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"This book examines how the many areas of anarchist activism formed counter-cultures around which anarchists assembled in order to effect change. By analysing the various anarchist counter-cultures, Thomas demonstrates that those anarchists thought to have been ineffectual were in fact at the forefront of a variety of campaigns, which challenged the existing social, economic and cultural values of British society."--BOOK JACKET.
The oldest word in politics is “new”. The oldest word in the writing of history may well be “modern”: it is, without doubt, one of the most overworked adjectives in the English language. But the indeterminacy is perhaps just another way of saying that the difficulties raised are of a kind which simply will not go away… This collection of eight essays on aspects of modernity and modernism takes up the challenge of examining the complex, but fascinating convergence of aesthetics, politics and a quasi-spiritual dimension which is perhaps typical of British modernist thinking about modernity. This may have produced figures whom we now dismiss as eccentrics or “aesthetes”, it none the less produced figures whom many still think of as in some sense embodying the national identity: what, after all, could be more “English” than a William Morris wallpaper design? Rather than towards socialism in any of its “scientific” guises, what the British modernist approach to modernity may have been pushing at was yet another mutation of liberalism: a libertarian-humanitarian hybrid in which indigenous radical and Evangelical legacies keep scientific socialism in check, where fellowship and domesticity edge out a larger-scale, more abstract “fraternity”, and where citoyenneté or civisme give way to what George Orwell was later to define simply as “decency”.
Depicts the social and political lives of the few hundred French anarchists exiled in London between 1880 and 1914, and focuses on their transnational political activism, suspected terrorist activities, the police surveillance they were subjected to, and the epoch-making changes in immigration and asylum law which their presence eventually led to.
From William Morris to Oscar Wilde to George Orwell, left-libertarian thought has long been an important but neglected part of British cultural and political history. In Anarchist Seeds beneath the Snow, David Goodway seeks to recover and revitalize that indigenous anarchist tradition. This book succeeds as simultaneously a cultural history of left-libertarian thought in Britain and a demonstration of the applicability of that history to current politics. Goodway argues that a recovered anarchist tradition could—and should—be a touchstone for contemporary political radicals. Moving seamlessly from Aldous Huxley and Colin Ward to the war in Iraq, this challenging volume will energize leftist movements throughout the world.
Explores an elaborate genealogy of anti-authoritarian thought.
Italian anarchism emerged in the latter half of the nineteenth century, during that country’s long and bloody unification. Often facing economic hardship and political persecution, many of Italy’s anarchists migrated to North America. Wherever Italian anarchists settled they published journals, engaged in labour and political activism, and attempted to re-create the radical culture of their homeland. Transnational Radicals examines the transnational anarchist movement that existed in Canada and the United States between 1915 and 1940. Against a backdrop of brutal and open class war—with governments calling upon militias to suppress strikes, radicals thrown in jail for publicly speaking against capitalism and the church, and those of foreign birth being deported and even executed for political activities—Italian anarchism was successfully transplanted. Transnationalism made it more difficult for states to destroy groups spread across wide geographical spaces. In Italy and abroad the strong anarchist identity informed by class, ethnicity, and gender reinforced movement values, promoted movement expansion, and assisted mobilization during times of crisis. In Transnational Radicals, Tomchuk makes use of Italian government security files and Italian-language anarchist newspapers to reconstruct a vibrant and little-studied political movement during a tumultuous period of modern North American history.
Given the importance of violent non-state actors (VNSA) and their evolving role in global politics, dynamic frameworks of analysis are needed both to trace historical trajectories in the evolution of violent non-state actorness and to identify emerging patterns by examining modern day cases. This book examines the defining characteristics and evolutionary dynamics of VNSAs, and introduces a framework based on their autonomy, representation and influence providing a comparative analysis of the late 19th and early 20th centuries’ Anarchist movement and the modern-day Jihadist network. It explores the distinct characteristics of the Anarchists and Jihadists as VNSAs with global potential, not just describing them, but also seeking to understand what they are instances of. With a longitudinal analysis, the book also considers the types of changes that have occurred in the past 150 years and the possible role VNSAs may play in current and future power polity shifts away from states toward non-state actors. It concludes with both theoretical implications for the study of non-state actors and transnational relations, and practical implications for government agencies or private groups tasked with finding ways of countering such violent non-state actors. This important book will be of interest to students and scholars of international relations, political science, and terrorism/security studies. It will also be of interest to practitioners in the security services including think-tank analysts and government security analysts.
"An exploration of the life and times of Joseph Conrad [and] his turbulent age of globalization--and our own"--Provided by publisher.
Can we make sense of anarchism or is that an oxymoron? Guided by the principle that someone else's rationality is not an empirical finding but a methodological presumption, this book addresses that question as it investigates the ideas and action of one of the most prominent and underrated anarchists of all times: the Italian, Errico Malatesta.
Translating Anarchy tells the story of the anti-capitalist anti-authoritarians of Occupy Wall Street who strategically communicated their revolutionary politics to the public in a way that was both accessible and revolutionary. By “translating” their ideas into everyday concepts like community empowerment and collective needs, these anarchists sparked the most dynamic American social movement in decades. ,