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"An Outpost of Progress" is a short story written in July 1897 by Joseph Conrad, drawing on his own experience at Congo. It was published in the magazine Cosmopolis in 1897 and was later collected in Tales of Unrest in 1898. Often compared with Heart of Darkness, Conrad considered it his best tale, owing to its "scrupulousness of tone" and "severity of discipline".
Drawing upon his experiences as the captain of a steamer on the Congo River, Joseph Conrad wrote "An Outpost of Progress," a sharp critique of British colonialism that the master storyteller considered his best tale. A precursor to Heart of Darkness, it traces the physical and moral degradation of two English overseers at a remote African trading post, offering a compelling view of the destructive effects of cultural isolation. This compilation presents four additional short stories: "An Anarchist (A Desperate Tale)," centering on an ex-convict's association with a radical political faction in nineteenth-century England; "The Informer (An Ironic Tale)," a character study in political contradictions focusing on an anarchist's embrace of bourgeois values; "Il Conde (A Pathetic Tale)," in which a violent crime disrupts a nobleman's visit to Naples; and "A Smile of Fortune," which recounts how a seafarer's romantic inclinations lead him into misplacing his loyalty.
HEART OF DARKNESS * AN OUTPOST OF PROGRESS * KARAIN * YOUTH The finest of all Conrad's tales, 'Heart of Darkness' is set in an atmosphere of mystery and menace, and tells of Marlow's perilous journey up the Congo River to relieve his employer's agent, the renowned and formidable Mr Kurtz. What he sees on his journey, and his eventual encounter with Kurtz, horrify and perplex him, and call into question the very bases of civilization and human nature. Endlessly reinterpreted by critics and adapted for film, radio, and television, the story shows Conrad at his most intense and sophisticated. The other three tales in this volume depict corruption and obsession, and question racial assumptions. Set in the exotic surroundings of Africa, Malaysia. and the east, they variously appraise the glamour, folly, and rapacity of imperial adventure. This revised edition uses the English first edition texts and has a new chronology and bibliography. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.
By situating Conrad's work in relation to other writings on 'primitive' peoples, John Griffith shows how his fiction draws on prominent anthropological and biological theories regarding the degenerative potential of contacts between European and other cultures. At the same time, however, Conrad's work reflected an anthropological dilemma: he constantly posed the question of how to bridge conceptual and cultural gaps between various peoples.
Leading scholars provide a comprehensive introduction to the work of Joseph Conrad.
"An Outpost of Progress" is a short story written in July 1896 by Joseph Conrad, drawing on his own experience at Congo. It was published in the magazine Cosmopolis in 1897 and was later collected in Tales of Unrest in 1898. Conrad in 1900 contributed this story to "The Ladysmith Treasury," to provide aid to English citizens besieged in Ladysmith, South Africa, during the Boer War. Often compared with Heart of Darkness, Conrad considered it his best tale, owing to its "scrupulousness of tone" and "severity of discipline"
A selection of short stories including favourites such as Youth, a modern epic of the sea; The Secret Sharer, a thrilling psychological drama; An Outpost of Progress, a blackly comic prelude to Heart of Darkness; Amy Foster, a moving story of a shipwrecked, alienated Pole; and The Lagoon and Karain, two exotic, exciting Malay tales.
This second edition of Essentials of the Theory of Fiction provides a comprehensive view of the theory of fiction from the nineteenth century, through modernism and postmodernism, to the present. Expanded and revised, it has new selections from contemporary theorists, including Henry Louis Gates Jr., Peter Brooks, Linda Hutcheon, David Lodge, Barbara Foley, and others. Selections from: M. M. Bakhtin, John Barth, Roland Barthes, Wayne Booth, Peter Brooks, Seymour Chatman, Rachel Blau DuPlessis, Suzanne C. Ferguson, Barbara Foley, E. M. Forster, Joseph Frank, William Freedman, Norman Friedman, Joanne S. Frye, William H. Gass, Henry Louis Gates Jr., Gérard Genette, J. Arthur Honeywell, Linda Hutcheon, Henry James, Susan S. Lanser, Mitchell A. Leaska, George Levine, David Lodge, Georg Lukács, Gerald Prince, Patrocinio P. Schweickart, Tzvetan Todorov, Lionel Trilling, and Virginia Woolf