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"An Old-Fashioned Girl" tells the story of Polly Milton, a young girl from the countryside who goes to visit her wealthy and sophisticated friends in the city. The novel is structured in two parts, with the first part focusing on Polly's childhood visit and the second part on her experiences as a young woman. In the first part, Polly stays with the Shaw family, including Tom, Maud, and Fanny. She is initially seen as old-fashioned and unsophisticated compared to her more fashionable city friends. However, her kindness, honesty, and good-hearted nature soon win over the Shaw family, and she becomes a beloved member of their household. The novel explores the contrast between Polly's simple, virtuous upbringing and the more worldly values of her city friends. Polly's influence on the Shaws and her ability to maintain her integrity in the face of societal pressures serve as central themes. In the second part of the book, Polly returns to the city as a young woman, and the story follows her experiences as she navigates the challenges of adulthood, including romance, career aspirations, and the importance of staying true to oneself. Polly's character development is a central focus as she matures and finds her place in the world. "An Old-Fashioned Girl" is known for its moral and ethical themes, as well as its portrayal of the importance of character and virtue. It contrasts the values of simplicity and authenticity with the superficiality of social conventions. The novel also explores themes of friendship, love, and the pursuit of happiness. Louisa May Alcott's "An Old-Fashioned Girl" is a charming and heartwarming coming-of-age story that continues to resonate with readers for its timeless lessons and the enduring appeal of its characters.
The Pulitzer Prize–winning biographer of Louisa May Alcott illuminates the world of Little Women and its author. Since its publication in 1868–69, Little Women, perhaps America’s most beloved children’s classic, has been handed down from mother to daughter for generations. It has been translated into more than fifty languages and inspired six films, four television shows, a Broadway musical, an opera, and a web series. This lavish, four-color edition features over 220 curated illustrations, including stills from the films, stunning art by Norman Rockwell, and iconic illustrations by children’s-book illustrators Alice Barber Stevens, Frank T. Merrill, and Jessie Wilcox Smith. Renowned Alcott scholar John Matteson brings his expertise to the book, to the March family it creates, and to the Alcott family who inspired it all. Through numerous photographs taken in the Alcott family home expressly for this edition—elder daughter Anna’s wedding dress, the Alcott sisters’ theater costumes, sister May’s art, and Abba Alcott’s recipe book—readers discover the extraordinary links between the real and the fictional family. Matteson’s annotations evoke the once-used objects and culture of a distant but still-relevant time, from the horse-drawn carriages to the art Alcott carefully placed in her story to references to persons little known today. His brilliant introductory essays examine Little Women’s pivotal place in children’s literature and tell the story of Alcott herself—a tale every bit as captivating as her fiction.
When a party commemorating the anniversary of a gruesome killing at the infamous Boy Meets Girl Inn ends in a bloodbath, Noelle Dixon’s diary becomes the key piece of evidence. But the cryptic entries suggest there’s more to the bizarre case than can be rationally explained.
In 1870, Louisa May Alcott and her younger sister Abby May Alcott began a fourteen-month tour of Europe. Louisa had already made her mark as a writer; May was on the verge of a respected art career. Little Women Abroad gathers a generous selection of May’s drawings along with all of the known letters written by the two Alcott sisters during their trip. More than thirty drawings are included, nearly all of them previously unpublished. Of the seventy-one letters collected here, more than three-quarters appear in their entirety for the first time. Daniel Shealy’s supporting materials add detail and context to the people, places, and events referenced in the letters and illustrations. By the time of the Alcott sisters’ sojourn, Louisa’s Little Women was already an international success, and her most recent work, An Old-Fashioned Girl, was selling briskly. Louisa was now a grand literary lioness on tour. She would compose Little Men while in Europe, and her European letters would form the basis of her travel book Shawl Straps. If Louisa’s letters reveal a writer’s eye, then May’s demonstrate an eye for color, detail, and composition. Although May had prior art training in Boston, she came into her own only during her studies with European masters. When at a loss for words, she took her drawing pen in hand. These letters of two important American artists, one literary, the other visual, tell a vibrant story at the crossroads of European and American history and culture.
Patience knew she couldn't be more different from the sort of women Dutch surgeon Julius van der Beek seemed to attract. After all, she was a quiet country girl with a somewhat unique taste in clothes--and an assertive personality to match Yet she was attracted to him. Not that she had any hope of him noticing her, particularly with the glamorous Sylvia van Teule already at his side....
Set in the future when "firemen" burn books forbidden by the totalitarian "brave new world" regime.
A new glossary of American fashion explores the expressive qualities of works by pioneering designers, who established the nation’s style, and the up-and-coming designers shaping its future. In America: A Lexicon of Fashion presents a modern vocabulary of American dress that emphasizes emotions while not discounting the simple, practical, and egalitarian character that has traditionally separated American ready-to-wear from European haute couture. Stunning new photography showcases over 100 garments from the 1940s to the present that offer a timely new perspective on the diverse and multifaceted nature of American fashion. The catalogue features works that display qualities such as belonging, comfort, desire, exuberance, fellowship, joy, nostalgia, optimism, reverence, spontaneity, strength, and sweetness by well-known designers and emerging creatives, including: Gilbert Adrian Geoffrey Beene Thom Browne Bonnie Cashin Willy Chavarria Olivia Cheng Telfar Clemens Oscar de la Renta Colm Dillane Perry Ellis Tremaine Emory Tom Ford Rudi Gernreich Halston Elizabeth Hawes Carolina Herrera Conner Ives Charles James Kerby Jean-Raymond Donna Karan Calvin Klein Michael Kors Ralph Lauren Vera Maxwell Claire McCardell Norman Norell Heron Preston Christopher John Rogers Raul Solís Hillary Taymour Diane von Furstenberg Vera Wang
Recounts the efforts of Louisa May Alcott's family to establish a utopian community known as Fruitlands in Massachusetts in 1843, as seen through the eyes of the shy eleven-year-old girl next door.