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Despite Puerto Rico being the hub of the United States’s naval response to the German blockade of the Caribbean, there is very little published scholarship on the island’s heavy involvement in the global conflict of World War II. Recently, a new generation of scholars has been compiling interdisciplinary research with fresh insights about the profound wartime changes, which in turn generated conditions for the rapid economic, social, and political development of postwar Puerto Rico. The island's subsequent transformation cannot be adequately grasped without tracing its roots to the war years. Island at War brings together outstanding new research on Puerto Rico and makes it accessible in English. It covers ten distinct topics written by nine distinguished scholars from the Caribbean and beyond. Contributors include experts in the fields of history, political science, sociology, literature, journalism, communications, and engineering. Topics include US strategic debate and war planning for the Caribbean on the eve of World War II, Puerto Rico as the headquarters of the Caribbean Sea frontier, war and political transition in Puerto Rico, the war economy of Puerto Rico, the German blockade of the Caribbean in 1942, and the story of a Puerto Rican officer in the Second World War and Korea. With these essays and others, Island at War represents the cutting edge of scholarship on the role of Puerto Rico and the Caribbean in World War II and its aftermath.
Beginning with his debut masterpiece, The Naked and the Dead, Norman Mailer has repeatedly told the truth about war. Why Are We at War? returns Mailer to the gravity of the battlefield and the grand hubris of the politicians who send soldiers there to die. First published in the early days of the Iraq War, Why Are We at War? is an explosive argument about the American quest for empire that still carries weight today. Scrutinizing the Bush administration’s words and actions, Mailer unleashes his trademark moral rigor: “Because democracy is noble, it is always endangered. . . . To assume blithely that we can export democracy into any country we choose can serve paradoxically to encourage more fascism at home and abroad.” Praise for Why Are We at War? “We’re overloaded with information these days, some of it possibly true. Mailer offers a provocative—and persuasive—cultural and intellectual frame.”—Newsweek “[Mailer] still has the stamina to churn out hard-hitting criticism.”—Los Angeles Times “Penetrating . . . There’s plenty of irreverent wit and fresh thinking on display.”—San Francisco Chronicle “Eloquent . . . thoughtful . . . Why Are We at War? pulls no punches.”—Fort Worth Star-Telegram Praise for Norman Mailer “[Norman Mailer] loomed over American letters longer and larger than any other writer of his generation.”—The New York Times “A writer of the greatest and most reckless talent.”—The New Yorker “Mailer is indispensable, an American treasure.”—The Washington Post “A devastatingly alive and original creative mind.”—Life “Mailer is fierce, courageous, and reckless and nearly everything he writes has sections of headlong brilliance.”—The New York Review of Books “The largest mind and imagination [in modern] American literature . . . Unlike just about every American writer since Henry James, Mailer has managed to grow and become richer in wisdom with each new book.”—Chicago Tribune “Mailer is a master of his craft. His language carries you through the story like a leaf on a stream.”—The Cincinnati Post
They rowed hard, away from the battleships and the bombs. Water sprayed over them. The rowboat pitched one way and then the other. Then, before his eyes, the Arizona lifted up out of the water. That enormous battleship bounced up in the air like a rubber ball and split apart. Fire burst out of the ship. A geyser of water shot into the air and came crashing down. Adam was almost thrown out of the rowboat. He clung to the seat as it swung around. He saw blue skies and the glittering city. The boat swung back again, and he saw black clouds, and the Arizona, his father's ship, sinking beneath the water. -- from A Boy at War "He kept looking up, afraid the planes would come back. The sky was obscured by black smoke....It was all unreal: the battleships half sunk, the bullet holes in the boat, Davi and Martin in the water." December 7, 1941: On a quiet Sunday morning, while Adam and his friends are fishing near Honolulu, a surprise attack by Japanese bombers destroys the fleet at Pearl Harbor. Even as Adam struggles to survive the sudden chaos all around him, and as his friends endure the brunt of the attack, a greater concern hangs over his head: Adam's father, a navy lieutenant, was stationed on the USS Arizona when the bombs fell. During the subsequent days Adam -- not yet a man, but no longer a boy -- is caught up in the war as he desperately tries to make sense of what happened to his friends and to find news of his father. Harry Mazer, whose autobiographical novel, The Last Mission, brought the European side of World War II to vivid life, now turns to the Pacific theater and how the impact of war can alter young lives forever.
"When the Germans arrived on the Channel Islands after the defeat of France in the summer of 1940, they and the islanders agreed that it would be a 'Model Occupation'. But as the war dragged on and Britain appeared to abandon the islands to their fate, so features of Nazi occupation already widespread throughout Europe emerged. There were love affairs between island women and German soldiers, betrayals and black marketeering, individual acts of resistance, feats of courage and endurance. Every islander was faced with uncomfortable choices- where did patriotism end and self-preservation begin? What moral obligation did they have to the thousands of emaciated and ill-treated slave labourers the Nazi's brought among them to build an impregnable ring of defences around the islands?"
Based on a remarkable true story of love and survival. In June 1940, the Channel Islands are occupied by Hitler's forces. Hedy Bercu, a young woman who fled from Vienna to Jersey to escape the Occupation, finds herself once more entrapped by the Nazis, this time with no escape. Concealing her Jewish status, she finds translation work with the German authorities and embarks on secret acts of resistance. Most extraordinary of all, Hedy falls in love with a German lieutenant – a relationship on which her survival comes to depend. 'Combines historical fact with the fictional narrative, and offers a cast rich with multidimensional characters. Readers will be riveted' – Publishers Weekly
Paris at War chronicles the lives of ordinary Parisians during World War II, from September 1939 when France went to war with Nazi Germany to liberation in August 1944. Readers will relive the fearful exodus from the city as the German army neared the capital, the relief and disgust felt when the armistice was signed, and the hardships and deprivations under Occupation. David Drake contrasts the plight of working-class Parisians with the comparative comfort of the rich, exposes the activities of collaborationists, and traces the growth of the Resistance from producing leaflets to gunning down German soldiers. He details the intrigues and brutality of the occupying forces, and life in the notorious transit camp at nearby Drancy, along with three other less well known Jewish work camps within the city. The book gains its vitality from the diaries and reminiscences of people who endured these tumultuous years. Drake’s cast of characters comes from all walks of life and represents a diversity of political views and social attitudes. We hear from a retired schoolteacher, a celebrated economist, a Catholic teenager who wears a yellow star in solidarity with Parisian Jews, as well as Resistance fighters, collaborators, and many other witnesses. Drake enriches his account with details from police records, newspapers, radio broadcasts, and newsreels. From his chronology emerge the broad rhythms and shifting moods of the city. Above all, he explores the contingent lives of the people of Paris, who, unlike us, could not know how the story would end.
In Fire and Fortitude—winner of the Gilder Lehrman Prize for Military History—John C. McManus presented a riveting account of the US Army's fledgling fight in the Pacific following Pearl Harbor. Now, in Island Infernos, he explores the Army’s dogged pursuit of Japanese forces, island by island, throughout 1944, a year that would bring America ever closer to victory or defeat. “A feat of prodigious scholarship.”—The Wall Street Journal • “Wonderful.”—St. Louis Post-Dispatch • “Outstanding.”—Publishers Weekly • “Rich and absorbing.”—Richard Overy, author of Blood and Ruins • “A considerable achievement, and one that, importantly, adds much to our understanding of the Pacific War.”—James Holland, author of Normandy ’44 After some two years at war, the Army in the Pacific held ground across nearly a third of the globe, from Alaska’s Aleutians to Burma and New Guinea. The challenges ahead were enormous: supplying a vast number of troops over thousands of miles of ocean; surviving in jungles ripe with dysentery, malaria, and other tropical diseases; fighting an enemy prone to ever-more desperate and dangerous assaults. Yet the Army had proven they could fight. Now, they had to prove they could win a war. Brilliantly researched and written, Island Infernos moves seamlessly from the highest generals to the lowest foot soldiers and in between, capturing the true essence of this horrible conflict. A sprawling yet page-turning narrative, the story spans the battles for Saipan and Guam, the appalling carnage of Peleliu, General MacArthur’s dramatic return to the Philippines, and the grinding jungle combat to capture the island of Leyte. This masterful history is the second volume of John C. McManus’s trilogy on the US Army in the Pacific War, proving McManus to be one of our finest historians of World War II.
The incredible true story of what really happened in the Channel Islands during the Second World War. The Channel lslands were occupied on 30 June 1940 when four German planes landed at Guernsey Airport. They were the only part of Britain to be occupied during the Second World War. The islands had been officially demilitarised on 19 June, but the War Office in London overlooked the necessity to inform the Germans. This led to a German air attack on 28 June, which resulted in thirty-eight civilian deaths. Hitler was extremely proud of the conquest of the Channel lslands, and saw it as a stepping-stone to the full invasion of the rest of Britain. The occupying forces were instructed to behave correctly. This would show the rest of Britain that there was nothing to be feared from life under the Third Reich. This book looks at the German Occupation, the unsavoury events that occurred on the Islands, and why at the end of the war a cover-up of these events was instigated by the British Government.
A remarkable eyewitness account of the most brutal combat of the Pacific War, from Peleliu to Okinawa, this is the true story of R.V. Burgin, the real-life World War II Marine Corps hero featured in HBO®'s The Pacific. “Read his story and marvel at the man...and those like him.”—Tom Hanks When a young Texan named R.V. Burgin joined the Marines 1942, he never imagined what was waiting for him a world away in the Pacific. There, amid steamy jungles, he encountered a ferocious and desperate enemy in the Japanese, engaging them in some of the most grueling and deadly fights of the war. In this remarkable memoir, Burgin reveals his life as a special breed of Marine. Schooled by veterans who had endured the cauldron of Guadalcanal, Burgin’s company soon confronted snipers, repulsed jungle ambushes, encountered abandoned corpses of hara-kiri victims, and warded off howling banzai attacks as they island-hopped from one bloody battle to the next. In his two years at war, Burgin rose from a green private to a seasoned sergeant, fighting from New Britain through Peleliu and on to Okinawa, where he earned a Bronze Star for valor. With unforgettable drama and an understated elegance, Burgin’s gripping narrative stands alongside those of classic Pacific chroniclers like Robert Leckie and Eugene Sledge—indeed, Burgin was even Sledge’s platoon sergeant. Here is a deeply moving account of World War II, bringing to life the hell that was the Pacific War.