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As Catholics in ever-growing numbers are taking part in Bible studies, many questions arise. How do I study the Bible? Where do I begin? Is it OK to interpret the Bible for ourselves? What Bible should I use? How can I understand such a deep book as the Gospel of St. John? This book has the answer to these and many other such questions. Stephen Ray takes the difficult and makes it easy; he takes the confusion and makes things clear. It gives a simple start for a beginner while providing the depth and profundity for the scholar. This book is one of a kind. It is the first extensive, easy to use and thoroughly Catholic study guide available. This Bible study provides extensive ""text boxes"" with detailed information that helps students discover the cultural, religious, historical and other information on the specific passage they are studying. It utilizes quotes for a wide range of scholars, historians and specialists to instruct the student and give valuable insights into the background and meaning of the text. This book can serve as a basic Bible study guide for working through the Gospel of John, helping the student plumb the depths of St. John's marvelous and deeply spiritual Gospel. It is excellent for use by individuals or groups, for families or schools.
Theodore of Mopsuestia serves as one of the most important exemplars of Antiochene exegesis of his generation.While charges of heterodoxy against Theodore may not be entirely justified, there remains an apparent dualism in his Christology that should be critically viewed in light of the later Chalcedonian formula. With this caution, there still remains much that is valuable for contemporary readers, whether preachers, students or lay people interested in the early church?s understanding of the Gospel of John. Here for the first time is a complete English translation of this valuable work, ably translated by Marco Conti and edited by Joel C. Elowsky.
This volume inaugurates a series of accessibly written yet substantive commentaries for use in Catholic universities, seminaries, and parishes.
Jean Vanier celebrates the gospel of John in his highly anticipated latest work, Drawn into the Mystery of Jesus through the Gospel of John. Thoroughly personal and inspiring, it challenges all Christians to encounter the fullness of life lived in close communion with God. Vanier writes: "These insights that I share in this book come from the life of Jesus in me ... They also flow from my life with people who are weak and who have taught me to welcome Jesus from the place of the poverty in me." Jean Vanier was a friend and influential mentor to the late Henri Nouwen. Toward the end of his life, Nouwen left Harvard to live and work at one of Jean Vanier's L'Arche communities. This was perhaps the most profound experience of Christianity Nouwen experienced. The thought and spiritual direction/discipleship of Jean Vanier is available to all in Drawn into the Mystery of Jesus through the Gospel of John.
From the time that pages of The Saint John's Bible began touring in major exhibitions nearly a decade ago, people have been moved, captivated, and inspired by this stunning work of modern sacred art. But they often have questions about the illuminations that are scattered throughout the Bible, especially as they first become familiar with it. Why was a certain Scripture passage chosen for illumination rather than another? What materials and source imagery are behind the illuminations? The Art of The Saint John's Bible provides answers to these important questions and many others. Initially published in a series of three volumes, each book has now been revised by the author and included together in this helpful single volume. SinceThe Saint John's Bible is now complete, Susan Sink makes connections between recurring images and motifs throughout the work and reflects on the images with a view to the whole. Her book promises to intensify and expand the experience of all who come in contact with The Saint John's Bible.
The book examines six long narratives of the Fourth Gospel, arguing that they are best understood as 'symbolic narrative'. They display a unique cohesion of symbol and narrative: the narrative unfolds the symbol and the symbol draws out the narrative. This process occurs as the character struggles to understand the symbolic meaning. The structure develops in five Stages: the establishing of a 'sign', image or feast (Stage 1); misunderstood in materialistic terms (Stage 2); the struggle to understand the symbolic meaning (Stage 3); the acceptance or rejection of that meaning (Stage 4); a confession of faith or statement of rejection (Stage 5). The symbolic narratives reveal how material reality becomes symbolic of the divine. Just as the flesh of Jesus is the symbol of divine glory, so material reality now has the potential for symbolizing God. Flesh has no independent existence; its value lies in its symbolic role. This parallels the cohesion between form and meaning. Just as the flesh is given value in symbolizing the divine, so narrative form is of value in disclosing theological meaning. The implied reader is drawn into the drama of the symbolic narratives to make the authentic response of faith.
In this useful work, C. Kingsley Barrett offers an insightful commentary on the book of John. Barrett seeks to view John in light of a variety of contexts, including that in which it was written, and its implications for modern-day readers. The book includes detailed notes and commentary on each chapter of John's Gospel.