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"In this meticulously-researched, in-depth examination of anarchism and modernism, Gurianova provides a new and compelling interpretation of the early Russian avant-garde. Her study has major implications for our understanding of some of the twentieth century’s most important modernists and is an important contribution to the history and theory of radical political thought."— Allan Antliff, author of Anarchist Modernism: Art, Politics, and the First American Avant-Garde. “Gurianova is the first scholar to study the early Russian avant-garde not as a precursor to the Constructivism of the 1920s, but as a distinctive movement in its own right. In this important book, she identifies an “aesthetics of anarchy” that characterized the movement’s politics and poetics—a concept with provocative implications for our understanding of the relationship between word and image. This is a work of original and compelling scholarship that will profoundly alter our understanding of the Russian avant-garde.”— Nancy Perloff, Getty Research Institute (Los Angeles), curator of the exhibit Tango with Cows: Book Art of the Russian Avant-Garde (1910-1917).
Published to accompany an exhibition of the same name held at the National Portrait Gallery, London, October 16, 2014-January 11, 2015.
The photographer and reformer Jacob Riis once wrote, “I have seen an armful of daisies keep the peace of a block better than a policeman and his club.” Riis was not alone in his belief that beauty could tame urban chaos, but are aesthetic experiences always a social good? Could aesthetics also inspire violent crime, working-class unrest, and racial murder? To answer these questions, Russ Castronovo turns to those who debated claims that art could democratize culture—civic reformers, anarchists, novelists, civil rights activists, and college professors—to reveal that beauty provides unexpected occasions for radical, even revolutionary, political thinking. Beautiful Democracy explores the intersection of beauty and violence by examining university lectures and course materials on aesthetics from a century ago along with riots, acts of domestic terrorism, magic lantern exhibitions, and other public spectacles. Philosophical aesthetics, realist novels, urban photography, and black periodicals, Castronovo argues, inspired and instigated all sorts of collective social endeavors, from the progressive nature of tenement reform to the horrors of lynching. Discussing Jane Addams, W.E.B. Du Bois, Charlie Chaplin, William Dean Howells, and Riis as aesthetic theorists in the company of Kant and Schiller, Beautiful Democracy ultimately suggests that the distance separating academic thinking and popular wisdom about social transformation is narrower than we generally suppose.
This book provides a historical account of anarchist geographies in the UK and the implications for current practice. It looks at the works of Frenchman Élisée Reclus (1830–1905) and Russian Pyotr Kropotkin (1842–1921) which were cultivated during their exile in Britain and Ireland. Anarchist geographies have recently gained considerable interest across scholarly disciplines. Many aspects of the international anarchist tradition remain little-known and English-speaking scholarship remains mostly impenetrable to authors. Inspired by approaches in historiography and mobilities, this book links print culture and Reclus and Kropotkin’s spheres in Britain and Ireland. The author draws on primary sources, biographical links and political circles to establish the early networks of anarchist geographies. Their social, cultural and geographical context played a decisive role in the formation and dissemination of anarchist ideas on geographies of social inequalities, anti-colonialism, anti-racism, feminism, civil liberties, animal rights and ‘humane’ or humanistic approaches to socialism. This book will be relevant to anarchist geographers and is recommended supplementary reading for individuals studying historical geography, history, geopolitics and anti-colonialism.
Anarchy. The word alone conjures strong emotional responses. Anarchism is one of the most important, if maligned, radical social movements. In the 21st century, anarchist politics have enjoyed a significant revival, offering a positive vision of social change and an alternative to the injustice and inequality associated with states and corporate dominance. Yet anarchism remains misunderstood and misrepresented in mass media and government accounts that associate the term with chaos and disorder. Despite the negative portrayals anarchism, in fact, has always been a movement of intense creativity. More than a political movement, anarchism has, for over a century, made important contributions to cultural developments, especially in literature and art. Often overlooked are the vital creative expressions of anarchism. This lively volume featuring works by innovative scholars presents the compelling potency of anarchist literature through distinct voices. Anarchism has greatly influenced literary production and provided inspiration for a diversity of writers and literary movements. Edited by a longtime anarchist theorist, this exciting collection of engaging works highlights the rich articulations of anarchism and literary creations. It places anarchism at the center of analysis and criticism. Authors examined include Octavia Butler, John Fowles, James Joyce, Ursula LeGuin, Eugene O’Neill, B. Traven, and Oscar Wilde, among others. The collection shows the richness of anarchist movements in politics and culture. Specters of Anarchy examines critically the generally overlooked intersections, engagements, debates and controversies between literature and criticism and anarchist theories and movements, historically and in the present period. Synthesizing literary criticism with the theory and practice of anarchism, this book offers a re-reading of important literary and political works. Anarchist politics is a major, and growing, contemporary movement, yet the lack of informed analysis has meant that the actual perspectives, desires and visions of this movement remain obscured. Lost in recent sensationalist accounts are the creative and constructive practices undertaken daily by anarchist organizers imagining a world free from violence, oppression and exploitation. An examination of some of these constructive anarchist visions, which provide examples of politics grounded in everyday resistance, offers insights into real world attempts to radically transform social relations in the here and now of everyday life.
Among the political ideologies generally considered to be of continuing significance, anarchism alone has never been implemented. Perhaps its rigors are too strong and its advocates are too weak. That it is still considered worth studying is testimony to its intellectual credibility, particularly its single-minded emphasis on individual liberty. Obsession with liberty and skepticism of government are as alive today as they were in the nineteenth century. This book offers a comprehensive introduction to anarchism in the United States, revealing its historical roots and relevance to today's problems. The relationship between anarchy and individualism in the nineteenth century is well known. How this affected the larger system is what the bulk of the anthology is about.Liberty was a magazine featuring some of the outstanding anarchist thinkers in America at the turn of the century. This anthology offers a selection of writings spanning the magazine's twenty-seven year life and features some of its major writers: Benjamin Tucker, Victor Yarros, Steven Byington, John Beverley Robinson, and Gertrude Kelly. The chapters are divided into four sections: political theory, economic theories and reforms, social implications, and strategies of individualist anarchism. The authors criticize censorship, state support of patriarchal marriage, and the general invasion of privacy. Though quite radical, the writers were not revolutionaries in a conventional sense; they emphasized passive resistance, rather than violent assault, as proper.The Individualist Anarchists is not merely of historical Interest, but offers a fundamental critique of government and authority - one that remains a relevant part of today's libertarian movement. It will be of Interest to political theorists, economists, sociologists, and scholars of American history; above all, to those who may not yet have appreciated the worth of an analysis made so many years ago.
The book has been structured into three parts, namely, Analytical Meditation, The Death of Diseases: Psychological Vaccination, Communication with the Heart: The Utterances that Provide Energy, and The Architecture of the Mind: The Psychology of Spirituality. The entire approach is founded on the concept of the combination of Analysis (or self-enquiry), Meditation, Self-Hypnosis, and Prayer and is expected to simultaneously work on the different dimensions of the mind -emotional, intellectual, spiritual, and behavioral. It is expected, as hundreds of the author's readers have reported to have experienced, that the method will work instantly on the mind, without the reader's having to do any special mental exercise as is typical of most meditation practices.
Brings together leading scholars to examine the literature, scholarship and research of drama education, and to consider future directions for practice and research.