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A twisted murder mirrors a dark legend . . . When the body of Pauline Brent is found hanging from a yew tree in a local graveyard, DS Wesley Peterson immediately suspects foul play. Then history provides him with a clue. Wesley's archaeologist friend, Neil Watson, has excavated a corpse at his nearby dig - a young woman who, local legend has it, had been publicly hanged from the very same tree before being buried on unhallowed ground five centuries ago. Wesley is now forced to consider the possibility that the killer knows the tree's dark history. Has Pauline also been 'executed' rather than murdered, and, if so, for what crime? To catch a dangerous killer Wesley has to discover as much as he can about the victim. But Pauline appears to have been a woman with few friends, no relatives and a past she has carefully tried to hide . . . The third gripping mystery in the DI Wesley Peterson series by award-winning crime writer Kate Ellis. The perfect page-turning mystery for fans of Elly Griffiths and Ann Cleeves. PRAISE FOR KATE ELLIS: 'A beguiling author who interweaves past and present' The Times 'I loved this novel' Ann Cleeves 'Haunting' Independent 'Unputdownable' Bookseller 'The chilling plot will keep you spooked and thrilled to the end' Closer 'A fine storyteller, weaving the past and present in a way that makes you want to read on' Peterborough Evening Telegraph
The Dalton house, built almost 300 years ago by 12-year-old Trisha Dalton's ancestors, is the setting for the unravelling of Trisha's family under the pressure of cocktail hours that grow ever longer, gambling debts that grow larger, and bonds of love and loyalty that grow weaker. Growing up, Trisha learns the story of Sara Wilde, her "many greats" aunt who lived in the same house when it was new. A suitor had offered Sara's father an important tract of land in exchange for Sara's hand in marriage and Sara's father agreed. But when she refused the suitor, the suitor had her hanged as a witch. Sara's father, instead of coming to her defense, chose the land over his daughter. Now Trisha's father has to recover a big piece of the family land that he lost gambling. He decides to take the family to Atlantic City one Easter so that he can gamble. He is planning on winning a lot of money. He is planning on getting his land back.
'A beguiling author who interweaves past and present' The Times When a woman is burned to death in Grandal Field in Devon, it looks like it could be a case of mistaken identity. Until DI Wesley Peterson learns of a legend involving a woman who died in similar circumstances in the thirteenth century. It seems clear that there is a link between the mysterious legend and the recent murder when Wesley discovers that records of a previous site excavation have vanished, and two archaeologists involved in the dig died tragically. The case echoes a story of twisted love and obsession from many centuries ago, and Wesley realises that edging closer to the truth brings unexpected danger . . . Whether you've read the whole series, or are discovering Kate Ellis's DI Wesley Peterson novels for the first time, this is the perfect page-turner if you love reading Elly Griffiths and Ann Cleeves. PRAISE FOR KATE ELLIS: 'I loved this novel . . . a powerful story of loss, malice and deception' Ann Cleeves 'Haunting' Independent 'Unputdownable' Bookseller 'The chilling plot will keep you spooked and thrilled to the end' Closer 'A gripping read' Best 'A fine storyteller, weaving the past and present in a way that makes you want to read on' Peterborough Evening Telegraph
'A beguiling author who interweaves past and present' The Times When DI Wesley Peterson is summoned to investigate a killing, he assumes that the case is a routine matter. But soon dark secrets start to emerge from the victim's past and Wesley realises that this cold-blooded murder is more complicated than he could have imagined. Archaeologist Neil Watson is meanwhile studying Sandrock, a ruined village from the First World War that tumbled into the sea. Neil cannot shake the feeling that something is missing from his explorations: a cryptic clue that might be able to help Wesley solve his case. As more victims fall prey to a killer, Wesley fears his precious family are becoming a target. Just like the fallen village of Sandrock, Wesley will have to stand tall if he is to withstand the coming storm. Whether you've read the whole series, or are discovering Kate Ellis's DI Wesley Peterson novels for the first time, this is the perfect page-turner if you love reading Elly Griffiths and Ann Cleeves. PRAISE FOR KATE ELLIS: 'I loved this novel . . . a powerful story of loss, malice and deception' Ann Cleeves 'Haunting' Independent 'Unputdownable' Bookseller 'The chilling plot will keep you spooked and thrilled to the end' Closer 'A gripping read' Best 'A fine storyteller, weaving the past and present in a way that makes you want to read on' Peterborough Evening Telegraph
My interest in Colonel John Singleton Mosby began in 1950. However, it wasn’t until 2002 that it led to extensive research on the subject, centered upon newspaper reports on the man begun during the Civil War and continued throughout—and even after—his life. And while I rejected Virgil Carrington Jones’s observation on Mosby, contained in the preface of this work, I did not contemplate writing this book until an even more disparaging observation came to my attention during my research. The comment was contained in an article in the Ponchatoula Times of May 26, 1963, as part of a six-article series written by Bernard Vincent McMahon, entitled The Gray Ghost of the Confederacy. Mr. McMahon, in turn, based his comment upon General Omar Bradley’s judgment of what might have been the postwar life of General George Patton: “Now substitute Mosby for General Patton in the book ‘A General’s Life,’ by Omar Bradley . . . ‘I believe it was better for General Patton [Mosby] and his professional reputation that he died when he did . . . He would have gone into retirement hungering for the old limelight, beyond doubt indiscreetly sounding off on any subject anytime, any place. In time he would have become a boring parody of himself—a decrepit, bitter, pitiful figure, unwittingly debasing the legend’” (emphasis mine). McMahon, however, only proffered in his writings the widely accepted view of John Mosby held by many, if not most. However, like General Ulysses S. Grant, I have come to know Colonel Mosby rather more intimately through the testimony of countless witnesses over a span of 150 years, and I believe that it is time for those who deeply respect John Mosby the soldier to now also respect John Mosby the man. A century ago, the book of John Singleton Mosby’s life closed. It is my hope that this book will validate the claim he made during that life that he would be vindicated by time. V. P. Hughes
In the early and mid-nineteenth century, Marguerite Blessington, who had been born in Ireland but spent most of her life in London, became a famous salonnière; she was generally regarded as an important contemporary author, but as no literary executor took care of her oeuvre posthumously, she eventually moved into the background. Her novels, partly informed by the silver-fork genre, are typical examples of Romantic Victorianism, influenced by the Romantic cult of the solitary male self, by the fascination with Italy, and by the 1840s vogue of crime fiction, while simultaneously giving space to ambivalent reflections about Blessington’s own Irish background. This volume, as part of ‘Chawton House Library: Women’s Novels’ series, presents her 1847 novel Marmaduke Herbert; or, the Fatal Error, a highly popular piece of fiction in its day, being reprinted in German, French and American editions within a year of its publication.
Reprint of the original, first published in 1836.