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A failed marriage. Yet her heart still yearns for her husband... 19th Century, United Kingdom. After an assassination attempt on the Prince Regent, a vassel, Duke Gabriel, carries out a secret investigation. Meanwhile, Gabriel's wife Olivia is distressed, wondering whether her husband will show up for their son's celebration. They had spent a beautiful, loving year of marriage together when her husband decided to cheat on her the day she gave birth to their son. They haven't shared a bed since, but now, her mother-in-law wants her to have another son for the sake of the family. With zero hope of their love being reignited, now she has to share a bed with him again...
Confessions of a Regency duke… When the Duke of Winterbourne proposed to Olivia, she felt like the luckiest girl alive. Their happy marriage was the envy of the ton. But all that changed when Gabriel wasn't there the night Olivia gave birth to their son… Gabriel's life is rooted in darkness, and he's learned the hard way not to trust anyone with the truth. Yet, now his wife wants to try for another child…and Gabriel must bare his secrets in order to bring Olivia back into his bed, and by his side, forever!
In Un/common Cultures, Kamala Visweswaran develops an incisive critique of the idea of culture at the heart of anthropology, describing how it lends itself to culturalist assumptions. She holds that the new culturalism—the idea that cultural differences are definitive, and thus divisive—produces a view of “uncommon cultures” defined by relations of conflict rather than forms of collaboration. The essays in Un/common Cultures straddle the line between an analysis of how racism works to form the idea of “uncommon cultures” and a reaffirmation of the possibilities of “common cultures,” those that enact new forms of solidarity in seeking common cause. Such “cultures in common” or “cultures of the common” also produce new intellectual formations that demand different analytic frames for understanding their emergence. By tracking the emergence and circulation of the culture concept in American anthropology and Indian and French sociology, Visweswaran offers an alternative to strictly disciplinary histories. She uses critical race theory to locate the intersection between ethnic/diaspora studies and area studies as a generative site for addressing the formation of culturalist discourses. In so doing, she interprets the work of social scientists and intellectuals such as Elsie Clews Parsons, Alice Fletcher, Franz Boas, Louis Dumont, Claude Lévi-Strauss, Clifford Geertz, W. E. B. Du Bois, and B. R. Ambedkar.
A failed marriage. Yet her heart still yearns for her husband... 19th Century, United Kingdom. After an assassination attempt on the Prince Regent, a vassel, Duke Gabriel, carries out a secret investigation. Meanwhile, Gabriel's wife Olivia is distressed, wondering whether her husband will show up for their son's celebration. They had spent a beautiful, loving year of marriage together when her husband decided to cheat on her the day she gave birth to their son. They haven't shared a bed since, but now, her mother-in-law wants her to have another son for the sake of the family. With zero hope of their love being reignited, now she has to share a bed with him again...
Duke Wolff was a flawless specimen of the American clubman -- a product of Yale and the OSS, a one-time fighter pilot turned aviation engineer. Duke Wolff was a failure who flunked out of a series of undistinguished schools, was passed up for military service, and supported himself with desperately improvised scams, exploiting employers, wives, and, finally, his own son. In The Duke of Deception, Geoffrey Wolff unravels the enigma of this Gatsbyesque figure, a bad man who somehow was also a very good father, an inveterate liar who falsified everything but love.
“A sympathetic and believable portrait” of the American woman for whom King Edward VIII gave up the throne, with photos included (Christian Science Monitor). A woman's life can really be a succession of lives, each revolving around some emotionally compelling situation or challenge, and each marked off by some intense experience. It was the love story of the century—the king and the commoner. In December 1936, King Edward VIII abdicated the throne to marry “the woman I love,” Wallis Warfield Simpson, a twice-divorced American who quickly became one of the twentieth century's most famous personalities, a figure of intrigue and mystery, both admired and reviled. Wrongly blamed for the abdication crisis, Wallis suffered hostility from the Royal Family and much of the world. Yet interest in her story has remained constant, resulting in a small library of biographies that convey a thinly veiled animosity toward their subject. The truth, however, is infinitely more fascinating than the shallow, pathetic portrait that has often been painted. Using previously untapped sources, acclaimed biographer Greg King presents a complete and, for the first time, sympathetic portrait of the Duchess that sifts the decades of rumor and accusation to reveal the woman behind the legend. From her birth in Pennsylvania during the Gilded Age to her death in Paris in 1986, King takes the reader through a world of privilege, palaces, high society, and love with the accompaniment of hatreds, feuds, conspiracies, and lies. The cast of characters is vast: politicians and presidents, dictators and socialites. Twenty-four pages of photographs reveal the life of the Duchess in all its incomparable glamour and romance. “A wide, absurd cast of characters—led by the British royal family . . . Wallis’ lavish decorati
A Regency-era romantic adventure where a Duke is ordered to assume guardianship over a bold young woman who refuses to believe her parents' lives were lost during a treasure hunt. The first in a three-book series.
Biography of Prussian Crown Princess Vicky, Queen Victoria's eldest daughter who married Crown Prince Frederick of Prussia and who gave birth to Kaiser Wilhelm II.
From New York Times bestselling author and "grand mistress of storytelling" (Romantic Times) Sabrina Jeffries comes the second seductive story in her School for Heiresses Series. Marry? Never! It would end Louisa North's work with her ladies reform group—and truth be told, she likes her independence very much, despite her royal father's protests. So when Simon Tremaine, the dashing Duke of Foxmoor whom she once loved—and had exiled from England—returns bent on marrying her, she's skeptical. Does he truly care for her, or does he simply want revenge? It's difficult to resist Simon's dangerous charms, because the fire between them still burns as hot as ever. But when his ulterior motive for marriage is exposed, along with the deeply buried secrets of his past, Louisa vows to make him pay...and the price will be his heart.
For fans of Ella Quinn, Amelia Grey, and Bridgerton comes the first in a new historical romance series with all your favorite tropes: Friends to lovers romance Forbidden romance Reluctant dukes Tight-knit family saga The new Duke has a proper scandal brewing. Quinton Errington is perfectly happy teaching at Cambridge, with his elder brother carrying the duties of being the Duke of Wesley. But when a trip to celebrate Wesley's last week of bachelorhood ends in tragedy, Quinton, who becomes the Duke, would give anything to have his brother back. Wesley's would-be bride, Catherine Greatheart, is left heartbroken and alone. Her grandmother has fallen ill, and Catherine has nowhere left to turn but to the family she was so close to being part of. The new Duke is kind, and she could use a friend. Between learning how to be the head of his family, mourning his brother, and trying not to fall in love with his late-brother's fiancée, Quinton will need some help—and it's a good thing he's not alone. "Flawless storytelling! Vayden is a new Regency powerhouse."—Rachel Van Dyken, #1 New York Times bestselling author