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For more than thirty years, there has not been a project that consolidates international university-level scholarship on Sindh and Sindhis into a single forum. This book seeks to unite the wide community of scholars who work on Sindh and with Sindhis. The book's interdisciplinary focus is onhistory and society. It represents a 'snap shot' of contemporary research from different disciplines and locations. It combines interdisciplinary and multi-local approaches to describe the diversity of Sindh's 'voices' and to raise questions about how they are historically and socio-culturallydefined. Conventional studies of Sindh and Sindhis often bend the region and its people upon themselves to analyze society and history. This collection of essays treats Sindh and its people not as isolated regional entities, but rather entries in a wider socio-cultural and historical web. Sindhisare a global community and this collection generates new perspectives on them by integrating detailed studies on Pakistan with those from India and the diaspora. Such an approach contrasts with other writings by celebrating rather than erasing multi-cultural faces from Sindh's human tapestry. Byrethreading unheard socio-cultural and historical voices into understanding Sindh and its people, this collection disputes the vision of Sindhis as a monolithic Muslim population in the Islamic Republic of Pakistan.
In order to understand the Pakistani state and government's treatment of non-dominant ethnic groups after the failure of the military operation in East Pakistan and the independence of Bangladesh, this book looks at the ethnic movements that were subject to a military operation after 1971: the Baloch in the 1970s, the Sindhis in the 1980s and Mohajirs in the 1990s. The book critically evaluates the literature on ethnicity and nationalism by taking nationalist ideology and the political divisions which it generates within ethnic groups as essential in estimating ethnic movements. It goes on to challenge the modernist argument that nationalism is only relevant to modern-industrialised socio-economic settings. The available evidence from Pakistan makes clear that ethnic movements emanate from three distinct socio-economic realms: tribal (Baloch), rural (Sindh) and urban (Mohajir), and the book looks at the implications that this has, as well as how further arguments could be advanced about the relevance of ethnic movements and politics in the Third World. It provides academics and researchers with background knowledge of how the Baloch, Sindhi and Mohajir ethnic conflict in Pakistan took shape in a historical context as well as probable future scenarios of the relationship between the Pakistani state and government, and ethnic groups and movements.
Pirani & Other Short Stories is an English translation of Jamal Abro's collection of short stories that were originally published in the Sindhi language. Abro is considered to be amongst the best writers in the Sindhi literary arena. The book comprises of sixteen short stories that capture the essence of the land and the people of rural Sindh. Pirani & Other Short Stories arrests the reader's interest with its diversity, specific characteristics, and penetrating depiction of Sindh's social order. These classic short stories are accompanied by an informative introduction exploring the background of the stories and appreciating the significance of the finer points of the plot and the rendition. The work also includes two enlightening profiles of the author. The translation remains faithful to the style and mode of the original Sindhi text and adds to the authenticity of the narrative. This book certainly fills a gap in the dearth of accessible Sindhi literature available to the English readership. 'I don't know who made the distinction that poetry dances while prose walks. While reading Pirani, I felt that even prose can dance.' - Shaikh Ayaz 'Jamal [Abro] was a legend in his lifetime. He will remain a legend. His writings are the vowels of contemporary Sindhi literature. His brilliant mastery of the short story writing is simple, moving, and long lasting. He opened up new and vast perspectives; writing classics that demand constant re-reading.' - Hamid Akhund
Sindhi nationalism is one of the oldest yet least studied cases of identity politics in Pakistan. Ethnic discontent appeared in Sindh in opposition to the rule of the Bombay presidency; to the onslaught of Punjabi settlers in the wake of canal irrigation; and, most decisively, to the arrival of millions of Muhajirs (Urdu-speaking migrants) after Partition. Under Zulfikar Ali Bhutto, Benazir Bhutto and Asif Zardari, the Pakistan People's Party has upheld the Sindhi nationalist cause, even while playing the game of federalist politics. On the other side for half a century have been hardcore Sindhi nationalist groups, led by Marxists, provincial autonomists, landlord pirs and liberal intelligentsia in pursuit of ethnic outbidding. This book narrates the story of the Bhutto dynasty, the Muhajir factor, nationalist ideologues, factional feuds amongst landed elites, and the role of violence as a maker and shaper of Sindhi nationalism. Moreover, it examines the role of the PPP as an ethnic entrepreneur through an analysis of its politics within the electoral arena and beyond. Bringing together extensive fieldwork and comparative studies of ethno-nationalism, both within and outside Pakistan, Asma Faiz uncovers the fascinating world of Sindhi nationalism.
THE BOOK OF SHAH LATIF BHITAI Translation & Introduction Paul Smith Shah Abdul Latif (1689-1752) was a Sufi Master and is considered by many to be the greatest poet of the Sindhi language. His book of poetry is called the Risalo. His shrine is located in Bhit and attracts hundreds of pilgrims every day. He is the most famous Sindhi poet and Sufi. He was not just adored for poetry, people from far and near respected and loved him as a Spiritual Master. He composed dohas (self-contained strict-rhyming couplets popular with poet-saints of India like Kabir, Surdas, Tukaram) and freed it from the chain of two lines, extending it to even five or six couplets, often with irregular rhyme structures. He also introduced one more string to the tambura, and founded a new tradition in music based on the synthesis of high art and folk art. He told the basic principles of Sufism in his poetry, often using folktales about human love such as that of Sasui and Punhu, becoming a bridge to Divine Love. Introduction on his Life & Times & Poetry & on Sufi Poetry, Selected Bibliography.Correct rhyme-structure has been achieved in all in all 132 poems. Large Format Paperback 7" x 10" 172 pages COMMENTS ON PAUL SMITH'S TRANSLATION OF HAFIZ'S 'DIVAN'. "It is not a joke... the English version of ALL the ghazals of Hafiz is a great feat and of paramount importance. I am astonished." Dr. Mir Mohammad Taghavi (Dr. of Literature) Tehran. "Superb translations. 99% Hafiz 1% Paul Smith." Ali Akbar Shapurzman, translator into Persian and knower of Hafiz's Divan off by heart. "Smith has probably put together the greatest collection of literary facts and history concerning Hafiz." Daniel Ladinsky (Penguin Books author). Paul Smith is a poet, author and translator of many books of Sufi poets from the Persian, Arabic, Urdu, Turkish, Pashtu and other languages... including Hafiz, Sadi, Nizami, Rumi, 'Attar, Sana'i, Jahan Khatun, Obeyd Zakani, Nesimi, Kabir, Anvari, Ansari, Jami, Khayyam, Rudaki, Yunus Emre, Iqbal, Ghalib, Lalla Ded, Makhfi, Ibn Farid, Abu Nuwas and many others, as well as poetry, fiction, plays, biographies, children's books and screenplays. www.newhumanitybooks.com
This collection of thirteen articles from the Journal of the Sind Historical Society concentrates on precolonial and colonial Sind. These articles reveal much about Sindh's past and historically showcase the region's broad socio-cultural spectrum. Scholarship frequently overlooks the subjects and people in this collection. In part, this oversight is due to so few libraries (both in Pakistan and around the world) having copies of the Journal of the Sind Historical Society. There are no reprints of these articles in any other book, nor has anyone reprinted them in their entirety since the 1930s and 1940s. The articles in this book not only deepen knowledge about Sindh but also the history of Pakistan and the diversity of its people. They represent, like most research printed in the Journal of the Sind Historical Society, "forgotten" chapters in both Sindhi and Pakistani history. These chapters celebrate Pakistan's socio-cultural diversity and point toward how the histories of region and nation should be intertwined.
This Selection Displays Shaikh Ayaz As A Port Of The Earth And The People, Steaped In The Folklore And Traditions Of The Soil That Nourished His Imagination And At The Same Time A Throughly Modern And Lousummate, Craftsmen Whose Work Is Delicate As The Butterfly`S Wing And Powerful As The Lion`S Roar.