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There are many ways in which a poor relation might make herself useful to her newly discovered kin - but Miss Jane Pemberton never expected guarding her uncle's household from danger to be one of them. Yet that's exactly what occurs when a sudden murder plunges Ebonport, and Jane's family, into chaos. As dark deeds brew around her, Jane finds herself facing far greater risks than bringing embarrassment to the family...
When Miss Jane Pemberton joins her uncle's household as a companion to her invalid cousin, she does not realize what a dangerous world she is stepping into. From the moment she enters the house, Jane senses secrets and unresolved tensions hanging like a shadow over the Pemberton family. Worse, citizens of the sleepy, seaside town of Ebonport do not lead the peaceful lives Jane expected. They seem to hide beneath shadows of their own, motivated by avarice and revenge. When a shocking murder rocks this uneasy society, Jane vows to protect her uncle's family-whether they deserve it or not.
When a shocking crime endangers the life of a friend, Jane must set aside her suspicions about her Pemberton cousins and try to unravel the motives of a killer. But while Jane hunts one villain, another might be closer than she thinks...
Part elegy, part true crime story, this memoir-in-verse from the author of the award-winning The Argonauts expands the notion of how we tell stories and what form those stories take through the story of a murdered woman and the mystery surrounding her last hours. Jane tells the spectral story of the life and death of Maggie Nelson’s aunt Jane, who was murdered in 1969 while a first-year law student at the University of Michigan. Though officially unsolved, Jane’s murder was apparently the third in a series of seven brutal rape-murders in the area between 1967 and 1969. Nelson was born a few years after Jane’s death, and the narrative is suffused with the long shadow her murder cast over both the family and her psyche. Exploring the nature of this haunting incident via a collage of poetry, prose, dream-accounts, and documentary sources, including local and national newspapers, related “true crime” books such as The Michigan Murders and Killer Among Us, and fragments from Jane’s own diaries written when she was 13 and 21, its eight sections cover Jane’s childhood and early adulthood, her murder and its investigation, the direct and diffuse effect of her death on Nelson’s girlhood and sisterhood, and a trip to Michigan Nelson took with her mother (Jane’s sister) to retrace the path of Jane’s final hours. Each piece in Jane has its own form, and the movement from each piece to the next--along with the white space that surrounds each fragment--serve as important fissures, disrupting the tabloid, “page-turner” quality of the story, and eventually returning the reader to deeper questions about girlhood, empathy, identification, and the essentially unknowable aspects of another’s life and death. Equal parts a meditation on violence (serial, sexual violence in particular), and a conversation between the living and the dead, Jane’s powerful and disturbing subject matter, combined with its innovations in genre, shows its readers what poetry is capable of--what kind of stories it can tell, and how it can tell them.
"Murder at the Mill by M. B. Shaw is a great sweeping adventure. Ideal for holiday reading." —M. C. Beaton, New York Times and USA Today bestselling author "A rich, mystery debut" —Kirkus Starred Review A picture hides a thousand lies... And only Iris Grey can uncover the truth. Iris Grey rents a quaint cottage in a picture-perfect Hampshire village, looking to escape from her crumbling marriage. She is drawn to the neighboring Wetherby family, and is commissioned to paint a portrait of Dominic Wetherby, a celebrated crime writer. At the Wetherby's Christmas Eve party, the mulled wine is in full flow - but so are tensions and rivalries among the guests. On Christmas Day, the youngest member of the Wetherby family, Lorcan, finds a body in the water. A tragic accident? Or a deadly crime? With the snow falling, Iris enters a world of village gossip, romantic intrigue, buried secrets, and murder.
NATIONAL BOOK CRITICS CIRCLE AWARD WINNER WINNER OF THE LOS ANGELES TIMES BOOK PRIZE Haunting, harrowing, and profoundly affecting, Shot in the Heart exposes and explores a dark vein of American life that most of us would rather ignore. It is a book that will leave no reader unchanged. Gary Gilmore, the infamous murderer immortalized by Norman Mailer in The Executioner's Song, campaigned for his own death and was executed by firing squad in 1977. Writer Mikal Gilmore is his younger brother. In Shot in the Heart, he tells the stunning story of their wildly dysfunctional family: their mother, a black sheep daughter of unforgiving Mormon farmers; their father, a drunk, thief, and con man. It was a family destroyed by a multigenerational history of child abuse, alcoholism, crime, adultery, and murder. Mikal, burdened with the guilt of being his father's favorite and the shame of being Gary's brother, gracefully and painfully relates a murder tale "from inside the house where murder is born... a house that, in some ways, [he has] never been able to leave." Shot in the Heart is the history of an American family inextricably tied up with violence, and the story of how the children of this family committed murder and murdered themselves in payment for a long lineage of ruin.
Trading in Texas heat for Maine's tangy salt air, Natalie Barnes risked it all to buy the Gray Whale Inn, a quaint bed and breakfast on Cranberry Island. She adores whipping up buttery muffins and other rich breakfast treats for her guests until Bernard Katz checks in. The overbearing land developer plans to build a resort next door where an endangered colony of black-chinned terns is nesting. Worried about the birds, the inevitable transformation of the sleepy fishing community, and her livelihood, Natalie takes a public stand against the project. But the town board sides with Katz. Just when it seems like things can't get any worse, Natalie finds Katz dead. Now the police and much of the town think she's guilty. Can Natalie track down the true killer before she's hauled off to jail...or becomes the next victim? Murder on the Rocks is an Agatha Award nominee.
Beware of Greeks bearing knives... In the summer of 336 B.C., Philip of Macedon has summoned all of Greece to join him in celebration in the old capital of Aegae. As he enters the arena filled with his loyal subjects, he is brutally stabbed by the cruel dagger of Pausanias, a young captain of his guard. Soon the palace corridors are awash in fear and chaos: Philip's ex-wife, the witch Olympias and mother of his son Alexander, plots the violent death of his young successor; Alexander, unconvinced that Pausanias is actually his father's executioner, scours the city for a killer amidst rumors of his own illegitimacy; and everyone, including Alexander himself, falls under the dark cloud of suspicion. As Alexander struggles to fill his father's role as ruler of Greece, he calls on the help of his young Hebrew friends Miriam and Simeon to uncover not just Philip's assassin, but the mystery of his own origins. From the dark chambers of Olympia's lair to the sun-baked streets of ancient Greece, Anna Apostolou unfolds a magnificent tale of antiquity and intrigue in rich historical detail.
In an attempt to get away from her family, Meg and her boyfriend go to a tiny island off the coast of Maine. What could have been a romantic getaway slowly turns into disaster.
For fans of HBO’s The Gilded Age, explore the dark side of the alluring world of America’s 19th century elite in this gripping series of riveting mysteries… As the nineteenth century comes to a close, the illustrious Vanderbilt family dominates Newport, Rhode Island, high society. But when murder darkens a glittering affair at their summer home, reporter Emma Cross learns that sometimes the cream of the crop can curdle one’s blood . . . Newport, Rhode Island, August 1895: She may be a less well-heeled relation, but as second cousin to millionaire patriarch Cornelius Vanderbilt, twenty-one-year-old Emma Cross is on the guest list for a grand ball at the Breakers, the Vanderbilts’ summer home. She also has a job to do—report on the event for the society page of the Newport Observer. But Emma observes much more than glitz and gaiety when she witnesses a murder. The victim is Cornelius Vanderbilt’s financial secretary, who plunges off a balcony faster than falling stock prices. Emma’s black sheep brother Brady is found in Cornelius’s bedroom passed out next to a bottle of bourbon and stolen plans for a new railroad line. Brady has barely come to before the police have arrested him for the murder. But Emma is sure someone is trying to railroad her brother and resolves to find the real killer at any cost . . . “Sorry to see the conclusion of Downton Abbey? Well, here is a morsel to get you through a long afternoon. Brew some Earl Grey and settle down with a scone with this one.” —Washington Independent Review of Books