of building their house in the clouds and strengthening their ties to the community. Although she and Michael had spent considerable time in Cañar before deciding to move there, they still had much to learn about local customs as they navigated the process of building a house with traditional materials using a local architect and craftspeople. Likewise, fulfilling their obligations as neighbors in a community based on reciprocity presented its own challenges and rewards. Blankenship writes vividly of the rituals of births, baptisms, marriages, festival days, and deaths that counterpoint her and Michael’s solitary pursuits of reading, writing, listening to opera, playing chess, and cooking. Their story will appeal to anyone contemplating a second life, as well as those seeking a deeper understanding of daily life in the developing world.
"Arguing that the culturally constructed environment is always the expression of multiple decision domains, Moore outlines a series of domains linking architecture and human experience. He then provides an analysis of sound and space and an examination of ceremonial architecture and the nature of religious authority, and he explores the design logic and technologies of displays in ritual processions."--BOOK JACKET.
The origins and development of civilization are vital components to the understanding of the cultural processes that create human societies. Comparing and contrasting the evolutionary sequences from different civilizations is one approach to discovering their unique development. One area for comparison is in the Central Andes where several societies remained in isolation without a written language. As a direct result, the only resource to understand these societies is their material artifacts. In this second volume, the focus is on the art and landscape remains and what they uncover about societies of the Central Andes region. The ancient art and landscape, revealing the range and richness of the societies of the area significantly shaped the development of Andean archaeology. This work includes discussions on: - pottery and textiles; - iconography and symbols; - ideology; - geoglyphs and rock art. This volume will be of interest to Andean archaeologists, cultural and historical anthropologists, material archaeologists and Latin American historians.
Alterity has yet to see sustained treatment in archaeology due in great part to the fact that the archaeological record is not always equipped to inform on the subject. Like its kindred concepts, such as identity and ethnicity, alterity is difficult to observe also because it can be expressed at different times and scales, from the individual, family and village settings, to contexts such as nations and empires. It can also be said to 'reside' just as well in objects and individuals, as it may in a technique, action or performance. One requires a relevant, holistic data set and multiple line of evidence. Ancient Alterity in the Andes provides just that by focusing on the great achievements of the ancient Andes during the first millennium AD, centred on a Precolumbian culture, known as Recuay (AD 1-1700).
Domestic Architecture, Ethnicity, and Complementarity in the South-Central Andes is a comprehensive and challenging look at the burgeoning field of Andean domestic architecture. Aldenderfer and fourteen contributors use domestic architecture to explore two major topics in the prehistory of the south-central Andes: the development of different forms of complementary relationships between highland and lowland peoples and the definition of the ethnic affiliations of these peoples.
All previous books dealing with prehistoric hunter-gatherers in the high Andes have treated ancient mountain populations from a troglodyte's perspective, as if they were little different from lowlanders who happened to occupy jagged terrain. Early mountain populations have been transformed into generic foragers because the basic nature of high-altitude stress and biological adaptation has not been addressed. In Montane Foragers, Mark Aldenderfer builds a unique and penetrating model of montane foraging that justly shatters this traditional approach to ancient mountain populations. Aldenderfer's investigation forms a methodological and theoretical tour de force that elucidates elevational stress—what it takes for humans to adjust and survive at high altitudes. In a masterful integration of mountain biology and ecology, he emphasizes the nature of hunter-gatherer adaptations to high-mountain environments. He carefully documents the cultural history of Asana, the first stratified, open-air site discovered in the highlands of the south-central Andes. He establishes a number of major occurrences at this revolutionary site, including the origins of plant and animal domestication and transitions to food production, the growth and packing of forager populations, and the advent of some form of complexity and social hierarchy. The rich and diversified archaeological record recovered at Asana—which spans from 10,000 to 3,500 years ago—includes the earliest houses as well as public and ceremonial buildings in the central cordillera. Built, used, and abandoned over many millennia, the Asana structures completely transform our understanding of the antiquity and development of native American architecture. Aldenderfer's detailed archaeological case study of high-elevation foraging adaptation, his description of this extreme environment as a viable human habitat, and his theoretical model of montane foraging create a new understanding of the lifeways of foraging peoples worldwide.