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In this book, a distinguished historian of medicine surveys the basic elements that have constituted psychological healing over the centuries. Dr. Stanley W. Jackson shows that healing practices, whether they come from the worlds of medicine, religion, or philosophy, share certain elements that transcend space and time.Drawing on medical writings from classical Greece and Rome to the present, as well as on philosophical and religious writings, Dr. Jackson shows that the basic ingredients of psychological healing-which have survived changes of name, the fall of their theoretical contexts, and the waning of social support in different historical eras-are essential factors in our modern psychotherapies and in healing contexts in general.
Sex and sexuality have always been the subject of much attention, both scholarly and popular. Yet, accounts of the early years of the United States tend to overlook the importance of their influence on the shaping of American culture. This book addresses this neglected topic with original research covering a wide spectrum, from sexual behavior to sexual perceptions and imagery, and more.
A wide-ranging exploration of the complex and often conflicting discourse on photography in the nineteenth century, Framing the Victorians traces various descriptions of photography as art, science, magic, testimony, proof, document, record, illusion, and diagnosis. Victorian photography, argues Jennifer Green-Lewis, inspired such universal fascination that even two so self-consciously opposed schools as positivist realism and metaphysical romance claimed it as their own. Photography thus became at once the symbol of the inadequacy of nineteenth-century empiricism and the proof of its totalizing vision. Green-Lewis juxtaposes textual descriptions with pictorial representations of a diverse array of cultural activities from war and law enforcement to novel writing and psychiatry. She compares, for example, the exhibition of Roger Fenton's Crimean War photographs (1855) with W. H. Russell's written accounts of the war published in the Times of London (1884 and 1886). Nineteenth-century photography, she maintains, must be reread in the context of Victorian written texts from and against which it developed. Green-Lewis also draws on works by Thomas Hardy, Nathaniel Hawthorne, and Henry James, as well as published writing by Victorian photographers, in support of her view that photography provides an invaluable model for understanding the act of writing itself. We cannot talk about realism in the nineteenth century without talking about visuality, claims Green-Lewis, and Framing the Victorians explores the connections.
Founding Friends is a history of day-to-day life inside the Friends Asylum for the Insane in early nineteenth-century Philadelphia. It uses an extraordinarily rich data source: the daily diaries that the Asylum's lay superintendents kept between 1814 and 1850. In their diaries, these men wrote about their own and their attendant staff's work. They also write about their patients: their conditions, the moral remedies applied, the medical prescriptions ordered by consulting physicians, the reasons for chosen treatments, and the responses of patients and staff to the particular interventions. The Asylum's lay superintendents also wrote with unusual candor and detail about their own and their attendant staff's feelings: about the joys and the frustrations of working daily with insane patients. These diaries offer a new perspective on institutional life. This book shows how intricate negotiations and shifting alliances among families, communities, patients, and staff emerge as the most compelling determinants of an institution's changing form and function.