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The classic thriller by the five-time winner of the Ned Kelly Award. Introduction by Les Carlyon. When Mac Faraday's best friend is found hanging, the assumption is suicide. But Mac is far from convinced, and he's a man who knows not to accept things at face value. A regular at the local pub, a mainstay of the footy team, Mac is living the quiet life of a country blacksmith - a life connected to a place, connected to its people. But Mac carries a burden of fear and vigilance from his old life. And as this past of secrets, corruption, abuse and murder begins to close in, he must turn to long-forgotten resources to hang on to everything he holds dear, including his own life. Peter Temple is one of Australia's finest writers, the winner of Australia's premier prize for literature in 2010, the Miles Franklin Award, and the Victorian Premier's Literary Award for his novel Truth. Born in South Africa, Peter Temple settled in Australia in 1980 and worked as a journalist and teacher before becoming a full-time novelist. Temple has written nine novels and has won the Ned Kelly Award for crime fiction five times. Les Carlyon is the author of Gallipoli, a bestseller in Australia, Britain and New Zealand, The Great War, which was voted book of the year at the Australian Book Industry Awards, and The Master: A Personal Portrait of Bart Cummings. 'Peter Temple has a way with words and the richness of his language alone makes this book rewarding...This is a great book.' Sacramento/San Francisco Book Review 'Temple invests his characters' thought, speech, and deeds with an arresting immediacy and freshness.' Booklist 'A wonderfully controlled piece of writing with some delightfully wry observations...the quality of the prose alone makes the book worth reading.' Opinionator 'A must for thriller seekers.' Who Weekly 'Fast, funny and assured.' Australian Book Review 'The coolest and most elegant of Australian crime writers.' Age 'Temple is a phenomenon.' Sydney Morning Herald 'An Iron Rose has Temple's usual grizzled police veteran as the central character, a despicable and mystifying crime and a support crew of goodies and baddies...Temple's dry Australian vernacular and wit should be required reading for everyone above the age of 16. This edition is introduced by Les Carlyon, a better match for Temple's writing I could not imagine.' Melbourne Weekly
Down on his luck and hard up for cash, Carl works in the kitchen of a seedy rock 'n' roll joint in ethnically diverse Brunswick. The bouncers and bosses terrify him, he's desperately in love with a much younger Greek waitress, and to make matters worse his mother has come down from Sydney to stay with him. Then a dead body turns up.
Shooting Star is classic Peter Temple, and now a Text Classic.
Alex and Andrew are friends. And Barbara...Barbara is a goddess. Here is the eternal triangle, the story of three people in an unhappy tangle of emotions, none able to articulate the precise quality of their longing and dissatisfaction. Are any of them truly interested in reaching the ‘paradise’ they claim to be seeking, or are they actually trying to avoid it? In St. John’s hands, what is commonplace is transformed and transcendent. This is the work of an extraordinary writer. MADELEINE ST JOHN was born in Sydney in 1941. Her father, Edward, was a barrister and Liberal politician. Her mother, Sylvette, committed suicide in 1954, when Madeleine was twelve. Her death, she later said, ‘obviously changed everything’. St John studied Arts at Sydney University, where her contemporaries included Bruce Beresford, Germaine Greer, Clive James and Robert Hughes. In 1965 she married Chris Tillam, a fellow student, and they moved to the United States where they first attended Stanford and later Cambridge. From Cambridge, St John relocated to London in 1968 with the hope that Chris would follow. The couple did not reunite and the marriage ended. St John settled in Notting Hill. She worked at a series of odd jobs, and then, in 1993, published her first novel, The Women in Black, the only book she set in Australia. When her third novel, The Essence of the Thing (1997), was shortlisted for the Man Booker Prize, she became the first Australian woman to receive this honour. St John died in 2006. She had been so incensed after seeing errors in a French edition of one of her novels that she stipulated in her will that there were to be no more translations of her work. ‘Not much in the way of folly escapes Madeleine St John, and the oubliette she opens into the darker reaches of the spirit is unsettling.’ The Times ‘St John proves herself a comic, humane observer.’ Newsday ‘Madeleine St John is brilliant on the elliptical way lovers talk to each other.’ Daily Telegraph
The Songs of a Sentimental Bloke, a comic verse novel, was first published in book form in 1915 and sold more than sixty thousand copies in nine editions within a year. By the mid-1970s nearly three hundred thousand copies had been sold internationally.
Written with unerring skill and insight, The Dyehouse is a masterly portrait of postwar Australia, when industrial work was radically transformed by new technologies and society changed with it. Mena Calthorpe—who herself worked in a textile factory—takes us inside this world, vividly bringing to life the people of an inner-Sydney company in the mid-1950s: the bosses, middlemen and underlings; their dramatic struggles and their loves. This powerful and affecting novel was first published in 1961, and is the hundredth book in the Text Classics series. The new edition comes with an introduction by Fiona McFarlane, acclaimed author of The Night Guest. Mena Calthorpe was born in Goulburn, New South Wales, in 1905, and grew up there. After marrying, Calthorpe moved to Sydney and lived for most of her life in the Sutherland Shire. Working in office jobs and writing in her spare time, she was active in literary groups and in the Labor Party—for some years she was a member of the Communist Party, and she opposed B. A. Santamaria’s attempts to stop communism in trade unions. The Dyehouse (1961) was followed by The Defectors (1969), which dramatised unions’ internal power struggles. Mena Calthorpe’s third and final novel was The Plain of Ala, an Irish migrant story, which was published in 1989. She died in 1996. ‘[The Dyehouse] is executed with a singular combination of charm, grace and tough-mindedness.’ Meanjin ‘The Dyehouse is an extraordinary book—a true ensemble novel, written with astonishing control and animated by compassionate intelligence. With its indelible Sydney setting, it deserves—more than deserves—to take its place among the great Australian novels about work, and to be celebrated as the 100th Text Classic.’ Fiona McFarlane ‘A reminder of how rarely these days fiction tackles the world of work that so dominates our lives...Worth reading as much for its social history and its understanding of human nature as its rendering of the labour/capital clash.’ Australian ‘Vivid, fresh and utterly unsentimental...Re-reading The Dyehouse now I am struck by how technically accomplished it is, and how each of its many characters is made distinct and alive with extraordinary economy...Calthorpe's own experience of factory and office work provides The Dyehouse with many authentic touches (including much detail about the dyeing process) but that is not what generates this novel's compelling power. What is so remarkable is how it captures and presents a microcosmic world, in which the human elements are all parts of a moving whole.’ Sydney Morning Herald ‘The Dyehouse has themes that are as true today as they were at the time of writing...Beautifully written.’ Booksellers New Zealand ‘A masterly portrait of post-war Australia...vividly bringing to life the people of an inner-Sydney company in the mid-1950s.’ Womankind ‘The Dyehouse is the perfect novel for the Text Classics centenary. It’s a shining example of a book ‘we’ve never heard of’ that is very good reading indeed...I started reading The Dyehouse last night when I went to bed at 10 o’clock. I became so absorbed in it, that I didn’t turn the light out till four o’clock in the morning. That speaks for itself, I think!’ ANZ LitLovers ‘Fresh and lively...I really can’t recommend this book enough.’ Whispering Gums ‘[A] fascinating novel of women and work.’ Australian Women’s Weekly
Four English orphans - Cherry, Nigel, Brick and Nippy - migrate to Tasmania, to the care of their Aunt Jandie on her farm outside Hobart. Their arrival is greeted with enthusiasm by young farm boy Tas, and weeks of exploration and good times follow before Aunt Jandie goes to hospital, leaving the children in the care of Ma and Pa Pinner, her foreman and housekeeper. A few days of tyrannical treatment by the Pinners forces the children to seek refuge in a secret cave, where they set up home to await the return of Jandie. Despite Pa's repeated efforts to recapture them, the children stay, fending for themselves in the bush, until Nigel's secret trip to town uncovers a plot by the Pinners to abandon the farm and swindle Aunt Jandie. Nan Chauncy was born in England and emigrated to Tasmania with her family in 1912. She became one of Australia's most beloved authors, winning the CBCA Book of the Year three times and becoming the first Australian writer to win the Hans Christian Anderson Diploma of Merit. They Found a Cave was first published in 1949. It was made into a popular feature film in 1962, which won Best Children's Film at the Venice Film Festival. The Children's Book Council of Australia presents the Nan Chauncy Award to recognise an outstanding contribution to the field of children's literature in Australia. Nan Chauncy died in 1970. textclassics.com.au
Trespassing in Mr Lovett's secluded garden was a welcome escape for sixteen-year-old Catherine. A haven away from the parents who didn't understand her moodiness and from her pretty, even-tempered sister, Diana, whom she resented. It was a place to be alone. But this all changes when Catherine is confronted by Mr Lovett and, realising he is blind, decides to confide in him. And so begins a remarkable friendship. Unexpectedly, a third person appears in the garden: an intruder. Terry - abrasive and sullen, menacing even - has a claim to make on the garden. It is a piece of land he feels should belong to his own family. In his plan neither Mr Lovett nor the garden is safe, and it is up to Catherine to stop him. But in Terry, she recognises something of herself. A complex and gripping novel of human relationships from one of Australia's foremost authors for young adults. Joan Phipson was born in Sydney of English parents and spent her childhood in England, Australia and India. After leaving school she did a correspondence course in journalism, then took a number of jobs in London, one of which was with Reuters. She returned to Australia in 1937 and spent several years working as a librarian and printer before joining the WAAAF. Joan Phipson won the Children's Book Council of Australia's Book of the Year Award in 1953 and 1963, for Good Luck to the Ride and The Family Conspiracy. She died in 2003. 'The Watcher in The Garden (1982) by Joan Phipson has been republished by Text Classics for a new generation of readers to appreciate this timeless tale of adolescent angst played out against the backdrop of its uniquely Australian background. The cover design and the wonderful introduction by Margo Lanagan set the mood for this remarkable tale.' ReadPlus
Twenty-five-year-old Clemency James has moved from Sydney to a chilly bedsit on the other side of the world. During the day she studies for the bar by correspondence; in the evenings she gives French lessons to earn a meagre wage. When she meets Christian, a charismatic would-be actor, she can see he's trouble - not least because he's involved with an older woman who has children. She is drawn to him nonetheless: drawn into his world of unpayable debts and wild promises. First published in 1960, The Catherine Wheel is Elizabeth Harrower's third novel and the only one of her books not set in Australia. In it she turns her unflinching gaze on the grim realities of 1950s London, and the madness that can infect couples. Elizabeth Harrower was born in Sydney in 1928 and moved to London in 1951. She travelled extensively and began to write fiction. Her first novel Down in the City was published in 1957, and was followed by The Long Prospect a year later. In 1959 she returned to Sydney where she began working for the ABC and as a book reviewer for the Sydney Morning Herald. In 1960 she published The Catherine Wheel, the story of an Australian law student in London, her only novel not set in Sydney. The Watch Tower appeared in 1966. No further novels were published until May 2014 when Harrower's 'lost' novel, In Certain Circles, was released. Her work is austere, intelligent, ruthless in its perceptions about men and women. She was admired by many of her contemporaries, including Patrick White and Christina Stead, and is without doubt among the most important writers of the postwar period in Australia. Elizabeth Harrower died in Sydney on 7 July 2020 at the age of ninety-two. 'The Catherine Wheel is a great starting point for those new to Harrower's work, those readers who are unafraid to face the darker aspects of desire we're sometimes too ashamed to acknowledge.' 3am Magazine, Top Reads for 2015 'I love The Watch Tower, but I love The Catherine Wheel more. Like all the Harrower books, with their psychological mysteries, their droll humour, their brilliant language and ear for voices, The Catherine Wheel takes your hand from the first page and beckons you in.' Ramona Koval 'Rich and rewarding.' Starred review, Kirkus
Barbara Baynton's short-story collection Bush Studies is famous for its stark realism—for not romanticising bush life, instead showing all its bleakness and harshness. Economic of style, influenced by the great nineteenth-century Russian novelists, Baynton presents the Australian bush as dangerous and isolating for the women who inhabit it.