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A cycle of pathbreaking poems about the history of a family set against the backdrop of the last century. An Individual History describes the fears, anger, and guilt—personal, familial, societal, political, and historical—that comprise a life. The figure of the speaker’s maternal grandmother who was institutionalized for five decades serves as an overriding metaphor for this haunting, bold new work by an essential American poet. from “An Individual History” This was before the time of lithium and Zoloft before mood stabilizers and anxiolytics and almost all the psychotropic drugs, but not before thorazine, which the suicide O’Laughlin called “handcuffs for the mind.” It was before, during, and after the time of atomic fallout, Auschwitz, the Nakba, DDT, and you could take water cures, find solace in quarantines, participate in shunnings, or stand at Lourdes among the canes and crutches.
The Role of the Individual in History was first published in 1898, and occupies a very prominent place among those of Plekhanov's works in which he substantiates and defends Marxism and advocates the Marxian theory of social development. Georgi Valentinovich Plekhanov (1856-1918) was one of the leaders of Russian populism and after his emigration to Western Europe in 1880 became the foremost Russian Marxist abroad. He founded in 1883, together with Pavel Axelrod, the 'Group for the Liberation of Labor', the first Russian social democratic party, and in 1900 together with Lenin the 'Iskra', the first Russian Marxist newspaper, but a few years later broke with Lenin and sided with the Mensheviks.
The book includes previously unpublished material, which cover broad spectrum of subject areas such as church history, medical history, and the visual arts. It consists of five papers selected from a corpus of material researched over the past quarter of a century. It will be of interest to undergraduate and postgraduate students, as well as University lecturers.
As seen in the new movie The Post, directed by Steven Spielberg and starring Meryl Streep, here is the captivating, inside story of the woman who piloted the Washington Post during one of the most turbulent periods in the history of American media. In this bestselling and widely acclaimed memoir, Katharine Graham, the woman who piloted the Washington Post through the scandals of the Pentagon Papers and Watergate, tells her story - one that is extraordinary both for the events it encompasses and for the courage, candour and dignity of its telling. Here is the awkward child who grew up amid material wealth and emotional isolation; the young bride who watched her brilliant, charismatic husband - a confidant to John F. Kennedy and Lyndon Johnson - plunge into the mental illness that would culminate in his suicide. And here is the widow who shook off her grief and insecurity to take on a president and a pressman's union as she entered the profane boys' club of the newspaper business. As timely now as ever, Personal History is an exemplary record of our history and of the woman who played such a shaping role within them, discovering her own strength and sense of self as she confronted - and mastered - the personal and professional crises of her fascinating life.
Jehuda Reinharz, born in Haifa in 1944, spent his childhood in Israel and his adolescence in Germany, and moved with his family to the United States when he was seventeen. These three diverse geographies and the experiences they engendered shaped his formative years and the future of a prolific scholar who devoted his life to the study of the central role of leadership as Jews faced the challenges of emancipation and integration in Germany, the rise of modern antisemitism, the formation of Zionist youth culture and politics, and the transformation of Jewish politics in Palestine and the State of Israel. In this volume, eminent scholars in their respective fields extend the lines of Reinharz's research interests and personal activism by focusing on the ideological, political, and scholarly contributions of a diverse range of individuals in Jewish history. Essays are clustered around five central themes: ideology and politics; statecraft; intellectual, social and cultural spheres; witnessing history; and in the academy. This volume offers a panoramic view of modern Jewish history through engaging essays that celebrate Reinharz's rich contribution as a path-breaking and prolific scholar, teacher, and leader in the academy and beyond.
This book provides a comprehensive overview of the themes that make up the field of Historical Sociology. At its centre is the human individual as related to social and historical development. The key question it raises is who or what is responsible for the process of human history: society or the individual?
When History Is Personal contains the stories of twenty-five moments in Mimi Schwartz’s life, each heightened by its connection to historical, political, and social issues. These essays look both inward and outward so that these individualized tales tell a larger story—of assimilation, the women’s movement, racism, anti-Semitism, end-of-life issues, ethics in writing, digital and corporate challenges, and courtroom justice. A shrewd and discerning storyteller, Schwartz captures history from her vantage as a child of German-Jewish immigrants, a wife of over fifty years, a breast cancer survivor, a working mother, a traveler, a tennis player, a daughter, and a widow. In adding her personal story to the larger narrative of history, culture, and politics, Schwartz invites readers to consider her personal take alongside “official” histories and offers readers fresh assessments of our collective past.
White recalls his own career at home and abroad over the past forty years, the famous men and women he has written about and known, and the triumphs and shortfalls of the American system.
This memoir of Michelle Dunn Marsh's life and work as a book designer, cultural producer, and publisher unfolds through photographs drawn from the author's collection (featuring many prints gifted to her from projects, or obtained through trade), and notes on her formative encounters with some of American photography's master practitioners over the last twenty-five years.Portraits of her by Stephen Shore, Larry Fink, Sylvia Plachy, Will Wilson, and others punctuate a loosely chronological narrative exploring the author's evolution of seeing, the influences of family, education, geographies, mentors, and photography itself on that process, and her commitment to the printed book as a vessel of future histories.
This volume investigates the development of biographical study in African history and historiography. Consisting of 10 case studies, it is preceded by an introductory prologue, which deals with the relationship between historiography and different forms of biographical study in the context of Western history-writing but especially African (historical and anthropological) studies. The first three case studies deal with the methodological insights of biographical studies for African history. This is followed by three case studies dealing with personas living through fundamental societal transitions, and four case studies focusing on the discursive dimensions of biographical subjects (including religion, cosmology and ideology). Countries or regions discussed include South Africa, Zambia, Gold Coast, Cameroon, Tanganyika, Congo-Kinshasa and the Central African Republic in colonial times. Contributors are Lindie Koorts, Elena Moore, Iva Peša, Paul Glen Grant, Jacqueline de Vries, Duncan Money, Morgan Robinson, Eve Wong, Klaas van Walraven, Erik Kennes.