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An authentic view of the domestic life of privileged New Yorkers in the three decades before the Civil War. It is based on memoirs, diaries, letters, and a preserved antebellum home belonging to the same family for almost 100 years. The daily life and habits of that family and their neighbors are revealed in fascinating detail.
Preserving New York is the largely unknown inspiring story of the origins of New York City’s nationally acclaimed landmarks law. The decades of struggle behind the law, its intellectual origins, the men and women who fought for it, the forces that shaped it, and the buildings lost and saved on the way to its ultimate passage, span from 1913 to 1965. Intended for the interested public as well as students of New York City history, architecture, and preservation itself, over 100 illustrations help reveal a history richer and more complex than the accepted myth that the landmarks law sprang from the wreckage of the great Pennsylvania Station. Images include those by noted historic photographers as well as those from newspaper accounts of the time. Forgotten civic leaders such as Albert S. Bard and lost buildings including the Brokaw Mansions, are unveiled in an extensively researched narrative bringing this essential episode in New York’s history to future generations tasked with protecting the city’s landmarks. For the first time, the story of how New York won the right to protect its treasured buildings, neighborhoods and special places is brought together to enjoy, inform, and inspire all who love New York.
Miracle on Fourth Street is the story of the preservation of a family home that belonged to one of the early merchants of New York City. Lived in by one family for almost 100 years, the house was preserved as a museum upon the death of the last family member. The book recounts the struggle of the founder of the museum to realize his quixotic vi- sion, the critical intervention of an architect who devoted his life to an authentic struc- tural restoration, and the dedication of a group of women who would not give up their goal of reclaiming the beauty of the original furnishings. It is a story of creative solutions to structural calamities, heartbreaking setbacks, dis- appointing personality conflicts, and the current stewards' triumph over a final brutal assault on the building that quite literally could have brought the house down. Now known as the Merchant's House Museum, the landmarked site affords over 15,000 visitors a year a unique window into mid-nineteenth domestic life of the merchant elite of New York City.
A marvelous British police procedural featuring detective and amateur archaeologist Wesley Peterson, a man whose unusual talents will be needed to solve two brutal murders--one of them over 400 years old.
Gaining prominence as a seaport under the Ottomans in the mid-1500s, the city of Mocha on the Red Sea coast of Yemen pulsed with maritime commerce. Its very name became synonymous with Yemen's most important revenue-producing crop -- coffee. After the imams of the Qasimi dynasty ousted the Ottomans in 1635, Mocha's trade turned eastward toward the Indian Ocean and coastal India. Merchants and shipowners from Asian, African, and European shores flocked to the city to trade in Arabian coffee and aromatics, Indian textiles, Asian spices, and silver from the New World. Nancy Um tells how and why Mocha's urban shape and architecture took the forms they did. Mocha was a hub in a great trade network encompassing overseas cities, agricultural hinterlands, and inland market centers. All these connected places, together with the functional demands of commerce in the city, the social stratification of its residents, and the imam's desire for wealth, contributed to Mocha's architectural and urban form. Eventually, in the mid-1800s, the Ottomans regained control over Yemen and abandoned Mocha as their coastal base. Its trade and its population diminished and its magnificent buildings began to crumble, until few traces are left of them today. This book helps bring Mocha to life once again.
Houses, in the Argentine and Chilean films of the early twenty-first century, provide much more than a backdrop to on-screen drama. Nor are they simply refuges from political turmoil or spaces of oppression. Remaking Home argues that domestic spaces are instead the medium through which new, fragile common identities are constructed. The varied documentary and fiction films analyzed here, which include an early work by Oscar winner Sebastián Lelio, use the domestic sphere as a laboratory in which to experiment with narrative, audiovisual techniques, and social configurations. Where previous scholarship has focused on the social fragmentation and political disillusionment visible in contemporary film, Remaking Home argues that in order to understand the political agency of contemporary cinema, it is necessary to move beyond deconstructive critical approaches to Latin American culture. In doing so, it expands the theoretical scope of studies in Latin American cinema by finding new points of contact between the cultural critique of Nelly Richard, the work of Bruno Latour, and theories of new materialism.
This fascinating chronicle of the world's great financial families offers candid profiles of the personalities behind seven legendary banking houses: Hambros, which now survives in name only; Barings, the oldest British banking dynasty; the Rothschilds, who amassed the largest private fortune in modern history; the Warburgs, a German dynasty of Venetian origin dating from the sixteenth century; the venerable Hermann Josef Abs, long-time chairman of Deutsche Bank; Lehman Brothers, formerly the oldest continuing partnership in American investing; and the eccentric and culturally savant financier Raffaele Mattioli, who headed Banca Commerciale Italiana. Focusing on figures of late-nineteenth-century London, this chronicle marks the distinctions between the cloistered Old World aristocracy and the rise of the high-stakes investors of Wall Street. Written by a longtime correspondent for the New Yorker, this fascinating account of daring financial adventures and their merchant banker orchestrators provides a wealth of context for understanding the evolution of modern investment banking. A new Foreword has been written specially for this edition by Christopher Kobrak, Wilson/Currie Chair of Canadian Business and Financial History at the Rotman School of Management, University of Toronto. Dover (2014) republication of the edition originally published by Little, Brown and Company, Boston, 1966. See every Dover book in print at www.doverpublications.com
Keep it simple and do it well. The Merchant & Mills Sewing Book contains fifteen step-by-step projects aimed at guiding you gently but firmly through the basics of sewing. Each project you make from this book will be stylish, but above all, useful. Part I of the book presents a fundamental overview on the art of sewing, the tools and materials you will need and homegrown tips on essential good practice. In Part II, seasoned dressmaker Carolyn Denham leads you step by step through fifteen achievable projects, each building on the skills gained as you progress through the book. First, equip your sewing room with practical items you never knew you needed, such as a Tailor’s Ham, Sleeve Roll and an Ironing Board Cover (essential items for good pressing practice), a Hussif (the ever ready portable sewing kit) and a Maker’s Apron (utilitarian chic for good workers). Then go on to use your new sewing skills to make cushions, throws and bags before progressing on to garments with the Tailored Shawl and Fisherman’s Top, using the paper patterns provided in the back of the book. Make them all and you will be a very capable dressmaker with a raft of functional, beautiful, handmade goods.
Based on thesis--Harvard University. Includes bibliographical references.