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Script and writing were among the most important inventions in human history, and until the invention of printing, the handwritten book was the primary medium of literary and cultural transmission. Although the study of manuscripts is already quite advanced for many regions of the world, no unified discipline of ‘manuscript studies’ has yet evolved which is capable of treating handwritten books from East Asia, India and the Islamic world equally alongside the European manuscript tradition. This book, which aims to begin the interdisciplinary dialogue needed to arrive at a truly systematic and comparative approach to manuscript cultures worldwide, brings together papers by leading researchers concerned with material, philological and cultural aspects of different manuscript traditions.
Literary Cultures in Early Modern North India: Current Research grows out of over a 40-year tradition of the triennial International Conferences on Early Modern Literatures in North India (ICEMLNI), initiated to share 'Bhakti in current research.' This volume brings together a selection of contributions from some of the leading scholars as well as emerging researchers in the field originally presented at the 13th ICEMLNI (University of Warsaw, 18-22 July 2018). Considering innovative methodologies and tools, the volume presents the current state of research on early modern sources and offers new inputs into our understanding of this period in the cultural history of India. This collection of essays is in the tradition of 'Bhakti in current research' volumes produced from 1980 onward but reflecting our current understanding of early modern textualities. The book operates on the premises that the centuries preceding the colonial conquest of India, which in scholarship influenced by orientalist concepts, has often been referred to as medieval. However these languages already participated in modernity through increased circulation of ideas, new forms of knowledge, new concepts of the individual, of the community, and of religion. The essays cover multiple languages (Indian vernaculars, Sanskrit, Apabhramsha, Persian), different media (texts, performances, paintings, music) and traditions (Hindu, Jain, Muslim, Sant, Sikh), analyzing them as individual phenomena that function in a wider network of connections at textual, intertextual, and knowledge-system levels.
Translations from Hindi, Bengali, Urdu, Tamil and the South sit alongside writing in English, bringing to light the greatest and most engaging writers from India's recent history. With introductions to the writers and their work, this is an electic and enlightening anthology of Indian writing.
The Oxford Handbooks series is a major new initiative in academic publishing. Each volume offers an authoritative and up-to-date survey of original research in a particular subject area. Specially commissioned essays from leading figures in the discipline give critical examinations of the progress and direction of debates. Biblical studies is a highly technical and diverse field. Study of the Bible demands expertise in fields ranging from Archaeology, Egyptology, Assyriology, and Linguistics through textual, historical, and sociological studies to Literary Theory, Feminism, Philosophy, and Theology, to name only some. This authoritative and compelling guide to the discipline will, therefore, be an invaluable reference work for all students and academics who want to explore more fully essential topics in Biblical studies.
India is mutating – and its Science Fiction with it. Star Warriors of the Modern Raj is a critical catalogue of contemporary India’s anglophone SF, a path-breaking work that flits between texts, vantage points and frameworks. An alternative to a Eurocentric perspective of SF, this study avoids essentialising definitions and delves into how the world of SF (text) intersects with that of the writer/reader. Fusing paradigms of Science Fiction Studies, South Asian Studies and Postcolonial Studies, among others, the book explicates how India and its SF negotiate one another. It evolves a ‘transMIT thesis’ to analyse how mythology (M), ideology (I) and technology (T) contour Indian SF and its fictional reimaginings. This study identifies the manifestations of divine beings within SF as differing epistemological categories, locates the modes of marginalisation within Indian popular imagination as altars of alterity, before proceeding to analyse how newer technologies engage with socio-political anxieties in and through SF. Interested in learning about Science Fiction and South Asia? Click on the link below to read Mithila Review interview with Sami Ahmad Khan where he discusses his upcoming volume Star Warriors of the Modern Raj. https://mithilareview.com/ahmad_03_21/