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One of the hardest tasks faced by competitive chess players is the development of an opening repertoire suited to their own style of play. As in their companion volume An Opening Repertoire for the Attacking Player (also translated by Ken Neat), the authors provide a refined and thoroughly up-to-date opening program, this time selecting variations of a more positional nature. For example, this title includes practical repertoire based on 1 e4 as White and the Classical Sicilian and King's Indian Defenses as Black. It concentrates on solid and reliable lines of play and provides an easy-to-learn explanation of the typical plans and ideas. Eduard Gufeld is one of the most popular and widely traveled grandmasters, and is known throughout the world as a coach, opening theoretician, journalist and author. Nikolai Kalinichenko, author of more than 30 chess books, holds the International Master title in correspondence chess and enjoys a growing reputation as a specialist in opening theory.
One of the hardest tasks competitive chess players face is the development of an opening repertoire suited to their own style of play. In this book, translated by Ken Neat, Grandmaster Gufeld makes the job easier by providing an ideal framework for a practical opening repertoire, specifically tailored for those who relish attacking play.
Bored with the same old openings? Worried about having to learn too much theory? Then this book will come as a godsend. Aaron Summerscale presents a set of exceptionally dangerous opening weapons for White. Each recommended line is based on a solid positional foundation, yet also promises long-term (and short-term!) attacking chances. The variations are not just easy to learn and play, but they also set Black complex problems. * A queen's pawn repertoire based on rapid piece development * Reveals many lethal attacking ideas and traps * Features the legendary '150' and Barry Attacks For this new edition, the publishers enlisted the help of hotshot opening writer Sverre Johnsen, who has updated the coverage where necessary, while retaining the spirit, charm and aims of Summerscale's original work. The killer repertoire remains easy to learn, and is now more dangerous than ever!
This updated edition aims to provide all that an average club player needs to know about the opening as White. One line has been selected against each of Black's possible defences, with all the variations giving scope for originality.
A good opening repertoire need not require an enormous amount of study to be highly effective. A cunning choice of lines and move-orders can steer the game to positions that we like and deny the opponent his preferred strategies. In this book, highly experienced chess opening writer Graham Burgess presents a repertoire based on 1 d4 and Nf3 with precisely those aims. Black's possibilities for counterplay - and sharp gambit play - are kept to a minimum. Our aim is to give Black exactly the type of position he doesn't want. If he is seeking blocked positions with pawn-chains, we'll keep the game fluid. If he wants complex strategy, we'll attack him with simple piece-play. Simplifications? No thanks, we'll keep the pieces on and intensify the battle. Gambits? Hardly, as we simply prevent most of them! The main cornerstones of the repertoire are carefully chosen Queen's Gambit lines, the Torre Attack (vs ...e6), and a variety of fianchetto options against the King's Indian and related set-ups. White's position is kept highly flexible, with many possible transpositions to a wide variety of systems that the reader can use to extend and vary the repertoire. The book features a wealth of new ideas and original analysis. FIDE Master Graham Burgess is Gambit's Editorial Director, and one of the founders of the company. He holds the world record for marathon blitz chess playing, and lives in Minnesota. This is his 23rd chess book.
Viktor Moskalenko is one of the leading chess instructors of our time. Not only has he coached Masters and Grandmasters, including Ukrainian star Vasily Ivanchuk, he has also taught hundreds of classes for amateurs and his best-selling books have inspired thousands of ambitious club players all over the world. Moskalenko’s previous and highly popular chess opening books were mainly written for the Black pieces. Now he presents an extremely powerful set of lines for White. The guiding principle of his 1.d4 repertoire is: be bold and put pressure on your opponent as early as possible. Moskalenko does not shower you with long computer-generated variations but has a keen eye for the essence of positions. His talent to find new resources in well-known lines results in a host of novelties, daring recommendations and cunning tricks. When you play his lines and follow his recommendations you will frequently surprise your opponent and build up positions full of swing. Studying An Attacking Repertoire for White with 1.d4 is a delight because this is a typical Moskalenko book: practical, accessible, original and inspiring.
Cyrus Lakdawala presents an aggressive opening repertoire, based on the Veresov Opening. This repertoire is perfect for those who have little time for study but enjoy taking opponents out of their comfort zones.
This book equips the reader with everything he needs to know to play Black in a game of chess. Two experienced Finnish players have described an exciting repertoire based on the move 1...d6 in reply to whatever White's first move happens to be. Black's strategy is hypermodern and dynamic: White is encouraged to seize space, while Black develops his pieces rapidly and actively, waiting for the ideal moment to attack and destroy White's central bastion. The variations advocated have been proven in top-level play and have quick-strike potential if White is at all careless or imprecise. The repertoire is based around the Pirc Defence and the variations 1 d4 d6 2 c4 e5 and 1 d4 d6 2 Nf3 Bg4, which fit seamlessly together with 1...d6 systems against White's various flank openings.
In this book, the first to focus on these issues, Steve Giddins provides common-sense guidance on one of the perennial problems facing chess-players. He tackles questions such as: whether to play main lines, offbeat openings or 'universal' systems; how to avoid being 'move-ordered'; how to use computers; if and when to depart from or change your repertoire. Giddins argues that from novice to grandmaster, a player's basic task when choosing a repertoire is the same: he needs to select openings that suit his playing style and that he can play with confidence. The repertoire should not require more memory work and study than he is capable of, or has time for. The book is rounded off with a look at the use of 'role models' and an investigation of the repertoires of leading players past and present.