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On the eve of battle, passions are running high... IN THE SUMMER OF 1815, with Napolean Bonaparte marching down from the north, Brussels is a whirlwind of parties, balls and soirees. In the swirling social scene surrounding the Duke of Wellington and his noble aides de camp, no one attracts more attention than the beautiful, outrageous young widow Lady Barbara Childe. On their first meeting, dashing Colonel Charles Audley proposes to her, but even their betrothal doesn't calm her wild behavior. Finally, with the Battle of Waterloo raging just miles away, civilians fleeing and the wounded pouring back into the town, Lady Barbara discovers where her heart really lies, and like a true noblewoman, she rises to the occasion, and to the demands of love, life and war... "Wonderful characters, elegant, witty writing, perfect period detail, and rapturously romantic. Georgette Heyer achieves what the rest of us only aspire to."—Katie Fforde "A brilliant achievement...vivid, accurate, dramatic...the description of Waterloo is magnificent."—Daily Mail "My favorite historical novelist."—Margaret Drabble
An altogether unsatisfactory arrangement After their father's death, Miss Judith Taverner and her brother Peregrine travel to London to meet their guardian, Lord Worth, expecting an elderly gentleman. To their surprise and utter disgust, their guardian is not much older than they are, doesn't want the office of guardian any more than they want him, and is determined to thwart all their interests and return them to the country. With altogether too many complications But when Miss Taverner and Peregrine begin to move in the highest social circles, Lord Worth cannot help but entangle himself with his adventuresome wards... Praise for Regency Buck: "Clever!"— Library Journal "Georgette Heyer is unbeatable."— Sunday Telegraph "Light and frothy, in the vein of the author's other Regency novels, this follows the fortunes of Miss Judith Taverner and her brother, Sir Peregrine. A good introduction to Heyer's period stories..." — The Booklist "Reading Georgette Heyer is the next best thing to reading Jane Austen."— Publishers Weekly "A writer of great wit and style... I've read her books to ragged shreds"— Katie Fenton, Daily Telegraph "Wonderful characters, elegant, witty writing, perfect period detail, and rapturously romantic. Georgette Heyer achieves what the rest of us only aspire too."—Katie Fforde
Georgette Heyer's bestselling historical romance featuring a dashing and wild young nobleman and the gently bred young lady, both chasing happiness on a collision course with destiny. A rogue on a rampage... The Marquis of Vidal is a notorious rake, impossible to tame. Any night of the week you can find him wenching, gambling, or fighting, much to the dismay of his parents the Duke and Duchess of Avon. Forced to leave England after nearly killing his man in a duel, he decides to take a beautiful girl with him. In his rush, however, he runs off with the wrong woman. This lady is not a doormat... Determined to save her sister from the scandalous Marquis, Miss Mary Challoner throws herself into his path, hoping he'll release her when they get to Paris. But Vidal is intrigued by the unexpected young lady, who's not particularly impressed with him. The devilish rake has apparently met his match. And as Mary finds herself more and more entangled with the fascinating rogue, her reputation and her future are on the line. Take a deep breath and don't trip over your petticoats: This best-selling historical Regency romance features mistaken identities, a dashing rake, and a very smart young lady on a collision course with a marriage made in scandal.
Containing three novels: THESE OLD SHADES Under the reign of Louis XV, corruption and intrigue have been allowed to blossom in France, and Justin Alastair, the notorious Duke of Avon and proud of his soubriquet 'Satanas', flourishes as well. Then, from a dark Parisian back alley, he plucks L-on, a red-headed urchin with strangely familiar looks, just in time for his long over-due schemes of revenge on the Comte de St. Vire. Among the splendours of Versailles and the dignified mansions of England, Justin begins to unfold his sinister plans - until, that is, L-on becomes the ravishing beauty L-onie-. DEVIL'S CUB The excesses of the young Marquis of Vidal are even wilder than his father's before him. Not for nothing is the reckless duellist and gamester called 'the Devil's Cub'. But when he is forced to leave the country, Mary Challoner discovers his fiendish plan to abduct her sister. And only by daring to impersonate her can Mary save her sibling from certain ruin. and INFAMOUS ARMY In 1815, beneath the aegis of the Army of Occupation, Brussels is the gayest town in Europe. And the widow Lady Barbara Childe, renowned for being as outrageous as she is beautiful, is at the centre of all that is fashionable and light-hearted. When she meets Charles Audley, dashing aide-de-campe to the great Duke of Wellington himself, her joie de vivre knows no bounds - until the eve of the fateful Battle of Waterloo-.
World War II was the defining event of the twentieth century. For everyone it was a time of confusion, fear, destruction, and death on a scale never before seen. Much has been written of the generals, campaigns, and battles of the war, but it was young, ordinary American kids who held our freedom in their hands as they fought for liberty across the globe. Forgotten Heroes of World War II offers a personal understanding of what was demanded of these young heroes through the stories of rank-and-file individuals who served in the navy, marines, army, air corps, and merchant marine in all theaters of the war. Their tales are told without pretense or apology. At the time, each thought himself no different from those around him, for they were all young, scared, and miserable. They were the ordinary, the extraordinary—the forgotten.
"I'm going to make a pinkie-swear with you right here and now, Tom Walton; when, not if, you return from Afghanistan, you must come up here and I will have a mad passionate affair with you..." With this proposal, Thomas Walton, an infantry soldier in Alpha Company, Second Platoon, arrives at the threshold of events that will change his life forever. Breakfast with the Dirt Cult chronicles the days of love and war in the life of Tom Walton. Torn between a beautiful, bibliophilic, Canadian ex-stripper and the hunt for Al-Qaeda in the mountains of Afghanistan, Walton finds himself forced to grapple with being a young man in the days of modernity. While Breakfast with the Dirt Cult has been written as a novel, it is based on a true story. The names have been changed and the chronology has been condensed for the sake of editing.
The Nonesuch is the name of one of Georgette Heyer’s most famous novels. It means a person or thing without equal, and Georgette Heyer is certainly that. Her historical works inspire a fiercely loyal, international readership and are championed by literary figures such as A. S. Byatt and Stephen Fry. Georgette Heyer, History, and Historical Fiction brings together an eclectic range of chapters from scholars all over the world to explore the contexts of Heyer’s career. Divided into four parts – gender; genre; sources; and circulation and reception – the volume draws on scholarship on Heyer and her contemporaries to show how her work sits in a chain of influence, and why it remains pertinent to current conversations on books and publishing in the twenty-first century. Heyer’s impact on science fiction is accounted for, as are the milieu she was writing in, the many subsequent works that owe Heyer’s writing a debt, and new methods for analysing these enduring books. From the gothic to data science, there is something for everyone in this volume; a celebration of Heyer’s ‘nonesuch’ status amongst historical novelists, proving that she and her contemporary women writers deserve to be read (and studied) as more than just guilty pleasures.
In art, myth, and popular culture, romance is connected with the realm of emotions, private thought, and sentimentality. History, its counterpart, is the seemingly objective compendium of public fact. In theory, the two genres are diametrically opposed, offering widely divergent views of human experience. In this collection of essays, however, the writers challenge these basic assumptions and consider the two as parallel and as reflections of each other. Looking closely at specific narratives, they argue that romance and history share expectations and purposes and create the metaphors that can either hold cultures and institutions together or drive them apart. The writers explore the internal contradictions of both genres, as seen in works in which the elements of both romance and history are present. The theme that flows throughout this collection is that romance literature and art frequently engage with or comment on actual historical events or histories. Included among the contributions are discussions of romance and race in James Fenimore Cooper's The Last of the Mohicans, the Rudolph Valentino film classic The Sheik, the series of English “Regency Romance” novels, the constructs of love and history in two of Alice McDermott's novels, and a feminist reading of African American women's historical romances. Moreover, the essays approach romance and history from a variety of critical and political perspectives and examine a wide selection of romances from the 1800s to contemporary times. They look at bestsellers and literary classics, at texts by and for white audiences, and at works created by writers on the margins of Western culture. The anthology is a radical approach to romance, a genre often dismissed as diversionary and reactionary. It explores how well this genre serves for critical examinations of history.